Tag: kensington palace gardens

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Gunnersbury Park House + Gunnersbury House West London

All Features Great and Small

Why are two mansions standing cheek by jowl in west London? It must be the only park in the capital with a pair of very substantial houses almost touching each other. A complicated history of dual and overlapping ownership is the answer. It all began in the 17th century when lawyer Sir John Maynard commissioned Inigo Jones’s amanuensis John Webb to design a large square house inspired by Palladio’s Villa Badoerin in Venetia. The defining feature of this red brick with white stone highlights building was a five bay double height recessed balcony above a ground floor breakfront and below a massive pediment.

A later owner was Princess Amelia, second daughter of George II. The Temple (reflected in the Round Pond) and the Bathhouse are the two most significant extant works she had carried out. Her Royal Highness bought the house and estate in 1762 and lived there until her death 26 years later. The Doric portico fronted Temple in red brick and white stone to match the house was probably designed by Sir William Chambers in circa 1760. The Bathhouse is another estate folly, later described in 19th century sales particulars as “an ornamental diary in gothic style with a cold bath”. In 1801 the house was demolished and the estate sold in lots. Builder Alexander Morrison accumulated the lion’s share of 31 hectares while timber merchant Stephen Cosser acquired a cub’s share of three hectares.

Fashionably rusted freestanding signs strategically positioned across the park inform visitors of its history. One reads: “The Temple. The magnificent 18th century Temple is thought to have been built for Princess Amelia, daughter of George II. She used it as a place of entertainment, enjoying views that reached as far as the Kew Gardens pagoda and beyond. Alexander Copland, the estate’s next owner, played billiards and ate desserts there.”

Alexander appointed his cousin the well known architect Sir Robert Smirke to design Gunnersbury Park House (now called the Large Mansion). A few metres away from the Large Mansion and sharing the same building line, Alexander’s neighbour Stephen built Gunnersbury House (now called the Small Mansion). This long two storey building has bow windows on either side of a lawn facing verandah trimmed with Chinese bells below the eaves. After banker Nathan Rothschild bought the Large Mansion in 1835, he commissioned Sir Robert’s younger brother Sydney to enlarge his house. The three storey Large Mansion lives up to its current name. An enfilade of lawn facing ritzy reception rooms backs onto a cast iron galleried atrium. Both buildings are stuccoed.

Around the same time as designing the Large Mansion, Sir Robert worked up drawings for the Oxford and Cambridge Club on Pall Mall. The previous decade, he had designed Normanby Hall in Lincolnshire for the Sheffield family. Samantha Cameron, Britain’s former First Lady, was brought up at Normanby Hall and her father Sir Reginald Sheffield is still squire of the manor. Sir Robert is best known for the British Museum. The next generation of the Smirke dynasty would design many of the town mansions in Kensington Palace Gardens.

Pharma fortune maker Thomas Farmer bought the Small Mansion in 1827 and appointed father and son practice William Fuller and William Willner Pocock to extend the house. The Pococks also designed the Gothic Ruins Folly below Princess Amelia’s Bathhouse. In 1889, the Rothschilds bought the Small Mansion and Gunnersbury Park once again fell under single ownership. After the renaissance years of the Rothschilds (their heir Evelyn died fighting in Palestine in 1917) the estate and its buildings were bought by the local councils.

A plaque in the arch between the two mansions states: “Gunnersbury Park. Opened for the use of the public 21 May 1926 by the Right Honourable Neville Chamberlain MP Minister of Health. Purchased by the Town Councils of Action and Ealing one fourth of the cost being contributed by the Middlesex County Council. On 1 April 1927 the Brentwood and Chiswick Urban District Council joined the Action and Ealing Councils in the ownership and management of the park.” The Large and Small Mansions were converted to community use. The former building is restored; the latter, under restoration. Princess Amelia’s Bathhouse, the Temple (exterior only), Orangery, Round Pond, Horseshoe Pond and Gothic Ruins Folly have all roared back to life. Sydney Smirke’s East Stables lurk in the shadows waiting their turn.

