In the property industry, for every floor you go up, a premium is added. Room with a view with a price tag. Presumably there’s a surcharge in the hospitality industry for a table with a view. The Hilton on Park Lane isn’t a universally beloved feature of London. Even the Queen has complained about its architecture (usually she leaves that to her eldest offspring). One way to guarantee the hotel doesn’t blot your horizon is to eat on the 28th floor. There you can see just about every other landmark from Battersea Power Station to Buckingham Palace (at Her Majesty’s displeasure). We’re looking down on The Lanesborough. We’re looking for Isabel. A frenetic excursion in Gurskyism.
The interior of Galvin at Windows by designer Keith Hobbs (who did up Nobu and Shoreditch House) is unfussy retro luxury: all husky creams and musky greens and dusky greys. A galvianised bronze ceiling sculpture unfurling like a giant Christmas cracker across the ceiling towards the view is the only bow to bling. That, and the chunky golden sculpture in the adjacent bar. More of that shortly. In this most English of settings, Chef Patron Chris Galvin has created seasonally inspired menus focused on modern French haute (no pun) cuisine. Head Chef Joo Won caters for an international audience. All Michelin starred of course(s). We opt for the menu du jour. Chris was, as you may know, the opening head chef of The Wolseley five or six years ago.
With a sense of abandon, we can but only reach for rococo hyperbole, revel in baroque pleasure and roll in art nouvelle cuisine. A radical polychromatic dream of texture and flavour. And that’s just the operatic note striking the end of the afternoon: passion fruit and dark chocolate truffle petit fours. Lady Londond’ry would approve. Mourne Mountains of diced and sliced and spliced squid, celery and seaweed come hither, as crisp as a County Down spring day. More than the title deriving mere pie, a main of vegetable tarte fine, cauliflower purée, roasted mushroom and onion juice is a distinctive essay in deconstructivism. That sculptural disruptor in the bar next door – all circles in metallic squares – transcends spheres as pink (think Diana in Savannah) praline mousse, chocolate ganache and (oh, our favourite!) marzipan ice cream. Sometimes, there’s art in simply eating.
Ok, so we’ve nabbed the best table in Galvin at Windows. Good. What’s the opposite of social Siberia? A bay window practically levitating over Hyde Park. Well, it feels like California till the auto blinds descend and the air con turns up a notch or 12. Actually the three pronged propeller shape of the Hilton, gloriously inefficient to build, does generally afford delicious views (who said the hotel’s architecture was crap?). The Thames is invisible, hidden in a sea of greyness and greenery, a chaotic urban mosaic. Wait a minute! What’s that shimmering reflection? We glimpse a pale sapphire pool cradled between the catslide roof of Montevetro and the witch’s hat roof of Chelsea Harbour Tower. There you go, the Thames reduced to a jewel. And, as it turns out, all for no extra than the table stuck next to the kitchen. It’s Good Friday. The Bishop of Stepney, who promotes the reenchantment of society, says, “Live well | Live life to the full | This life is not the end.”