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The Queen Mother + The Castle of Mey Caithness

The Definite Article

Hoy Orkney Islands © Lavender's Blue Stuart Blakley

“That is possibly the funniest episode I have ever read,” emailed the much missed Min Hogg, Founding Editor of The World of Interiors, in response to a descriptive summary of a group visit to a certain castle in Sussex. Said summary included a luxury coach breaking down, a shuttered up gothic castle, a game septuagenarian scaling a battlemented wall, a mass trespass into the castle, a hungover hostess lying in a four poster bed… and then things went from bad to worse… Fortunately, a visit to The Castle of Mey is less turbulent.

The Castle of Mey Caithness View © Lavender's Blue Stuart Blakley

“It’s very romantic,” notes heritage architect John O’Connell, “and the walled garden is beautiful.” Teetering on the edge of the world, or at least the top of Britain, overlooking Hoy, the second largest Orkney Island, is the only private residence The Queen Mother ever owned. In August 1952, just widowed, she bought the derelict Barrogill Castle for a token £100 from a local landowner. It was love at first sight, and who could blame Her Late Majesty? It helped that her great chum Lady Doris Vyner just so happened to live next door, or rather next estate, at The House of the Northern Gate.

The Castle of Mey Caithness Coast © Lavender's Blue Stuart Blakley

Following a three year reconstruction, The Queen Mother spent four weeks every August and 10 days every October at The Castle of Mey, as she rebranded it, right up to her death in 2001 aged 101. She furnished it simply with purchases from local antiques shops complemented by a few family pieces. And a Linley occasional table. Curtains are draped below bathroom basins in that upper class domestic fashion. Prince Charles continues the holidaying tradition and stays in the castle for 10 days every July. The building dates from the late 16th century except for the double height front hall which was added in 1819 to the design of William Burn for James Sinclair, 12th Earl of Caithness.

The Castle of Mey Caithness Garden © Lavender's Blue Stuart Blakley

The Castle of Mey Caithness Walled Garden © Lavender's Blue Stuart Blakley

The Castle of Mey Caithness Glasshouse © Lavender's Blue Stuart Blakley

The Castle of Mey Caithness Flowerbeds © Lavender's Blue Stuart Blakley

The Castle of Mey Caithness Facade © Lavender's Blue Stuart Blakley

The Castle of Mey Caithness Scotland © Lavender's Blue Stuart Blakley

The Queen Mother's Castle of Mey Caithness © Lavender's Blue Stuart Blakley

The Castle of Mey Caithness Side Elevation © Lavender's Blue Stuart Blakley

Elizabeth Angela Marguerite’s younger daughter wasn’t just so keen on The Castle of Mey. Despite having a bedroom named in her honour, Princess Margaret never slept in the castle, preferring the luxury of the Royal Yacht. The Queen Mother’s favourite colour, Phoenix Blue, is everywhere from picture frames and towels to her raincoat on display in the front hall. There’s a well stocked drinks table in the drawing room. “The Queen Mother’s best loved tipple was one measure of Gordon’s Gin and three measures of Dubonnet served with lemon and ice,” explains her close friend Major John Perkins. He’s still a regular guest at the castle. “She always had ice in drinks and used her fingers, claiming ice prongs were an American invention!”

The Castle of Mey Caithness Wing © Lavender's Blue Stuart Blakley

The Queen Mother frightfully loved picnics,” he continues, “but when she formally dined in the castle, the seats on either side of her were called the ‘hot seats’ for special guests. At the start of the meal, everyone spoke to the person on their right and then swapped to the person on their left. That way no one was left out of conversations. She rang a bell for the next course to be brought out. Her three corgis would bark at the same time. After dinner, the gents would remain in the dining room drinking port, while the ladies would withdraw to the drawing room. If the gents lingered too long, The Queen Mother would start a rousing rendition of ‘O Come All Ye Faithful’! That meant get packing!”

The Castle of Mey Caithness Lawn © Lavender's Blue Stuart Blakley

The Major adds, “The Queen Mother had a terrific sense of humour. She was highly highly intelligent. She met all the world leaders of her time except for Hitler, Mussolini and Stalin.” On décor, “The Queen Mother didn’t like suspended lights. She liked soft lamps which cast more flattering light and shadows. The castle is exactly as she had it as her home. We haven’t added posh stuff!”

The Castle of Mey Caithness Keep © Lavender's Blue Stuart Blakley

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Architecture Country Houses People

The Earls of Rosse + Birr Castle Parsonstown Offaly

Offaly Grand

It’s funny how many Irish terraced houses are painted jolly colours (their quoins often highlighted in even brighter hues) while country houses are usually grey. Even though Birr Castle is cheek by jowl with William Street, it’s no exception, being faced in ashlar. The building appears hewn out of an escarpment like architectural topography. Perhaps that’s what happens when built form has weathered 350 years. There is more stone on display in Birr than most Irish towns, particularly on the houses lining Oxmantown Mall.

