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Architecture Luxury People Restaurants

Bermondsey Larder London +

Dairy Air

Despite living a Cacklebean egg’s throw from The Dairy in Clapham for all eight years of its existence, we never quite made it to that renowned restaurant. Fortunately, sometimes you can repeat the past or at least extend a presence, for The Dairy has reopened as Bermondsey Larder, a shortish south London drive away. Dublin born co owner Chef Robin Gill trained in classical cooking at The Oak Room (once in the Hyde Park Hotel London) run by Marco Pierre White. He met his wife Sarah, who’s also now a co owner Chef, when they were both working at Le Manoir aux Quat’Saisons (still going strong in Great Milton Oxfordshire) run by Raymond Blanc.

The Gills’ other enterprises include Darby’s, a New York style restaurant close to the American Embassy in Nine Elms, and Sorella, a neighbourhood bistro in Clapham. Fashion designer Zandra Rhodes trailblazed the rejuvenation of Bermondsey when she opened her Fashion and Textile Museum on Bermondsey Street in 2003. Its shocking pink exterior matches her shocking pink hair. The surrounding warehouses have all been converted now to apartments and workspaces. Bermondsey Larder is on the ground floor of a new mixed use development next to Newhams Yard off Tower Bridge Road. Meanwhile uses like nearby Vinegar Yard, a collection of prefab style eateries and bars, keep the area vibrant and constantly changing.

The restaurant’s airy interior is eclectic industrial with white painted exposed ceilings and polished concrete columns. It’s several times larger than the petite Dairy. A variety of tables, banquettes and bar seating is complemented by mismatched crockery. There’s a central tiled bar and metal framed kitchen hatch. The industrial chic reaches a zenith in the unisex bathroom with trough basins and factory taps.

Robin and Sarah’s aim is “to create memories” or sometimes “to create memory loss”, the latter presumably depending on the volume of Pebble Dew sauv blanc consumed. Their goal for The Dairy was “to create an experience as close as possible to dining by a farm or coastline a in central London with direct relationships to our beloved purveyors from the land and sea”. The same goal applies to their new establishment. The word “larder” has a comforting old fashioned feel to it, but while the duo’s is clearly well stocked, this is cutting edge cuisine.

The brief menu is divided into starters, small plates, large plates and puddings. Going vegetarian, we share potato and rosemary sourdough with smoked butter followed by broad bean dip, onion chutney and heritage radishes. The sharing continues with tartlet of grezzina courgette and Westcombe ricotta, then grilled English asparagus, Cacklebean egg and furikake. Cauliflower is the vegetable of the moment in London so we opt for a roasted one with coco beans, almond and sorrel. Whey poached loquats, natural yoghurt and seeded honey tuiles complete the gastronomic journey. SW4’s loss proves to be SE1’s gain.

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Art Fashion Luxury People Town Houses

Fathomless +

Substantial Faded Pageantry

Call it a nascent realisation, coming from somewhere and heading somewhere, mixing with the multihyphenates while sojourning in cloud capp’d towers and gorgeous palaces. Such stuff, radiating a seductively dark gorgeousness.

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Architecture Art People

Victoria Embankment Gardens London + Robert Raikes

A Good Awakening

Statues have become something of a fraught subject of late in London but one deserving gent of yore is commemorated in Victoria Embankment Gardens. This linear stretch of rich greenery and extraordinary multicoloured bloom is one of the Capital’s less obvious open spaces, sandwiched between the 19th century embankment along the River Thames and the elevated built form of The Strand. It’s Victorian with a vengeance, viscerally exhilarating and visually rewarding.

The Victorians loved a philanthropist and they don’t come much better than Robert Raikes. This turn of the 19th century journalist and hospital and prison reformer is best remembered as the founder of Sunday schools. Noting the unsupervised behaviour of children on Sundays in his home town of Gloucester, he engaged local women to teach them reading and church catechism. The experiment was so successful he reported in his paper the Gloucester Journal that the town had become “quite a heaven upon Sundays”. The movement spread across the country and in 1785 the Sunday School Society was formed. Robert Raikes’ statue, sculpted by Thomas Brock in 1880, stands proud among the summer bedding.

