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Guy Hollaway Architects + The Gas Station Restaurant King’s Cross London

Pump Up the Jam

It was the petrol filling station with a shop where clubbers would call in for bottles of water on their way to Bagley’s rave when the back of King’s Cross was an urban desert. Then the team behind Bistrotheque, one of Hackney’s most popular restaurants, opened a pop up called Shrimpy’s at The Filling Station in July 2012. Behind architects Carmody Groarke’s undulating fibreglass screen, the station forecourt was transformed into an outdoor seating area and the former kiosk turned into a 50 cover Latin American seafood residence. The meanwhile use would become permanent; the temporary building would remain just that.

In the days before Small Plates, the menu was traditional in its order of Starters, Main Courses and Puddings, while modern in its ingredients. Typical courses were seabass ceviche, plantains (£8.50); monkfish, quinoa, almonds, courgettes (£19.00); and poached quince, crème fraîche, almonds (£6.00). Cocktails (£8.50 to £9.00) included Lavender Tea: gin, lavender, grapefruit, camomile tea. Pound signs were stripped off the menu in a futuristic nod to minimalism. Unusually for its time, Shrimpy’s was cashless. Another sign of things to come was the 12.5 percent service charge when 10 percent was the norm.

It was all terribly buzzy; we sat up at the bar next to the singer Bryan Ferry. We attended the Christmas tree press party a few months later in December 2012. Clearly full of the joys, after dashing from Ballymore’s Embassy Gardens launch party in Vauxhall, we reported, “Across town, we joined opera singer Camilla Kerslake and fashionistas Giles Deacon and Jonathan Saunders at King’s Cross Filling Station. The tenuous editorial link? Vauxhall. A Christmas tree made out of Vauxhall Amera car parts was unveiled. Moving parts mechanically grooved to a techno beat as fluorescent orange light and frosted air filled the forecourt. Lady Gaga’s erstwhile designer Gary Card dreamt up the tree. Mince pies, mulled wine and dancing kept us warm.”

Gin Works – a bar, restaurant and micro distillery for Kent winemaker Chapel Down – took Shrimpy’s place in 2017. Guy Hollaway Architects, the practice behind Rocksalt restaurant on the harbour front in Folkestone, designed a replacement two storey building with an industrial aesthetic. The entrance along Goods Way is set in a curved sweep of finned coloured glazing. The Regent Canal elevation is framed by the fragments of a cast iron Victorian gasworks. Cladding maintains the pop up appearance. After Gin Works closed, the owners of Camden Town Brewery and Mare Street Market in Hackney opened The Gas Station in the building in 2021. A wild garden designed by Richard Wilford, Head of Garden Design at Kew Royal Botanic Gardens, surrounds the beer garden overlooking the canal.

The buzziness is back. We’re sat at a marbleised top table for two on the ground floor of the two storey restaurant and bar. There are wallflowers (not us) climbing up the staircase walls. Sticking to savouries for sharing, Snacks are mushroom arancini, porcini mayo (£7.00) and whipped cod roe taramasalata, toasted flatbread (£7.00). Small Plates are mussels and clams on sourdough, garlic, lemon, samphire (£11.00) and blackened leeks, nori, leek aioli, warm hazelnut vinaigrette (£9.00). Our Large Plate is aubergine steak, smoked babaganoush, sourdough croutons, caponata, basil (£14.50). The vibe is high end pub grub. Cocktails are a speciality of the bar at The Gas Station. Monte Mule (£11.50) is Amaro Montenegro, Old Jamaica Ginger Beer and lime. “Gas” is Dublin slang for great fun. And The Gas Station is just that.

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Architecture Art Design Developers Fashion

Ballymore + Embassy Gardens Marketing Suite Nine Elms London

Brand New 

1 Embassy Gardens copyright lvbmag.com

Unless you’re experiencing a news blackout or enjoying an extended break on Vamizi Island, you’ll no doubt be aware of a rather large reimagining of real estate between Battersea and Vauxhall. Largest in the UK, no less. It’s here that Ballymore Group has launched its stars-and-stripes flagship scheme. Embassy Gardens is bang next door to the US Embassy, heading that way in 2017.

2 Embassy Gardens copyright lvbmag.com

The marketing imagery is mind blowing. This – almost – abandoned stretch of the Thames until now mostly known for dodgy nightclubs will soon be populated by swathes of apartments, a hotel, Linear Park and best of all a brasserie from the guys who brought us Bunga Bunga (sing for your supper). Rebranded Nine Elms on the South Bank, it’s masterplanned by Sir Terry Farrell. He calls it “London’s third city”.