It’s a Georgian garrison town,” suggests Marguerite O’Conor Nash, châtelaine of Clonalis in County Roscommon. “Birr is really a planned town, a bit like Castlepollard in County Westmeath or Westport in County Mayo.” The Hillsborough of the south. “Birr is a very good town indeed,” offers conservation architect John O’Connell. Why is it not better known? Where are the coachloads of architectural aficionados? The answer lies in a comment uttered by the late Ivy Cavendish-Bentinck, 7th Duchess of Portland. She complained on a visit to Birr, “It’s not on the direct line to any other place!”

Lost in the heart of Ireland, Birr nonetheless has royal connections. Anne Parsons, 6th Countess of Rosse and mother of the current Earl was also the mother of the royal photographer Tony Armstrong-Jones (half brothers) and consequently mother-in-law of Princess Margaret. Her London home in Holland Park is now the Linley Sambourne Museum. A coffee table book about set designer Oliver Messel is in the library of Birr Castle. On the coffee table. He too was a relative – Anne’s brother.

There was decorating drama when Princess Margaret and the newly titled Lord Snowdon honeymooned in the castle. The 6th Countess enthusiastically wallpapered a bedroom for their arrival. Unfortunately she chose a room above the boiler. Imagine HRH’s surprise to be woken in the dead of night by sheets of wallpaper sliding down the walls before collapsing over the four poster. “Tony…!”

Lord Rosse, the 7th Earl, may have turned 80 last year but his standards, unlike the wallpaper, haven’t slipped. Dining at Birr Castle is still a formal affair. Lord R sits at the bay window end of the long table opposite Lady R. Female VIPs sit either side of the Earl; male VIPs, either side of the Countess. Overseen by Damian the Butler, Lady Rosse is served first, then female VIPs, then male VIPs, then whoever’s stuck in the middle and finally, a hungry Lord Rosse. Presumably guests brush up on Debrett’s.

The dark room of the pioneering photographer Mary Rosse, 3rd Countess, was only discovered in the castle in 1983. Hidden in a maze of corridors and tunnels with three metre thick walls in places, it’s not that surprising the world’s oldest dark room in existence lay untouched for 100 years. Across the parkland, beyond the star shaped moat cum haha, stands the world’s largest telescope (or at least it was for a century) built by her astrologer husband. Birr Castle is full of record breakers (Ireland’s oldest cookbook; Ireland’s tallest treehouse; the British Isles’ tallest tree before it came a cropper) and it’s not even Guinness owned!

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Architects Architecture Art Country Houses Design Luxury People

David Linley + Highclere Castle Hampshire

Inside the Box

2 Linley © Stuart Blakley

Thanks to a certain Sunday evening wind down from the wild weekend historisoap, Highclere Castle is as recognisable as the Houses of Parliament. Golden Bath stone Doric, Ionic, Corinthian and Composite pilasters framing corner turrets ascend to a parapet – a tumultuous riot of strapwork, tracery, heraldry, pinnacles, plaques, coronets, colonettes, rosettes and finials. Jacobethanaissance architecture with Perpendicoco interiors. Handiwork of Sir Charles Barry, circa 1840.

A drawer in an upper floor of the V+A contains a perspective drawing commissioned by the architect to show his client Lord Grantham Carnarvon how the redesigned castle would look. It was originally displayed at the Royal Academy. Who says artists’ impressions and exhibitions are recent tools of self promotion for savvy architects? Architectural models are another tool. British design company Linley has developed expertise in creating scaled down versions of buildings – with a twist. They are functional, whether a humidor, bureau or writing desk. Robert Smythson meets Frank Smythson.

Linley Highclere Castle © Stuart Blakley

Mavisbank, Monticello, Monte Carlo Casino, Marino Casino. The latter a miniature in wood of a miniature in stone. Chairman David Armstrong-Jones, Viscount Linley, son of the late Princess Margaret, nephew of the Queen, drops his title and abbreviates his name to David Linley in business. “Something of lasting value is most important,” he says, “beautifully made with the best possible materials. We search out wonderful woods.” Accuracy derives from photographs, drawings, surveys and even aerial views from helicopters.

Highclere Castle is the latest building to receive the Linley treatment. Honey I shrunk the treasure house. It’s a jewellery box. Constructed of maple, 11,000 individual pieces of marquetry have been meticulously selected and pieced together by highly skilled craftsmen. This architectural box, lined in faux suede, has three main drawers plus a trademark secret drawer. Costs £65,000, price of a car or parking space.

At Lavender’s Blue we’re good with colour. So is Linley. Upmarket London shops must have their signature colour. Liberty: regal purple; Selfridges: canary yellow; Harrods: Pantone 574c greenLinley: aquamarine blue. David says, “We needed a striking colour to stand out cause, in a senses, the logo needs to be something you can see from far away… so that when you see a bag being carried down a street you know it’s that colour. Therefore it must be Linley. It’s rather nice when you see one – oh, that bag’s come out of the shop.”

1 Linley © Stuart Blakley