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Uncategorized

Mary Martin London + The Collections

The Fashion Years

“We have seen that a Fashion utterance involves at least two systems of information: a specifically linguistic system, which is a language (such as French or English) and a ‘vestimentary’ system, according to which the garment signifies the world or Fashion. These two systems are not separate: the vestimentary system seems to be taken over by the linguistic system.” So wrote our favourite philosopher Roland Barthes in his 1967 revelation The Fashion System.

It’s like the arrival of the Queen of Sheba with the beauty of Queen Esther and the wealth of King Solomon. “Don’t you know that a man being rich is like a girl being pretty? You wouldn’t marry a girl just because she’s pretty, but my goodness, doesn’t it help?” she cries, channelling her inner Marilyn Monroe as Lorelei Lee in Some Like It Hot. Applying a blonde wig and beauty spot before donning a Mary Martin London little black number with extended faux fur later, she is soon standing over air vents and blowing kisses to admiring onlookers. Some like it very hot! She starts singing, “Diamonds Are a Girl’s Best Friend.” Super supermodel Katie Ice has entered the building.

Musical model Funmi Olagunju literally rocks up strumming her guitar. Lavender coloured clothes clad, she sings, “I only wanted to see you, laughing in the purple rain, purple rain purple rain…” Funmi shares, “Mary’s clothes are so crazy! They’re elegant and theatrical. They’re regal. She thinks outside the box!” Beautiful Natasha Lloyd bursts across our vision in a radiance of red. Crimson is the new black. She next models  the Queen of Africa dress. Over to Mary, “I’d just won African Fashion Designer of the Year and I felt like I was the Queen of Africa! The colourway in this dress represents brown for earth, green for grass and yellow for the sun.”

While getting ready, model Sienna Kinley advises on confidence, “You forget who you are. You go into fear mode. The mindset is to remind yourself who you are. Who you are is everything you need to be in this life. Everything you’ve been given is enough for you in this world. Sometimes you can forget that’s enough. Confidence is recognising who you are: you are a perfect being. All the gifts and talent you have are enough.” Makeup artist Sofia Mahmood adds, “Be creative. You need great patience to be a makeup artist. Patience with creativity.”

This Old Street London warehouse is rocking with a carnival atmosphere and a festival of talent. All of us are in front and to the side and behind the cameras as filming continues… yes, that film. In the midst of the mayhem and madness and fashion miscellanea, Mary emerges, as ever a human whirlwind of orders and changes and directions and laughter. “I don’t like ordinary,” she understates. Natasha reappears modelling The Hidden Queens Collection dress with its socially distancing crinoline.

The dresses of The Collections flow onto the film set amidst falling roses and oversized poppies. World class ballerina Omozefe (“just call me ‘Sue’”) performs pirouettes and shows photograph of herself with Margot Fontaine. “It was her last performance ever at the Royal Opera House! I have met Rudolf Nureyev twice. I love dancing to The Nutcracker, Carmen and of course Swan Lake.” Soon Sue is teaching model Hassan Reese some Pilates moves. “Pilates is similar to ballet – it’s about micro movements stretching muscles. You can’t get up on point unless your core being is very strong.”

Cleopatra, brought to life by model Natasha Lloyd, struts her stuff. Three times Taekwondo World Champion Carol Hudson, modelling herbaceous headgear, says with some understatement, “Mary’s clothes aren’t for the fainthearted!” Photographer Monika Schaibel agrees, “Mary has a vision and is always true to her vision. Amazing eye to detail. Her fashion shows are pure theatre – they’re art happenings.” Kiki Busari, modelling The Red Dress, adds, “I love the opulence. These dresses take you to a fantasy world. A world where you are empowered and strong.”

It’s like the creativity of King Jotham with the boldness of Queen Vashti and the power of King Xerxes. “Never try to explain your work,” once said our fav photographer of all time, Deborah Turbeville. So we won’t say we are a muse or the bridge between the bright lights or something else far more mesmeric and fantastic. Let the wrap party begin! To paraphrase Marilyn Monroe, we all just want to be wonderful. “Fashion dissolves the myth of innocent signifies,” ends Roland Barthes, “at the very moment it produces them.” Super supermodel Katie Ice has left the building.

Categories
Art Design Fashion Luxury People

Mary Martin London + The Collections Preview

No Ordinariness

Saints and collars. Carriage and gait. The deportment of culture. Narrative express. Mesmeric couture. Grace is grace.