3 Embassy Gardens copyright lvbmag.com

Embassy Gardens is one of the biggest pieces in this regeneration jigsaw. Key player Ballymore will deliver nearly 2,000 homes including “luxury suites” to borrow the sales speak. Founder, Chairman and CEO Sean Mulryan says, “For nearly 30 years, Ballymore has been responsible for some of the best known and most ground breaking developments in London… with Embassy Gardens we have continued to set new standards. We believe that a marketing suite should truly reflect the vision of the neighbourhood. The marketing suite at Embassy Gardens is not only architecturally striking from the exterior but its interior captures the distinctive design and aesthetic of our apartments.”

5 Embassy Gardens copyright lvbmag.comBranding and marketing are more than pictures and conversations. Punters want to experience upfront what it’ll be like to live in a new scheme. Gone with the wind are the days when show flats resembled a Changing Rooms episode stuck in a first phase surrounded by diggers. Well, in London anyway. Embassy Gardens’ marketing suite – or should that be show building? – is a destination in itself. Big names add credit(s) to its kudos. Architecture by Arup Associates. Interiors by Woods Bagot. Gardens by Camlins. Review by Lavender’s Blue.

6 Embassy Gardens copyright lvbmag.comThree sides of an enigmatic opaque glass box hover over the clear glazed walls of the ground floor exhibition space. Translucency and transparency; concealment and legibility. Its august angularity acts as a striking riposte to the zigzagging ziggurats down the river. The box contains two floors of show apartments. Their floorplates are set back from the building envelope to accommodate balconies which project like open drawers into a void over the main entrance. This allows for sectional brochure photographs which otherwise would be entirely impossible to capture.

Woods Bagot has taken branding to a whole new level. Let’s hear from John Nordon, Design Intelligence Leader: “We set out to create beautiful spaces that any architect would be proud of. But it was equally important that the project was a commercial success to our client. To achieve this, we integrated the design process with brand marketing and sales. We want people to be sold on the Embassy Gardens brand first and foremost. The brand values will provide reassurance regardless of the budget and needs of the buyer. This strategy is the norm in the world of consumer goods companies but is new to residential redevelopment.”

 

He believes with the advent of the wireless era, domestic design technology infrastructure is redundant. Instead Woods Bagot has created space for hardware such as laptops and tablets to blend effortlessly into the interiors. “The aesthetic is inspired by, but does not mimic, classic 1950s American design,” says Jonathan Clarke, Woods Bagot’s Head of Interiors in Europe. “Attention to details such as walnut veneers and ceramic door and drawer handles reinforces the sense of solidity and good taste.” Palm Springs springs to mind. Anyone for Malibu? We do get around a lot but were seriously impressed by these show apartments. Great use of ceramic tiles too: vertically oriented running bond pattern in the bathroom and a wallful in the living area.

7 Embassy Gardens copyright lvbmag.comNot only can the inside of the apartments be experienced before Embassy Gardens is even up to plinth height; so can the view. The third floor of the marketing suite opens from a Philip Johnsonesque pavilion onto a roof terrace. Flowing by, the Thames makes its way from Chelsea Bridge to Vauxhall Bridge. So current. The terrace was the setting for the picnic themed launch of the Linear Park. Ginger beer, baskets of sandwiches and boiled sweets at the ready. Enid Blyton eat your heart out.

9 Embassy Gardens copyright lvbmag.com

Camlins’ meadow garden wraps around the marketing suite, giving a foretaste of what’s to come. Linear Park will incorporate “open green commons as well as enclosed garden squares and majestic tree lined streets” confirms Huw Morgan, Director of Camlins. The contrast with the building is palpable. Control and informality; a great architect and the Great Architect. A marketing suite by default is a meanwhile use. This one should be kept and not just for Christmas. From all at Lavender’s Blue have a good one. And from opera singer Camilla Kerslake.

Camilla Kerslake

Across town, we joined fashionistas Giles Deacon and Jonathan Saunders at King’s Cross Filling Station restaurant. The tenuous editorial link? Vauxhall. A Christmas tree made out of Vauxhall Ampera car parts was unveiled. Moving parts mechanically grooved to a techno beat as fluorescent orange light and frosted air filled the forecourt. Lady Gaga’s erstwhile set designer Gary Card dreamt up the tree. Mince pies, mulled cider and some dancing kept us warm. Sláinte!

Xmas Tree