Categories
Architecture Luxury

Peerman Premier + Kingston House South Ennismore Gardens South Kensington London

Sloane Squared

Kingston House

They first entered the public’s consciousness in the 1980s as the backdrop to Lady Diana Spencer being hounded like a kimono’d gazelle by the paps. Mansion blocks were the natural setting for the ultimate Sloane Changer and her kind. Rewind a century or two and it would’ve been mansions for the original girls about crown, the Sloane Endangered. Look them up in Debrett’s. Take Liz Chudleigh, maid of honour to a previous Princess of Wales. Her crash pad was Kingston House, Knightsbridge. An awe inspired guest gushed in 1762,

Kingston House

“Her house can justly be called a gem; it contains a quantity of handsome and costly furniture and other curiosities and objects of value, chosen and arranged with the greatest taste, so that you cannot fail to admire it greatly. Everything is in perfect harmony. The view, over Hyde Park, and at the back over Chelsea, is considered with truth one of the finest that could be pictured.”

Kingston House

Kingston House was pulled down in 1937.

5 Peerman Premier Kingston House South © lvbmag.com

A Twitch Upon the Thread

1 Peerman Premier Kingston House South © lvbmag.com

3 Peerman Premier Kingston House South © lvbmag.com

2 Peerman Premier Kingston House South © lvbmag.com

4 Peerman Premier Kingston House South © lvbmag.com

Like the fictional Marchmain House in St James’s, flats with 24 hour porters took its place. “They’re keeping the name,” says Lord Brideshead. And so, Kingston House was reborn, the exquisite manmade landscape of two acres retained. Enclosed and embraced behind spacious and quiet streets, all this had been planted a century ago so that, at about this date, it might be seen in its maturity. Leaf and flower and bird and sun-lit brick and shadow seem all to proclaim the glory of God. It’s a sequestered place of cloistral hush, beech faintly dusted with green and grey bare oak. Marchmain House was recorded on canvas by Charles Ryder. Country Life photographed Kingston House the forerunner for prosperity.

Flat 12 Kingston House South © Stuart Blakley

Kingston Revisited

1 Kingston House Ennismore Gardens © lvbmag.com

Peerman Premier’s offices are at Beauchamp Place cheek by jowl with Princess Diana’s restaurant of choice, San Lorenzo. The company specialises in luxury lets and property management in Belgravia, Chelsea, Kensington, Knightsbridge. No bridge-and-tunnel addresses, in other words. Flat 12 Kingston House South is typical Peerman Premier. Its linear lateral layout has been optimised by opening up the reception into the hallway and juggling around rooms to segregate the bedroom wing from more public areas. A terrace is the final consummation of the flat’s plan.

Flat 12 Kingston House South Peerman Premier © Stuart Blakley

The light streaming in from the west is fresh green from the trees outside. All 150 square metres of Flat 12 have been refurbished. White crêpe de chine, dove grey tweed, biscuit coloured linen. Very English, very correct, bespoke but quite delicious. A place to play chemin de fer or watch one of the smart TVs, while warmed by the open fire. Bathrooms glitter with chromium plate and heated demist looking glass. A toothbrush is all that is needed to make this flat home. The Sloane Price Range is fixed at £3,250 a week for a minimum one year lease. Not bad, considering it would take over £5 million to buy the flat. It’s looking unusually cheerful today.

Kingston House South Ennismore Gardens © lvbmag.com

Categories
Architecture People Restaurants Town Houses

Jean-Christophe Novelli + Home House London

London’s Most Exclusive Restaurant

1 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

Ding dong. It’s Lavender’s Blue’s Christmas lunch. Where to, where to? Our second stately home, of course. Homely Home House. Anthony Blunt’s former home; raffish types clearly in the past. Home is where the heart is and the heart of Home House is the hearty Robert Adam Dining Room. Grisailled and scaglioled to the nines (and that’s just the room), domestic god and sensation in the kitchen Jean-Christophe Novelli is our chef and host. Table for two for noon, thank you. That all important staff-to-customer ratio is pretty high due to the maître d’, Prosecco sommelier, Limestone Coast Chardonnay 2013 sommelier and Scottish Natural Sparkling Water waiter all standing to attention.

