All Too Human
Virtual vernissage of a vision of a visage. New normalcy for old masters. And a few new masters too. William Campbell, the highly distinguished framer of Marylebone London, advises a commanding dark stained wooden frame oozing oodles of definition. “The frame you have chosen is quite traditional so I think you should visually separate the canvas from the frame by placing it upon a mount. This will emphasise the edge of the canvas in a three dimensional manner. Raw black silk will work really well as the mount material. And of course it should all be protected by gallery glass.”
Over to the artist, the highly distinguished painter of Pimlico London, who shares, “This portrait is quite abstract. It gives a suggestion of outline and face. But it’s really about texture and paint quality. I used a palette and knife. The three artists I was inspired by are Bomberg, Auerbach and Kossoff.” The checked shirt is a case in point: it’s reminiscent of David Bomberg’s stark and thickly built up colour. Frank Auerbach’s concentration on surface is wonderfully reimagined too. And Leon Kossoff’s figurative life drawings suddenly don’t seem a generation away. This portrait immediately radiates perplexing resonance coupled with a discursive inventiveness.
What does the sitter think? “I look very relaxed – exuding a certain nonchalance. Maybe that was the intention! William Thuillier is a very clever artist. He’s really captured that moment. It was a very sunny afternoon and the light just streamed through the French doors of his incredibly elegant piano nobile studio. I remember we had several coffees and laughed a lot. There is something quite avant garde about my portrait. I hope it is hanging in my nephew’s offspring’s country house drawing room in years to come.”
Lavender’s Blue Art Director Annabel P – videographer, storyteller and socialite – knows her stuff. “I love the portrait! It’s so very you.” She soon sets about seamlessly filming the same sitter against the setting of The House of Lavender’s Blue. “I wanted to film you in a Lady Gaga sequence with a period twist. That’s very you too! You’re very informal yet you offer up so much to the canvas and camera. You’ve an easy unencumbered and beautiful presence to capture, even when you’ve donned your glasses ready for bed.” No show is complete without a Bill Brandt influenced self portrait. Visible virtuosity.
