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The Hoxton Hotel + Seabird Restaurant Southwark London

Midtown Mid Rise Midday

It’s the hottest table in town right now. And certainly the most dizzying. The acute angled windowed corner of Seabird for a cute pair only. We’re enjoying another Bowenesque moment. Elizabeth liked to party. Her house Bowens Court in County Cork was made for parties although it was demolished before she had to start charging guests. The Anglo Irish novelist would approve of our choice of Toucan Do It cocktails (Olmeca Los Altos, cinnamon, aji pepper) at noon. Rewarding.

Seabird is the penthouse level restaurant of The Hoxton Hotel isn’t in Hoxton, east London; it’s in Southwark, south London. The hotel is located in a bit of a no woman’s land but none the worse for it. There’s still an element of grittiness and character marking this stretch of Blackfriars Road. The Prince William Henry pub opposite advertises “two darts boards” and a “backyard private room”. Interesting. Blackfriars Food Market offers “Korean, Kofte Hut, Semoorg, Japanese, Thai, Falafel”. We’ll soon discover that when it comes to Seabird, safari hued staff uniforms and rattan furniture lend a Mediterranean mood matched by the seafood focused menu with such highlights as ginger infused prawn croquetas carabinero in olive oil. Appetising.

A lift zaps us up from ground zero to level 14. Not quite skyscraping then but it turns out this height is perfect for taking in a horizontal pendulum view from upstream Thames to downtown Southwark. Bang in the middle of the view to the north stands One Blackfriars designed by Simpson Haugh, a bulging glass erection full of bankers who have trousered a few bonuses in their time. Revealing. To the southeast can be seen architect genius Trevor Morriss’ Music Box apartments and college. Rogers Stirk Harbour’s Neo Bankside wrapping around the 1740s Hopton’s Almshouses are to the east. Satisfying

The Hoxton’s architects are Lifschutz Davidson Sandilands, a London practice going very strong since 1986. Derwent London, the developers, are the Capital’s leading deliverer of non residential floorspace. Alex Lifschutz considers, “The Hoxton Southwark is an example of the hospitality sector leading trends in co working and co living by treating premises and buildings as active and integrated rather than passive resources.” Fascinating.

He continues, “This multilayered building picks up from one of our earliest and best known projects, Oxo Tower just round the corner on the Thames. Oxo also provides a very varied and integrated mix of uses including affordable cooperative apartments, independent shops, designer maker studios, a gallery plus the emblematic Harvey Nichols Oxo Tower brasserie and restaurant at roof level, still going strong after 25 years of operation.” Illuminating.

Where Southwark lacks a tight urban grid – this isn’t New York – it does now have at least one tight architectural grid. The Hoxton exhibits strong elevations with a downtown warehouse appeal enhanced by buff and dark brown facing brick. The street experience is more permeable with larger windows lighting ground and mezzanine floor restaurants, bars and conference rooms. Distracting.

There’s an emphasis on long term adaptability of the architecture: Alex Lifschutz once more, “The present hotel rooms could be converted into offices or vice versa and all the floorplates could be reconfigured as apartments. Likewise, the rooftop restaurant could be altered to become penthouse flats…” No woman is an island. When a woman is tired of (high) London living, at street level there’s always a game of darts to play or a bag of falafel to grab. Tempting.

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The International Property Awards + The Music Box Southwark London

The London Marriott Hotel Grosvenor Square Gala Dinner

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“My Lords, Ladies and gentlemen and very special guests…” Taylor Wimpey Central London’s latest scheme has won a High Commendation Prize at The International Property Awards. The awards are sponsored by The Telegraph with Emirates as the official airline partner and H R Owen as the official limousine partner. SPPARC Architecture’s innovative design – luxury apartments balanced over a music college – received the accolade in the category for multiple unit residential development in the UK. The official announcement was made following the five star glitz of a black tie champagne reception and gala dinner at the Marriott Hotel in Mayfair. The Chairman (Earl of Liverpool), Chairman of Judging Development (Lord Caithness) and Chairman of Judging Real Estate (Lord Best) were assisted in the decision making process by a panel of no less than 90 leaders in their fields. Lord Caithness stated, “Research is our biggest resource. We are looking for the best architects, the best developments… Over 2,100 companies participated. Our judges love it but it’s hard work, identifying the very best in the UK. Now in their 23rd year, The International Property Awards are the largest and most prestigious in the world.”

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SPPARC Architecture + The Music Box Southwark London

White Cube

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Missed it, impossible. An enigmatic form; a legible plan. Classical with precedence; original with credence. Absence of colour; presence of brilliance. Monochromatic look; colourful character. Box clever; clever box. The morphemes of negative space; the polyphemes of architectonic afterimage. Lines of beauty; the unlocked grid. Complexity; contradiction. Cool design; hot property. If architecture is frozen music, The Music Box is a timely sculpture in ice. Above the arches; above the commuter belt; above the parapet; above the radar; above the norm. Blue sky thinking. Right side of the tracks. Rooms with a view. A place for living; a space for learning. Thinking outside the (Miesian) box, Trevor Morriss, Principal of SPPARC Architecture, is a bright young(ish) thing, a rising star in the architectural firmament that is London. The sky’s not the limit. The Music Box is his latest meteor to strike across the galaxy. Taylor Wimpey Central London’s mixed use scheme of 55 apartments suspended over a music college will inspire generations to come. List it, imaginably.

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“The scheme is in two parts: the upper element adopts the vertical proportions of the golden section. A cube shaped residential building is delicately positioned over a 15 metre high base with a large glazed section, providing both prominence onto the street and glimpses into the music college. This purity of form is reflected in the simplicity of the external surfaces. The strong base is faced with a white ceramic brick interrupted by a textured three dimensional band representing rhythm which accords with the positioning of the rectilinear punched apertures. But it is the erosion of this cubic form that truly defines the building. A ‘missing’ street corner acknowledges the strong horizontality of the adjacent railway line, in parallel creating a longitudinal distinction between the music college and apartments. The upper residential storeys are distinguished by a hierarchical layer of vertical solar spines intersecting glazed fabric. The top of The Music Box is a continuous glazed kerb regularly punctuated by the extension of the solar spines: a profile reminiscent of a hammer and piano keys.”

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