2 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

“I miss the urgency of a restaurant,” says Jean. “And there’s nothing quite like the immediacy of a pop-up!” These days he’s busy running his cookery school and chef’s academy in Herts. That is, when he’s not creating a bespoke fine dining experience for us amidst ovaloid apses, ellipses and lunettes. Dial is its name, top of its game, a play on a well known supermarket’s fame. A fandango in fondue, perhaps?

3 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

4 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

5 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

First up is a verrine of avocado mousse and lobster tail with Melba toast. Divine. Dame M would approve. Next, seared scallops with chestnut velouté, maple syrup, apple and spinach. Heavenly. In more-or-less pescatarian form, we skip the venison steak with red cabbage, roast parsnip, sautéed sprouts and chestnuts sweetened by Moser Roth dark chocolate sauce. Straight to Black Forest stollen butter pudding. Devilish.

6 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

Jean was given free rein with the menu. “Quality of ingredients, freshness, simplicity,” Jean says. “These are all important. But so is – how do you say it? L’huile de coude. Ah – oil in the elbow!” He’s off to Dublin next week. “Probably one of the few places I am greeted by crowds at the airport. I love it! I get the best reception there. I’ll be on the Late Lunch Live television programme.” So much did our early Christmas lunch cost? The ingredients, thanks to some judicious shopping by our Michelin starred chef at the well known supermarket, £17.90. And we even forgot to mention the coffee and mince pies. The experience? Priceless. Merrily on high.

7 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

Categories
Architecture Developers Luxury

Landmass + 48 Belgrave Mews North Belgravia London

Making the Grade | Amuse Bouche

1 Landmass lvbmag.com

Back on luxury. MD of private developer Landmass Alan Waxman argues, “High end finishes and spec? Home automation, silk carpet? Forget it. Not enough on their own. Luxury is something money can’t buy. Look over there,” pointing to a circular internal window. A contemporary take on the traditional oeil de boeuf, perhaps an oeil de hibou, an architectural amuse bouche*. “Great design, that’s what luxury’s about!” This opening from the reception room looking through to the hallway elegantly frames, offset, an off white sculpture against a white background. Behind us, a reflective circular fireplace is placed opposite the internal window. Clever.

We’re in 48 Belgrave Mews North, a Grade II listed house in the heartlands of Belgravia Conservation Area. This is Landmass’s latest, a reimagining of an 1820s mews house. Alan sees his role as being “like the conductor of an orchestra”. To extend the metaphor, the architect and interior designer are first and second violinists respectively. London living (there are really only two Zones) is all about maximising space and light. “When you have a more compact property like a mews house,” he notes, “you provide added value by applying your imagination and by creating extra space.” Landmass has boosted the floorspace by more than 50% to now total 230 square metres.

3 Landmass lvbmag.com

A new stepped rear extension helps. In the lower ground floor Alan declares, “We raised the ceiling height to 3.2 metres and inserted glass panels in it.” A retractable glass ceiling over part of the reception room above provides views of the sky. This arrangement not only contains the action at the lower level in a fluid orchestration of space and movement, but draws the eye upwards, capturing and filtering the natural light. On a sunny day the upper surfaces become an animated embroidery of light and shadow. But on a dull day like today the way that light is held in the tall enclosure is critical to the project’s spatial narrative.

4 Landmass lvbmag.com

5 Landmass lvbmag.com

In a happy convergence of atavism and luxury, another circular internal window is placed at the bottom of the glass balustraded staircase. It frames views of the kitchen family room. Above a copper fireplace almost stretching the full depth of this space is a set of 10 photographs from the collection of the late film director Michael Winner. Joy! Non Londoners won’t appreciate this, but oh the – dare we say luxury – there’s a window in the master en suite and dressing room and one of the other two en suites. Yes! A centrally positioned bed in the master bedroom allows for a wardrobe walkway behind. The flow of spaces continues heavenwards up to the splendid rooftop terrace: a pinnacle of space and light is reached.

6 Landmass lvbmag.com

*Amuse bouche. Something else money can’t buy. But if you’ve £7 million to spare you can buy 48 Belgrave Mews North and still have loose change left over.