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Architecture Country Houses Design Hotels Luxury Restaurants

The Garden House + The Big House Beaverbrook Surrey

Journeying Mercies

We’re off to Beaverbrook. Come hail (a lot) or shine (a little) an A Class Mercedes spinning through Surrey on the stormiest day of the year is just what the doctor ordered although possibly not the meteorologist. The gated sprawling estate – legendary hectares of rollingness – is divided into The Haves (see you at The Garden House) and The Haves Even More (we’ll be calling up to see you at The Big House). Ever versatile, we’ll do both. Especially since our guests have travelled 12 hours to make if for lunch.

So what’s the hotel really like? Well, take the terrace of Castle Leslie (County Monaghan), the parterre of Luton Hoo (Bedfordshire), the grotto of Curraghmore (County Waterford), the glasshouse of Walmer Castle (Kent), The Carriage Rooms of Montalto (County Down), the glamour of Corniche John Fitzgerald Kennedy (Marseille) and throw in a larger than life Kensington Palace Gardens villa (London) and you’ll get the picture.

The Garden House staff, led by the stylish restaurant manager from Battersea, are so gregarious that by the dill and beetroot amuse bouches we’re swapping film tips (Kenneth Branagh’s Belfast is very watchable but what is Dame Judy’s mangled accent all about?). It’s easy to get into the tongue and groove of rural life. There are more pictures of prize cows on the Farrow and Ball’d walls than a mar’t auction catalogue. Outside the storm is brewing again but we’re in the old fashioned sitting room propped up by Christian Lundsteen cushions and Old Fashioned cocktails. All hatches are battened down… except for The Drinking Hole.

Can life get any better? Yes it can: lunch is being served in the dining room next door. Before long we’re devouring farmers’ helpings of crispy polenta squid with smoked garlic, basil and lime, followed by Dorset halloumi and heritage beetroot with radicchio, date and parsley. Everything, and we mean everything, is freshly wild and wildly fresh. Our well informed waiter tells us about the hotel’s Sir Winston Churchill connection and the Spitfire emblem and the eponymous Lord Beaverbrook but ever so distractingly the restaurant manager arrives with salted chocolate and blood orange petit fours masquerading as “posh Jaffa cakes”.

Forbes, the only other publication to join us a few years ago in Montenegro at the behest of the Government of the former Yugoslavian state, has beaten us to today’s destination. Its verdict? “Beaverbrook is arguably England’s most beautiful new hotel.” Last week’s Sunday Times is almost as glowing, “One of the UK’s top country house hotels.” Scrawled on a blackboard in the glasshouse is a flower recipe, “Wax flower, statis, limonium, gypsophila, spag. moss.” It’s a metaphor for Beaverbrook: classy, quirky and drawing on the best that nature has to offer.

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Architects Architecture Country Houses People

The Grange Estate + Festival Alresford Hampshire Alresford

Cono Sur  

It is one of the greatest flowerings of Greek Revival architecture in Europe. Yet it wasn’t purpose built: it’s a radical remodelling of an earlier building. This is the story of how a Restoration house in rural Hampshire became a Greek temple (make that two Greek temples: minor and major) and after a few additions and a few subtractions became a theatre and a theatrical backdrop for an opera festival.

“My father bought the estate in 1964,” recalls the Honourable Mark Baring on a private tour of the house (it’s not normally open to the public) accompanied by The Grange Festival’s Chief Operations Officer Michael Moody. “The Grange was out of Baring family ownership for 30 years. As a six year old I remember rooms with huge great pillars and bits of plaster in some disrepair. My father had a sale of contents which included the fireplaces. The stairs were sold and curiously they came back! My great grandfather had sold all the pictures.” In 1975 English Heritage took over the grey elephant that is The Grange. Mark has managed The Grange Estate, which his family own, since 2014.

He relates, “My father the 7th Baron Ashburton bought back the house and park for £157,000. That was for 660 acres and a crumbling house. Big houses were impossible to live in then under taxation rules. The house now gives so much to the feel of the opera!” Michael agrees: “It’s all about the setting in the landscape.” The inaugural opera festival was held on the estate in 1998. Four years later the orangery cum picture gallery (minor Greek temple) was opened as a theatre. Studio E were the architects for the conversion. The conservation architect was John Redmill who cleverly advised reinstating the Robert Smirke façade. “This reconnects the two temples,” John explains, “and acts as a screen to hide the modern building behind.”

