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Architecture Luxury People Restaurants

Bermondsey Larder London +

Dairy Air

Despite living a Cacklebean egg’s throw from The Dairy in Clapham for all eight years of its existence, we never quite made it to that renowned restaurant. Fortunately, sometimes you can repeat the past or at least extend a presence, for The Dairy has reopened as Bermondsey Larder, a shortish south London drive away. Dublin born co owner Chef Robin Gill trained in classical cooking at The Oak Room (once in the Hyde Park Hotel London) run by Marco Pierre White. He met his wife Sarah, who’s also now a co owner Chef, when they were both working at Le Manoir aux Quat’Saisons (still going strong in Great Milton Oxfordshire) run by Raymond Blanc.

The Gills’ other enterprises include Darby’s, a New York style restaurant close to the American Embassy in Nine Elms, and Sorella, a neighbourhood bistro in Clapham. Fashion designer Zandra Rhodes trailblazed the rejuvenation of Bermondsey when she opened her Fashion and Textile Museum on Bermondsey Street in 2003. Its shocking pink exterior matches her shocking pink hair. The surrounding warehouses have all been converted now to apartments and workspaces. Bermondsey Larder is on the ground floor of a new mixed use development next to Newhams Yard off Tower Bridge Road. Meanwhile uses like nearby Vinegar Yard, a collection of prefab style eateries and bars, keep the area vibrant and constantly changing.

The restaurant’s airy interior is eclectic industrial with white painted exposed ceilings and polished concrete columns. It’s several times larger than the petite Dairy. A variety of tables, banquettes and bar seating is complemented by mismatched crockery. There’s a central tiled bar and metal framed kitchen hatch. The industrial chic reaches a zenith in the unisex bathroom with trough basins and factory taps.

Robin and Sarah’s aim is “to create memories” or sometimes “to create memory loss”, the latter presumably depending on the volume of Pebble Dew sauv blanc consumed. Their goal for The Dairy was “to create an experience as close as possible to dining by a farm or coastline a in central London with direct relationships to our beloved purveyors from the land and sea”. The same goal applies to their new establishment. The word “larder” has a comforting old fashioned feel to it, but while the duo’s is clearly well stocked, this is cutting edge cuisine.

The brief menu is divided into starters, small plates, large plates and puddings. Going vegetarian, we share potato and rosemary sourdough with smoked butter followed by broad bean dip, onion chutney and heritage radishes. The sharing continues with tartlet of grezzina courgette and Westcombe ricotta, then grilled English asparagus, Cacklebean egg and furikake. Cauliflower is the vegetable of the moment in London so we opt for a roasted one with coco beans, almond and sorrel. Whey poached loquats, natural yoghurt and seeded honey tuiles complete the gastronomic journey. SW4’s loss proves to be SE1’s gain.

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Architecture Luxury People Restaurants Town Houses

Marco Pierre White + The Dining Club Deal Town Kent

The First Supper

Dinner, tea or supper? Such nuanced lexicology surrounds the evening meal, steeped in geographical locale and riddled with class distinction. There’s something Biblical sounding about the latter term for eating. Of course, the “last supper” merits three mentions in the New Testament. And what a meal, loaded with symbolism, sacrifice, tradition, love, betrayal.

On a Dickensian window in Deal Conservation Area (a maze of smugglers’ alleys) a sign reads: “The Dining Club is an unusual style of dining venue. It is unique in that you book a table and will be seated in individual dining rooms that feel more like a private dinner party than a restaurant. We have five different rooms each decorated in their own contemporary Georgian style, each having its own ambience.” Tonight though, it’s supper at home.

“Well it was night,” wrote Gertrude Stein in her masterwork The World is Round, 1939, “and night well night can be all right that is just what a night can be it can be all right.” As night falls, it’s time to enjoy The Dining Club’s themed fare. The inspiration is Marco Pierre White, arguably Britain’s first celebrity chef and proponent of “classic things done very well” cooking. The vegetarian option for starter is goat’s cheese, beetroot and orange terrine, bitter leaf salad and homemade bread. Main course is walnut, blue cheese and tomato stuffed cabbage with sage and onion bonbon topped by thyme cream. More than all right.

Outside, the majestic amber light descends, turning every corbelled cornice to don’t go yet.

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Architecture Art Design Hotels Luxury People Restaurants

The Berkeley Hotel Knightsbridge London + Breakfast

Apsley Fabulous

Lavender’s Blue. Some colours are legendary. And others become synonymous with places. The Blue Bar is always The Berkeley Hotel. The hangout of the bold and brilliant and beautiful down from Apsley House. Every era has one. A London fine dining defining interior designer. Currently, it’s Martin Brudnizki. At the end of last century, no restaurant or wine bar was complete unless David Collins had transformed it. The late Dublin born artist used a striking Lutyens Blue hue, a dusky cornflower, to create the most memorable interior in Knightsbridge just as the new millennium dawned. In a touching posthumous tribute, The Berkeley called up David Collins’ protégé to dream up a dining room named after his master. Robert Angell employed some of David Collins’ favourite motifs, from a white onyx bar to a Soaneian use of mirrors. Some designers are legendary. And others become synonymous with places. Lavender’s Blue. Breakfast in bed, even The Berkeley variety, means casually leafing through magazines, preferable the vintage variety. Although inclusion of today’s Times is a nice touch. Here’s the September 1999 edition of Wallpaper* magazine:

“There’s no denying that the acrimonious and much publicised art appreciation tiff between Damien Hirst and new Quo Vadis owner, Marco Pierre White, was bound to draw in curious diners and art lovers alike. But David Collins’ pleasing refit and the culinary skills of ex Ivy maître d’ Fernando Peire are two good reasons to return.  Leather banquettes break up the room, a marked improvement on its previous cold refectory incarnation. Though not hugely original, the food is exquisite, just as we have come to expect from a MPW establishment; lobster, poulet noir and a variety of risottos are all on offer to a discerning clientele. The controversial conceptual art by Marco Pierre White is more than a little reminiscent of that of Damien Hirst, though much cheekier, especially our favourite, the aptly named ‘Divorce’ – a copy of Hirst’s dot painting, but with four perpendicular slashes – ouch. The Private room at the back boasts Thirties New York green leather walls created by the ubiquitous Bill Amberg. The skeletons have been ripped out of the upstairs bar, and the refit’s final stage will include  a bar for the restaurant as well as a members’ bar called ‘Marx’ in homage to the great Karl who lived on this site. Admittance will depend on whether or not Fernando likes you – so start sending flowers and chocolates now.”

As always, what does Gertrude Stein have to say about breakfast in her 1914 Tender Buttons? Rather a lot as it turns out. Here are a few of her rich pickings, “A sudden slice changes the whole plate, it does so suddenly.” And, “An imitation, more imitation, imitation succeed imitations.” And, and, and, “Anything that is decent, anything that is present, a calm and a cook and more singularly a shelter, all these show the need of clamour. What is the custom, the custom is in the centre.” A candy striped strawed bottle of ‘Berkeley Boost’ – freshly squeezed carrot, orange, turmeric, apple and ginger – followed by a homemade croissant and almond pastry; fruit salad; Scottish smoked salmon, cream cheese, rocket with Annabel’s style linen tied lemon bagel; Greek yoghurt, granola, Acacia honey and strawberries; and a celebratory chocolate cake topped with raspberries. The portions are so indulgent this ain’t breakfast in bed – this is breakfast, brunch, afternoon tea and supper between the duvets. All to be taken laying down. All on Aunt Margery’s best linen and tea set. Some breakfasts are legendary. Lavender’s Blue.