7 Landmass lvbmag.com

Categories
Art Design Luxury

Royal Mint 2014 Chinese Lunar Coin + Wuon-Gean Ho

The Whole of the Moon

Artist Wuon-Gean Ho © lvbmag.com

Like a scene from the movie Night at the Museum, the V+A is transformed as darkness falls. A rainbow of lights sends the angels in the architecture spinning in infinity to the melody of a violin quartet. Mere mortals fill the echoing marble halls below, indulging in stilton cheese on lotus oat crisps; scallops on a bed of seashells; vermicelli coated prawn sticks dipped in wasabi mayo; and Earl Grey macaroons. Psychedelic cocktails reflect the lights.

1 Royal Mint 2014 Lunar Year of the Horse © lvbmag.com

It’s the launch of the 2014 Chinese Lunar Year of the Horse coin by Royal Mint. A trained vet turned artist, Wuon-Gean Ho explains, “I have this dual heritage. I feel incredibly lucky! I grew up in Chinese culture but trawled antique shops and art galleries around Oxford where I lived.” Experienced in a range of media, Wuon-Gean won the commission to design the UK’s first legal lunar coin. “I made my first print when I was 12 years old. It was a linocut of a cat!”

2 Royal Mint 2014 Lunar Year of the Horse © lvbmag.com

“As a vet you have to observe animals closely,” she says. “I also drew horses at stables in Hackney. My dad is a vet. It is possible to get considerable detail on a coin design. Just think of the Queen’s head on the obverse side of the coin which even shows her earrings! I wanted the strong image of the horse in the foreground with the Uffington White Horse in Oxfordshire subtly placed behind.” Wuon-Gean holds a BA in History of Art from Cambridge. Her reverse coin design is the first of 12 zodiac animals to be featured in the Royal Mint’s Shēngxiào Collection. Prices range from £82.50 for the silver one ounce coin up to £1,950 for the gold one ounce.

3 Royal Mint 2014 Lunar Year of the Horse © lvbmag.com

4 Royal Mint 2014 Lunar Year of the Horse © lvbmag.com

5 Royal Mint 2014 Lunar Year of the Horse © lvbmag.com

6 Royal Mint 2014 Lunar Year of the Horse © lvbmag.com

Shane Bissett, Royal Mint’s Director of Commemorative Coin, emphasises the coin’s importance: “This is in effect a piece of public art with a likely circulation of 40 years. The Royal Mint’s Chinese Lunar coins lend a unique British angle to an ancient tradition. At Lunar New Year gifts and tokens are often exchanged, particularly money in red envelopes. This symbolises good wishes for the recipient’s health, wealth and prosperity.” Shane was previously responsible for growing Waterford Crystal’s UK market share: “I brought this experience of working with another heritage brand to Royal Mint.”

7 Royal Mint 2014 Lunar Year of the Horse © lvbmag.com

Wuon-Gean doesn’t think the Chinese community has that high a profile in London. “It’s best known for food,” she observes. It should, in her case, also be known for art. Capturing equine movement in millimetres is no mean feat. As for coins in envelopes, all are welcome at Lavender’s Blue. Usual address.

8 Royal Mint 2014 Lunar Year of the Horse © lvbmag.com

Categories
Architecture Art Country Houses People

Robert O’Byrne + Thomas Heneage Art Books London

A Knight in London 

Robert O'Byrne © lvbmag.com

A life in sound bites and superlatives; there’s no hiatus in the hyperbole. Friday evening. Thomas Heneage Art Books is back to back with aristos and aficionados. It’s the launch of Robert O’Byrne’s brilliant biography of Desmond Fitzgerald, the late last Knight of Glin aka the Black Knight. We’re on Duke Street St James (even the road has a double-barrelled name). Names, names, Madam Olda Fitzgerald and her daughters, son-in-law Dominic West, Min Hogg, Johnny Lowry-Corry 8th Earl Belmore, James Peill, Lindy Marchioness of Dufferin and Ava and more Guinnesses than last orders at the bar from Desmond downwards. My Goodness! My Guinness!

Irish Georgian Society Robert O'Byrne book launch © lvbmag.com

John O’Connell: “Easton Neston today; Chatsworth tomorrow.”

Robert O’Byrne: “You must do Curraghmore.”

Susan Crewe: “We’re really quite eclectic at House and Garden.”

William Laffan: “I seem to remember a lively lunch at St Pancras Hotel.”

Desmond Guinness: “Is Maurice Craig’s book Classic Irish Houses of the Middle Size or Middle Class?”

Hugo Vickers: “I’m on a break between biographies.”

Madam Olda Fitzgerald © lvbmag.com