When Mark’s ancestor Alexander Baring bought the estate in 1817 he commissioned Robert Smirke to add a single storey west wing and Charles Robert Cockerell to terminate the wing with a conservatory cum dining room (which would later become the orangery cum picture gallery). Robert was a pupil of George Dance and a leading light in the Greek Revival craze. His younger brother Sydney, also an architect, designed several Italianate villas stuccoed to the nines in Kensington Palace Gardens, London.

The main block of The Grange (major Greek temple) – is the work of architect William Wilkins. In 1804 then owner Henry Drummond appointed the trailblazing Greek Revivalist to transform his Restoration house into a Greek temple. The Doric portico (which swallows up the entire east elevation) is based on the Temple of Hephaestus in Athens. Michael explains, “This drastic transformation resulted in some windowless rooms!” The introduction of a high entablature meant the servants’ quarters in the attic lost their dormers. Form didn’t always follow function. Henry Drummond wasn’t impressed and sold up.

“The 1664 house was designed by William Samwell, one of Charles II’s three Court architects, for Sir Robert Henley,” says Michael. “It was all about very clever maths. The double height entrance hall was like the hall in the Queen’s House, Greenwich. It was a 27 foot cube. The bedrooms on either side were 18 feet square. The corner closets were nine feet square.” A Running Times Master Sheet is pinned to the wall of the basement kitchen cum dressing room, the last room on the private tour:

  • Le Nozze di Figaro Run Times
  • Monday to Saturday
  • 17.30 – Curtain Up Part One (1 hour 37 minutes)
  • 19.07 – Curtain Down Part One
  • Interval (1 hour 40 minutes)
  • 20.47 – Curtain Up Part Two (1 hour 37 minutes)
  • 10.24 – Curtain Down Part Two

  • Sunday
  • 17.00 – Curtain Up Part One (1 hour 37 minutes)
  • 18.37 – Curtain Down Part One
  • Interval (1 hour 40 minutes)
  • 20.17 – Curtain Up Part Two (1 hour 14 minutes)
  • 21.31 – Curtain Down Part Two

  • Falstaff Run Times
  • Monday to Saturday
  • 17.30 – Curtain Up Part One (1 hour 15 minutes)
  • 18.45 – Curtain Down Part One
  • Interval (1 hour 40 minutes)
  • 20.25 – Curtain Up Part Two (42 minutes)
  • 21.07 – Curtain Down Part Two

  • Sunday
  • 17.00 – Curtain Up Part One (1 hour 15 minutes)
  • 18.15 – Curtain Down Part One
  • Interval (1 hour 40 minutes)
  • 19.55 – Curtain Up Part Two (42 minutes)
  • 20.37 – Curtain Down Part Two

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Architecture People

Villa Patumbah Zürich + Zollikerstrasse

Smoking Hot

It’s official. Smoking is good for your wealth. Or at least it was if you happened to be a tobacco plantation owner a century ago. With money to burn from his Sumatra based enterprise, in the 1880s Carl Fürchtegott Grob hired architects Alfred Chiodera and Theophile Chudy to design him a house in the hilly Riesbach district of Zürich. Actually this being Zürich, everywhere is pretty much hilly. It’s on Zollikerstrasse which is like Kensington Palace Gardens – with gardens. Über villas lurk in sylvan settings, each richer with a richer patron than the last.

Villa Patumbah is one of the most flamboyant. It’s a typical eclecticism of baroque, gothic, Italian Renaissance and just a little Swiss chalet (all that wood!). Two years before he died, Herr Grob got the landscape architect Evariste Mertens to give the house a setting worthy of its opulence. Its inspiration was English formal gardens. “Patumbah” is Malay for “longed for land”. Carl got his longed for land – and house – and more recently, the Swiss Heritage Society has ensured the public can share in his dream. Not such a drag.