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Rare Champagne + La Dame de Pic Four Seasons Hotel 10 Trinity Square London

Lotto and Cavagnole and Faro and Lansquenet

Four Seasons at 10 Trinity Square Tower Hill London © Lavender's Blue Stuart Blakley

Writing in Edwardian Architecture, Alastair Service describes the host building and its place in the architectural lexicon: “The commission for the Port of London Authority building was won in a competition of 1912 by Edwin Cooper (1873 to 1942), who had recently started a personal practice after working in a series of partnerships. Cooper’s success in the competition of 1911 for the St Marylebone Town Hall was, however, more significant for the future. Reviewing the entries for the competition, the editor of one architectural magazine wrote, ‘We cannot help asking ourselves whether all these colossal columns, domes, towers, groups of sculpture and other imposing features are felt by their authors to be the only natural and inevitable expression of the necessities of the case.’

Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Such criticism of extravagant building was in harmony with general feeling at the time. And the St Marylebone Town Hall built to Cooper’s designs shows a greatly simplified use of Classicism, emphasising the volumes in Holden’s [architect Charles Holden] way, rather than creating broken Baroque outlines encrusted in sculpture. The mention of Holden’s name is no coincidence. More than anyone else, it was his work that bridged the gap between the attempts at a Free Style and the varieties of Edwardian Classicism.”

Entrance La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

The streamlined architecture of Marylebone Town Hall (long deprived of its sainthood), as Alastair Service observes, is more in keeping with a modern sensibility but the bombastic brilliance of Edwin Cooper’s portico is well suited to a Four Seasons flag. It mightn’t have been purpose built, but if those two other bastions of Beaux Arts architecture (The RAC Club and The Ritz) can be beacons of high end hospitality, why not the Port of London Authority building?

Column Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

La Dame de Pic restaurant is at the end of a short corridor off a vast domed rotunda lounge in the heart of the Four Seasons Hotel. It’s Anne-Sophie Pic’s first foray into the UK. She is the world’s most decorated female Michelin starred chef. Her third generation three Michelin star family owned restaurant is in Drôme; she also has restaurants in Lausanne, Paris and Singapore. Anne-Sophie says, “I know there is no feminine or masculine cuisine but my cuisine is very feminine because I put a lot of intuition, my feelings, into it.” Head Chef Luca Piscazzi brings these feelings to fruition.

Statue Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

White truffle – it’s in high season – is flaked over the cheese and mushroom gnocchi starter. Acquerello risotto main course is flavoured with pumpkin, bergamot and Yellow Bourbon coffee. Poached pear infused with sansho and ginger is decorated with argousier honey and beeswax. Each course is an adventurous fusion of taste and an avantgarde work of art. Unsurprisingly, the restaurant had barely opened before it snapped up a Michelin star. A second followed in hot pursuit.

Entrance Hall La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Fresco Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Lantern La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Flowers La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Butter La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Bread La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Mushroom La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Chantilly La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Four Seasons at 10 Trinity Square may be quite close to the Tower of London and very close toSamuel Wyatt’s Trinity House but its immediate environs are surprisingly discreet. That doesn’t stop the 80 cover dining room being full on a midweek lunchtime. The interior is all about spare luxury. White walls and a tiled dado under a mirrored strip matching mirrored columns are softened by leather banquettes and a cluster of snugs below a central gigantic Chinese lantern.

Petit Fours La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

La Dame de Pic has joined an exclusive set of shops and restaurants in London stocking Rare Champagne. Nicolas Marzolf of Liberty Wines is the UK and Ireland Brand Manager of Piper-Heidsieck and Rare Champagne. While Piper-Heidsieck Champagne is Pino Noir dominant, Rare Champagne is 30 percent Pinot Noir and 70 percent Chardonnay. “Liberty Wines have a warehouse in Clapham,” he explains, “so an order placed by 3am can have a same day delivery by noon.” Harrods, Hedonism and Selfridges are shops selling Rare Champagne. It’s served in Core by Clare Smyth, Claridge’s, Scott’s and Sexy Fish restaurants.

Rare Champagne La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

The two vintages available at La Dame de Pic are Blanc 2006 and Rosé 2008. “These are two very different Rare Champagnes,” notes Nicolas. “The year 2006 was warm – winter was pretty mild and there was a summer heatwave. You can see the fullness of the sun in the ripe fruit taste. The year 2008 was cold which resulted in a very delicate cuvée – graceful and not too full bodied. You always have the same aftertaste in all our Rare vintage: duality of warmth and minerality.”

