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Fordwich Arms + Fordwich Town Hall Kent

Correct London Grammar

There’s nothing wrong with a pint of cider and scampi fries in your local. But we’d prefer the pescatarian tasting menu with Berry Brothers and Rudd of St James’s­­ wine thank you. Fordwich, eight kilometres north of Pett Bottom in Kent, is apparently England’s smallest town. Fordwich Arms is a gorgeous 1930s mock Tudor brick without half timber building. It looks like one of Walter George Tarrant’s houses on St George’s Hill Estate, Weybridge, Surrey. A curvilinear gable over the entrance is a welcome whimsical touch. The pub is opposite the 1540s real Tudor brick with half timber Fordwich Town Hall, apparently England’s smallest and oldest town hall in use. The Norman Church of St Mary behind the pub walled garden complements this tranquil grouping.

We’re lunching in the dining room accessed through the main bar. Cast iron framed windows are open to the walled garden on one side and the riverside terrace on the other. In good ol’ Tudorbethan style, the room is linen fold panelled with a stone fireplace. Fashionable visible bulb lights are the only wall decoration. The dining room is simply furnished: Ercol chairs and matching table tops balanced on cast iron legs on a timber floor. No boozer clut here: not a Toby jug or faded photograph of the high street in sight.

The unmistakeable cosmopolitan air (and not just us) is no coincidence. Londoners run the show. Chef Patron Daniel Smith worked for Jason Atherton’s group and then The Clove Club. His wife, Pastry Chef Owner Natasha, worked at Chapter One in Locksbottom, Kent, and latterly at Rocket events company in London. The Smiths are joined by Sommelier Guy Palmer-Brown. They’re all the same age and ridiculously young: 28 years old. Fordwich Arms is celebrating its second birthday. Daniel recalls his 17th birthday dinner at The Fact Duck in Bray, Berkshire, as being a directional moment towards his chosen career.

The serving staff possess encyclopaedic knowledge of each course and micro course. It’s the catering version of old masters dealing – they’re heavy on provenance. Just as well the pub backs onto the Great Stour River and the north and east coasts of Kent are five kilometres and 17 kilometres respectively away as all the savoury courses are a hymn to seafood. Getting even more local, their bread and butter is churned on site. A kitchen favourite is soda bread (very Northern Irish!) but we’re served rosemary focaccia with garlic cloves as well as wheaten bread made from the Chef’s mother’s recipe. Mrs Smith senior is from County Wexford.

After a trio of prettily colour coordinated amuse bouches come five fishy dishes which stretch that provenance the full length of this island. Confit chalk stream trout, oyster, pea and gooseberry sets the pace. Isle of Wight tomato, lemon verbena and Cornish caviar gathers knots. Roasted Orkney scallop, brown butter, applied and spiced scallop sauce makes waves. South coast brill and warm tartare sauce is a splash of panache. Line caught hake, celeriac, young leek and Madeira completes the culinary coastal voyage. Hit after hit of retronasal olfaction and satisfaction. Local and national produce; capital style and British brilliance. The plates themselves have varying textures and tonality – very Michelin. The Merchant’s White is just what a lover should be: rich and full bodied.

Top London chefs love their signature dishes (think County Antrim born Clare Smyth and her potato) and Daniel is no exception. While he manages to sneak in a perfectly formed potato mound side dish, it’s the Snickers bar pudding that’s his pièce de résistance. Delicately deconstructed then rigorously reconstructed as a sponge log with its skin of hard chocolate removed and ingredients (peanuts and caramel) placed on top, it’s gastronomy’s answer to the Centre Pompidou in Paris. Gold leaf is a nice reference to chocolate box wrapping.

The primacy effect (start of a meal) and regency effect (end of a meal) tend to stick in our minds. Not so, this lunch. Every morsel is memorable. We’ve eulogised for seven paragraphs now on the glories of Fordwich Arms; the Michelin Guide (the pub gobbled up a star almost instantly) is more succinct: “High quality cooking, worth a stop!” It’s a long stop for us: we reluctantly depart at 4.30pm as our car pulls up outside. A golden retriever keeps watch at the entrance. There mightn’t be a beer stained carpet but Fordwich Arms has kept one pub tradition going: it’s dog friendly.

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Town Hall Hotel + Typing Room Restaurant Bethnal Green London

Indefinite Article | Our Type

Goodness. Two far east trips in one season. We’ll be in Ichinomiya by spring at this rate. Nuala was well worth the trip for midweek frolics. Hopes are riding high for Saturday lunch in Typing Room. We’re liking the name already, even minus its definite article, spending half our lives typing up storms. We’re here to snatch the three course (plus snack) set lunch menu. It’s fashionably short: two options per course. Fortunately it caters well for pescatarians:

We’re very partial to Michelin style madness and had been reliably informed to expect multisensory sensations. Cow bells ding-a-ling? No; just lively piped music towards the close of the afternoon. Surely foam at the very least? Our sense of anticipation rises. One of our carnivorous companions chooses the venison. Will it vaporise upon arrival with said guest merely left to inhale the gamey scent as if the doe was gracefully passing by on a moor? Before being shot dead? Not quite: it arrives solidly three dimensional, delicately seared, with the closest nod to starry styling being its geometric presentation (an oblong cut next to a cabbage roll). Belcanto’s fag ash butter pushed boundaries; Typing Room’s marmite butter is easier to love.

The snack is really an oversized amuse bouche, crispy and colourful, balancing on a rolled linen napkin. The crab is pure seefood. See it. Eat it. Delish. The brill is brill (sorry, couldn’t resist). Honestly, it’s as light and wholesome as our writing (we weren’t once described as “architecture’s answer to Hello! magazine” for nothing). Sheep’s yoghurt was but now isn’t on the menu. Pity. We could eat sheep’s yoghurt till the cows come home. But a colourful cacophony (pudding arrives to the beat of that lively music) of sweet meets savoury is worth writing home about. Under the aegis of Jason AthertonCity Social (his goat’s cheese fritters with honeyed white truffle oil are particularly memorable) being one of his many other forays – is Executive Chef Lee Westcott who formerly worked for Tom Aikens.

The restaurant is naturally lit by large sash windows on two sides. A central chimney breast divides it into two spaces. We’re in the larger space, overlooking the kitchen with its eight rolled-sleeve-white-shirted-navy-aproned-mostly-bearded staff. Walls are painted an inky charcoal grey. Seats look Scandinavian and must be comfortable because, afterwards, well, we don’t remember if they were or not, and you always remember uncomfortable chairs, don’t you?

Typing Room is in the same building as the five star Town Hall Hotel (lack of definite article clearly being a theme). It’s a sturdy Portland stone monument to municipality designed by Percy Robinson and Alban Jones in the final year of the Edwardian era. It was added to 30 years later in a similarly robust manner. Rare Architecture completed the recent conversion adding a daring metallic intervention. Or “abstracted veil” in the words of architect Nathalie Rozencwajg. The interiors are furnished to reflect all these eras: neoclassical antiques; vintage mid century pieces; and contemporary sculptures. Eclectic and eccentric: a doll’s house cupboard here; a dentist’s chair there. And – holy cow – a big yellow fish. Taxi!