Season of The Unexpected
A little along Gallery Road, opposite Lovers’ Lane, stands a distinguished villa. Belair, whether two words, hyphenated or a portmanteau is a class signifier from Los Angeles to Wicklow to Dulwich. Pure class. Belair House in the picturesque perfect postcard pretty prestigiously pristine village of Dulwich in southeast London was built in 1785. That’s a fact. Or at least it’s the date proudly painted on the pediment over the entrance door. But all is not how it seems. What is rather more certain is the original name of house was College Place and the client, John Willes. A wealthy corn trader from Whitechapel, he first leased 20 hectares known as Home Farm from Dulwich College some 14 years earlier. The house would be renamed Belair by a later owner, solicitor Charles Rankin, in 1829.
Local shopkeeper and historian Brian Green records in his 2002 book Dulwich: A History, “Belair is a fine example of an Adam style Georgian house. For many years it had a model farm in its 48 acres of grounds… In the lodge, still standing at the front entrance, lived the under-gardener who was responsible for looking after the grapevine hothouse, the cactus hothouse and three other large greenhouses. The coachman lived next door in the coach house… After the death of Sir Evan Spencer, the last occupant, in 1937, the contents were auctioned and the house fell into some decay. During World War II it was first used by the Royal Army Service Corps as a depot and later by the Free French forces. The grounds were used by the local platoon of the Home Guard for grenade practice.”
Over to Ian McInnes, Chair of the Dulwich Society, “No one knows who the original architect was for Belair. Despite many articles suggesting it was the Adam brothers, there is no information in the Dulwich Estate archives to support that. We have quite detailed background on the owners in the 19th century but nothing on the original architect(s) – what you see today is of course an early 1960s ‘impression’ of what a late 18th century house in a park ought to look like.” So it is “Adam style” as Brian Green points out but probably not Robert, James or William Adam. And what an impression!
In 1961, under the ownership of Southwark Council, Belair was radically stripped back to its original form, more or less. A villa reborn. A vision reimagined. A variation on a theme recomposed. Rationalised single storey bow ended wings were added either side. Behind a blind bow window, the north facing wing is actually hollow and conceals a staircase winding up to a first floor terrace which embraces the mother of all views. In the distance, a serpentine lake nestled in the pleasure grounds radiates in the early summer heat, red mace, yellow flag and purple loosestrife erupting in a blaze of colour.
“The architects for this reconstruction,” explains Ian, “were Austin Vernon + Partners, most probably Malcolm Pringle, but the elderly Austin Vernon may have also had a hand in it as he had done quite a bit of good neo Georgian in his career. All of the practice’s records were destroyed in the 1990s.” Returning to the identity of the original architect, Henry Holland is sometimes mentioned. “The Henry Holland connection comes from Thurlow House in West Norwood, also southeast London,” Ian says, “which he did design and was built roughly at the same time. But that’s supposition and there is no proof he was the architect of Belair.”
The period between 1785 and 1961 saw Belair House swell and deflate like bagpipes. In the 19th century the building was transmogrified under the direction of then owner Charles Hutton, Deputy Lieutenant for London. Wings and glasshouses and attics and grandeur were added to accommodate the Huttons and their 11 children and 10 servants. In 1980, the Dulwich Society Journal declared, rightly so, “One has a better idea now of the simple elegance of the original Georgian design than would have been the case a century ago, when it was obscured by Victorian wings and outbuildings.” Belair is now a restaurant and wedding venue. Mark Fairhurst Architects were responsible for sensitively extending and converting the former late 18th century stables building and early 19th century gatelodge into fully residential use.
“The brief,” explains Mark, “was to restore the existing stables building, which had been poorly converted into flats, and create a modern, flexible living space suitable for a young family.” An enticing blend of old and new architecture was the result. “The concept was to create an open, fluid ground floor living area by introducing a linear glass and steel pavilion linking the rooms created within the narrow existing building, and visually linking the accommodation with the surrounding landscape. Random outbuildings were replaced by a new single storey guest wing linked to the listed building via a glazed winter garden in the entrance courtyard.” The gatelodge is used as a studio linked to the house.
The Dulwich Society Journal concludes, “Belair was the first of many imposing mansions to be built in the 18th and 19th centuries, and the only one to have survived in anything like its original form.” Mireille Galinou records in The Dulwich Notebook, “The architectural historian John Harris referred to the ‘exceptional survival of Belair, a house of 1785 in a designed landscape, in his 1990 essay on London’s 18th century gardens.” She continues, “Survival is the right word. Local historian Patrick Darby discovered in the Minutes of the Dulwich Estate’s Governors’ Meetings a ‘serious proposal to demolish Belair, fill in the lake, and cover it with 200 small villas – a proposal only thwarted by the Charity Commissioners!” Further down Gallery Road, as its name would suggest, lies Dulwich Picture Gallery. A fading banner clinging to the railings advertises a British Surrealism exhibition. The gallery is closed due to a pandemic. The name of the exhibition? ‘Season of The Unexpected’. Surreal, indeed.