Rare Champagne © Lavender's Blue Stuart Blakley

He continues, “The noble origin of Rare Champagne dates back to a presentation to Marie Antoinette and expresses its revolutionary spirit against the trivialization of vintages. Over the last four decades, Rare Champagne has declared only 11 vintages. The tiara adorning the precious bottle features the triumphant vine prevailing over the whims of weather. The bottle design, called Pinte Majeure, is asymmetrical as it was originally mouthblown.” Today, the soft curves of the design pay tribute to Marie Antoinette, thelast Queen of France and the first modern icon, renowned for her ability to set new standards.

Nicolas Marzolf and Jan Konetzki La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

“This is about more than just drinking Champagne,” relates Nicolas. “We are launching a luxury brand in the UK and Ireland. A luxury lifestyle – the Champagne experience. It’s about having nice glasses, nice places. The luxury way to entertain. And La Dame de Pic is the perfect place to enjoy Rare Champagne!” The celebrated sommelier Jan Konetzki, Director of Wine at Four Seasons, adds, “Rare Champagne is a great partner with La Dame de Pic’s food.”

Rotunda Bar La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

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Architecture Luxury People Restaurants

Claire Clark Afternoon Tea + Royal Opera House Covent Garden London

Upbeat Downtown

View from Royal Opera House Covent Garden © Lavender's Blue Stuart Blakley

What do Bluebird, Buckingham Palace, Claridge’s, Sandy Lane, Sofitel Dubai, The Ritz, The Wolseley and the House of Commons all have in, er, common? Maestro pastry chef Claire Clarke MBE. Yes! She’s sprinkled her fairy dust on them all. Now it’s the turn of the Royal Opera House at Covent Garden to benefit from her sparkle. Claire has composed an afternoon tea to be served in the Paul Hamlyn Hall. Conservatory is too mean a word for this vast glass vaulted space named in honour of the late philanthropist and publisher Lord Hamlyn. More like Kew Gardens crossed with Syon Park. A Paxton moment. No room for understatement.

Paul Hamlyn Hall Royal Opera House Covent Garden © Lavender's Blue Stuart Blakley

Henry James wrote in The Portrait of a Lady, “There are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea.” It’s pure indulgence by its very nature. Afternoon tea is a superfluous meal to be enjoyed while lesser mortals, nine-to-fivers, toil. Let the rich eat cake. Add a crystal palace, edible compositions by the UK’s leading pâtissière for over a decade (The Caterer’s words and just about everyone else’s), a flute of Ruinart and musical accompaniment by a classical pianist selected by The Royal Ballet and the ceremonial gastronomic extravagance is raised an octave or two. Music to our ears, so to sing.

Royal Opera House Covent Garden © Lavender's Blue Stuart Blakley

The tea. Tea for two by Soho based specialists My Cup of Tea. White Jasmine has a light delicate flavour, the flowers layered between whole green tea leaves. Opera Afternoon harmonises black teas from China and Sri Lanka with the rounded sweetness of Bourbon vanilla. The savouries. Like movements in a symphony, variations in lightness and colour at once distinguish each one and complement each other. Severn & Wye smoked salmon blini; carrot and coriander humus on pear and walnut rye bread; cucumber and cream cheese on sourdough bread. The sweet savouries. Scones are accompanied by Dorset clotted cream and homemade seasonal strawberry jam. Lady Grantham would approve. The sweets. Exquisitely presented nostalgia is key to Claire’s creativity. Perennial favourite banoffee takes the form of a macaroon. A pistachio éclair with praline grains is a dolce diminuendo in subtle green. Glittering gold leaf performs a grace note atop a mandarin and kumquat amandine. A floating bar of music is the icing on the cake on Opéra Gâteau – a crescendo in chocolate.

Royal Opera House Covent Garden Afternoon Tea © Lavender's Blue Stuart Blakley

Claire, still in chef whites, joins us for a chat. “I wanted my afternoon tea at the Royal Opera House to be traditional. This isn’t the place for modern interpretations. I’ve stuck to classical roots. My catering company is more about content – substance over style. All the ingredients are British. And there’s nowhere more British than the Royal Opera House. I’ve previously worked a lot in the West End.”

