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Architecture Country Houses Design Luxury People

Cadogan Hall + Inchbald Private View London

Hip to be Square

Hermione Russell Inchbald © Lavender's Blue Stuart Blakley

Is it just us or does the world really revolve around Sloane Square? Is it seriously the epicentre of gravity and gravitas? Everybody knows everybody in Café (Colbert) Society. There are no Sloane strangers. First it was the Chelsea Flower Show. Then Masterpiece. Now Inchbald. We’re off to Cadogan Hall to discover the next Sister Parish and Gertrude Jekyll at the end of year show. Well past its half century, the Inchbald School of Design has been instrumental in raising the profile of design in this country. Its founder Jacqueline DuncanMrs Duncan OBE to you – is reining principal. Not content with founding the first interior design school in Europe, she soon expanded the syllabus to incorporate garden design courses. Past lecturers have included David Hicks and alumni frequently reach single name status: Henrietta, Nina, Zaha.

Cothay Manor, a star of Country House Rescue, is revisited by Postgraduate Diploma in Architectural Interior Design student Hermione Russell. Ever since her History of Art BA, Hermione has focused on country house architecture. “I’ve reimagined Cothay Manor, which dates from the 1400s, as a bed and breakfast in the countryside. I wanted to instil a sense of belonging into the interiors,” she explains. “I’ve sandblasted the beams of the low ceilings to make spaces appear more airy.” Her drawings reveal a contemporary reinterpretation of Edwardian notions of sweetness and light. Think Lutyens at Knebworth or later Aileen Plunket at Luttrellstown Castle. “The bedrooms are named after wild flowers,” says Hermione, carrying on a country house tradition. Take Dundarave, Northern Ireland’s finest estate on the market. It sticks to colours for the names of the seven principal bedrooms. The Blue Room, Pink Room, Green Room, Yellow Room, Red Room, Brown Room, Bird Room (which begs the question what hue is the plumage?). The 12 secondary bedrooms remain anonymous.

From the great indoors to the great outdoors. Postgraduate Diploma in Garden Design student Anastasia Voloshko’s exhibition is entitled Seam Maze Limassol Promenade. “Limassol is Cyprus’s most international city,” says Anastasia who has also studied interior design. “It’s a crossroads of different cultures and languages. My concept was to use the spectacular background of the sea and translate its deep mystery onto the land.” An organic flow of contours and materials emerges, connecting the rocky shore to the modern city. Again, a reinterpretation of traditional forms – a rock garden, pool, box hedging – creates a refreshed language, a new geometry for our times. “I am inspired by many things,” she ponders. “A nice mood, the sky, a song, a painting… sometimes my best ideas come out of nowhere!”

Seam Maze Limassol Promenade by Anastasia Voloshko Lavender's Blue

Two very different projects. Two very different voices. Yet both Hermione and Anastasia tell us, “Going to Inchbald was the best professional decision of my life!” Inchbald School of Design continues to equip new generations of graduates with the skills to create houses for gardens and gardens for houses and places for people.

Anastasia Voloshko Inchbald © Lavender's Blue Stuart Blakley

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Design Luxury People

Savoir Beds London + Alistair Hughes

To Know Is To Love

1 Savoir Beds copyright lvbmag.com

When Linda Evangelista uttered the immortal words that she wouldn’t get out of bed for less than $10,000 she probably was draped across a Savoir bed. “It would be easier to think of famous people who don’t sleep on one of our beds!” says Savoir Beds’ chief executive Alistair Hughes. “After all, our raison d’être is to be the best beds in the world.” Nowadays you are more likely to be holding a laptop than court in bed but Savoir continues to instil a sense of majesty in the piece of furniture on which you spend one third of your life.

3 Savoir Beds copyright lvbmag.com

To celebrate the 60th anniversary of the Queen’s Coronation, Savoir has launched a limited edition of the Royal State Bed. Designer Mandeep Dillon looked to Hampton Court Palace for inspiration. The result is a half tester, a reinterpretation of the palace’s Angel Bed. Its side curtains are flat, not gathered, and padded to give a tailored finish which accentuates the five metre height of the bed. A high base and mattress maintain the regal proportions. It takes craftsmen over 600 hours to make the Royal State Bed – 70 hours alone go into the crest embroidery. Taking account of the workmanship, the visible materials (silk damask drapes) and the hidden (blond Latin American horse tail and Mongolian cashmere wool in the mattress), little wonder it costs six figures, a king’s ransom, to buy.

Alistair started working life as a management consultant before deciding he “wanted to do something different”. We are on a tour of the “bedworks”, surely London’s most pristine workshop. Craftsmen are tidily engaged in intricate tasks, box springs and toppers under construction resembling abstract artworks. “A workshop should be clean,” he believes. “How can you produce something great if the environment is cluttered? It would reduce efficiency, otherwise. Besides, we still get clients coming to visit us here. People like to see us at work.” For those who don’t make it to the bedworks, there are showrooms on Wigmore Street and on the King’s Road plus a concession at Harrods. The company which was first started in 1905 to produce beds for the Savoy Hotel has gone worldwide. “We’re opening our third Chinese showroom this year,” Alistair confirms.