Royal Opera House Covent Garden Afternoon Tea Carrot Sandwich © Lavender's Blue Stuart Blakley

She also spent five years as head pastry chef for Thomas Keller at Napa Valley’s triple Michelin starred French Laundry, reputedly America’s top restaurant. “I’m just back from celebrating my somethingth birthday there!” Claire confides. “I was in the garden of the French Laundry last week. Working at the French Laundry is like army boot camp – but in a good way. One where everyone wants to be fit. The staff are in the best five percent in the world. Everyone’s so passionate about giving the customer a special experience they’re prepared to go to extremes. Even the gravel outside has to be raked a certain way.” This perfectionist streak is clearly shared by Claire in her passion for pastry.

Royal Opera House Covent Garden Afternoon Tea by Claire Clarke © Lavender's Blue Stuart Blakley

You don’t need to buy an opera ticket to enjoy afternoon tea in the Paul Hamlyn Hall although it would make the perfect prelude to Parsifal or Pagliacci. It costs £47.50 (for no champers knock a tenner off). Time for one more musical metaphor. Claire Clarke’s performance at the Royal Opera House really does hit all the right notes. A midsummer afternoon’s dream (that’s two).

Royal Opera House Covent Garden Pastry by Claire Clarke © Lavender's Blue Stuart Blakley

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Design Luxury

Le Grand Atelier + Harrods Knightsbridge London

French Dawn

Tremplin Play It Indie a la Dame de Canton ©Guillaume Roujas

To the Georgian Restaurant at Harrods, 8.01pm. Escalators crisscrossing silent marble halls in noble ascent and descent, unencumbered by shoppers. Animals sleeping in the pet store; ghostly dummies casting unmoving shadows in the clothes department; mirrors in the furniture showroom reflecting nobody. But something is aflutter on the top floor.

1 Harrods Grand Atelier lvbmag.com

It’s the arrival of Le Grand Atelier, a pop up shop devoted to the French artisanal tradition showcasing the finest food, decoration and design products from across the Channel. The companies selected by Harrods all boast the prestigious Entreprise du Patrimoine Vivant (EPV or Living Heritage Company) label. The initiative is backed by the French Trade Commission, UBIFrance, and the Institut Supérieur des Métiers.

Holding court in the centre of the room is Raine, Countess Spencer, aristocratic ambassador to Harrods, looking resplendent. Black neckerchief, diamond earrings as big as the Ritz, that bouffant, all set off by deb poise. Not forgetting her pink satin blouse. She is lest we forget the daughter of Barbara Cartland.

His Excellency, Monsieur Bernard Emié, French Ambassador to the UK, addresses everyone. “We are here to celebrate the best of French craftsmanship in this flagship of London, this world famous store. This pop up for a month in Harrods shows the very best of the French way of life. ‘Soft power’, that’s what we like to call it. Even if we are paying high taxes in France! Who could imagine a finer setting?”

In between nibbling on Ladureé’s macaroon tree, we talk to our favourite two exhibitors. Grey Tahiti mother of pearl, veined horn, ostrich or pheasant feathers, satin or silk plummets, Duvelleroy couture hand fans combine materiality of worth with craftsmanship of note. Embroiderers, engravers, pleaters, it’s a team effort. The house’s emblem, a daisy stamped on the rivet, provides provenance for prosperity. Fashion designers such as Jean-Charles de Castelbajac and Lovisa Burfitt have worked with Duvelleroy. Katy Perry is a fan. So are we.

“We’re thrilled to see our fans at Harrods, the kingdom of fashion and retail,” enthuse co owners Eloïse Gilles and Raphaëlle de Panafieu tell us. “It’s a beautiful recognition of the revival of Duvelleroy and one of the best places on earth to meet new clients for modern hand fans. It’s important for us to explain the savoir faire that’s behind each one of these creations and wonderful to be identified as a signature of French style. The Grand Atelier event and Living Heritage Company label offer such an opportunity.”

We’re also fans of La Maison Dissidi. It represents three generations of cabinetmakers from the Rue du Faubourg Saint Antoine furniture district of Paris. Staffed by a team of highly qualified craftsmen, chief exec Dominique Roitel tells us: “La Maison Dissidi is a depository of ancestral savoir faire creating pieces of unsurpassed quality.” The company specialises in the reproduction of traditional furniture and wainscoting but also has the wherewithal to create contemporary items.

“The little desk presented in the ground floor shop window of Harrods,” Dominique points out, “is a copy of a piece of French furniture circa 1740. It is entirely handmade in our Parisian workshop and finished in French varnish with contrasting bronze gilded gold and black leather.” Perfect for the Countess to write letters from her home in Mayfair.3 Harrods Grand Atelier lvbmag.com