He bought the company in 1997 when ownership of the Savoy Hotel was being broken up and has gradually rebuilt the brand, opening a further bedworks in Treforest, south Wales. “Heritage, quality and craftsmanship” are what make Savoir tick – and ticking. “Our beds are fitted to clients’ needs, just like a Savile Row suit. Every bed is ‘bench made’.” In the UK mattresses tend to be zipped and linked for double beds, each side different. Americans apparently prefer whole mattresses. The Trellis Ticking, woven from linen and cotton, was designed by the founder’s wife Lady D’Oyly Carte and is still used. “It’s a fantastic industrial design,” enthuses Alistair. “The grid pattern enforces symmetry and provides a structured guide for where to stitch on other parts like the handles.” She clearly wasn’t just a pretty name.

“We’re not wedded to the past though. We exploit what’s best, embracing advances in technology where appropriate, while using natural materials.” Headboards are totally bespoke and unusual requests range from designs in the shape of burlesque dresses to airplane wings. “However most people opt for the house style they see in our showrooms,” he says. “I like very simple things myself. In St Petersburg, gold claw feet are popular. Horses for courses – the sky’s the limit!” Many of the supremely high quality fabrics used are from John Boyd Textiles mill in Somerset. Savoir has worked with most top designers. Nina Campbell and Mary Fox Linton are just two of them. Check the mattress label the next time you’re in a top hotel and there’s a good chance it will be Savoir. Chewton Glen and Home House are just two of them.

The business model is that, again like a Savile Row suit, work only begins when an order is received. “We don’t keep stock,” says Alistair. At completion of each stage of manufacturing a double check is made. The bed is then fully assembled, checked a final time and photographed as a reference for setting it up. If its onward journey is far, a wooden carrying case is made. “There are 700 springs in a single bed,” explains Alistair. “Three sizes of wire are used depending on the firmness of mattress required: 1.6 millimetres in diameter for a firm mattress; 1.4 millimetres for medium and 1.25 for soft. That’s only 0.35 millimetres difference between the two extremes and yet it makes such an amazing difference.” Spooky, Alistair’s Boston Terrier, has her own bed in the bedworks. Savoir, of course.

 

 

 

Categories
Design Luxury People

Jacqueline Duncan OBE + Inchbald School of Design London

The Graduates

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There was even more than usual to celebrate at this year’s Inchbald School of Design Spring Lunch. Over 80 percent employment success rate for last year’s crop of graduates (the post boom national average hovers below 30 percent) would be enough for most schools to uncork the champers. But there’s more. The trailblazing founder and Principal, Jacqueline Duncan, has ensured the school has now remained top of its game for more than half a century. There’s more still. The icing on the baked vanilla cheesecake with berry compote is Jacqueline has been awarded the Order of the British Empire. Her husband, Colonel Duncan, raised the toast to her accomplishments at the Cavalry and Guards Club on Piccadilly.

3 Jacqueline Duncan Inchbald lvbmag.com

Looking immaculate as ever, in between courses of home cured gravadlax, asparagus, charred artichoke and quails egg salad followed by poached salmon and fennel carpaccio, Jacqueline revealed the origins of Inchbald. “My first husband (who died recently) Michael Inchbald and I had a big house in Chelsea. We’d a 40 foot long drawing room. Upstairs was a big apartment on the first floor. We had dances there but otherwise it was an empty space.” Jacqueline soon had plans for putting it to good use.

“I’d no managerial experience. Before getting married I worked as a secretary and then I became an antiques dealer.” This didn’t hinder her deciding to launch the first interior design school in Europe. The year was 1960. “It was terrifying! I needed seven students to cover costs for the first term. The Monday before it opened I had my first applicant. That was all. But by the following Monday I had eight. It did become less terrifying as time went on. The following September I had 40 students.” Inchbald was the first of its kind to offer interior designers qualifications leading to professional status.

So what is the secret of her success – and longevity? Turns out to be a mixture of things. “I employed very good lecturers from the outset. Most of them were practising designers themselves. We ran a very successful PR campaign. It was fantastic! I didn’t lose a night’s sleep. It was a lot of hard work though.” The hard work has paid off. Inchbald’s syllabus now ranges from postgraduate and masters courses to introductory online courses. The internationally renowned school embraces interior design, interior decoration and garden design. It’s long outgrown Jacqueline’s former first floor apartment. “We now have six directors at our school at Eaton Gate and Eccleston Square,” she confirms.

An OBE for services to design is the latest and greatest accolade to be bestowed upon the debonair doyenne of design. “I stick with quality! It’s terribly important to me. Other people don’t. I’m so particular about quality,” Jacqueline emphasises. This is the lady who told Mrs Thatcher to go get her hair sorted and gave the then prime minister the name of her own hairdressers. Mrs T was spotted in the salon the following week. “Extending the perception of quality is Inchbald’s underlying philosophy. It’s been a lifetime’s work.”

Jacqueline Duncan still carries out her Monday and Friday morning walkabouts of Inchbald. She’s a lot to be proud of as the school continues to go from strength to strength. Alumni set up their own practices like Lady Henrietta Spencer-Churchill and Nina Campbell or go to work for high end companies such as Candy & Candy. But instead she is incredibly modest. And great fun. “Is your grandmother still working?” she asks with a twinkle in her eye.

Jacqueline Duncan OBE Principal Inchbald lvbmag.com