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Fordwich Arms + Fordwich Town Hall Kent

Correct London Grammar

There’s nothing wrong with a pint of cider and scampi fries in your local. But we’d prefer the pescatarian tasting menu with Berry Brothers and Rudd of St James’s­­ wine thank you. Fordwich, eight kilometres north of Pett Bottom in Kent, is apparently England’s smallest town. Fordwich Arms is a gorgeous 1930s mock Tudor brick without half timber building. It looks like one of Walter George Tarrant’s houses on St George’s Hill Estate, Weybridge, Surrey. A curvilinear gable over the entrance is a welcome whimsical touch. The pub is opposite the 1540s real Tudor brick with half timber Fordwich Town Hall, apparently England’s smallest and oldest town hall in use. The Norman Church of St Mary behind the pub walled garden complements this tranquil grouping.

We’re lunching in the dining room accessed through the main bar. Cast iron framed windows are open to the walled garden on one side and the riverside terrace on the other. In good ol’ Tudorbethan style, the room is linen fold panelled with a stone fireplace. Fashionable visible bulb lights are the only wall decoration. The dining room is simply furnished: Ercol chairs and matching table tops balanced on cast iron legs on a timber floor. No boozer clut here: not a Toby jug or faded photograph of the high street in sight.

The unmistakeable cosmopolitan air (and not just us) is no coincidence. Londoners run the show. Chef Patron Daniel Smith worked for Jason Atherton’s group and then The Clove Club. His wife, Pastry Chef Owner Natasha, worked at Chapter One in Locksbottom, Kent, and latterly at Rocket events company in London. The Smiths are joined by Sommelier Guy Palmer-Brown. They’re all the same age and ridiculously young: 28 years old. Fordwich Arms is celebrating its second birthday. Daniel recalls his 17th birthday dinner at The Fact Duck in Bray, Berkshire, as being a directional moment towards his chosen career.

The serving staff possess encyclopaedic knowledge of each course and micro course. It’s the catering version of old masters dealing – they’re heavy on provenance. Just as well the pub backs onto the Great Stour River and the north and east coasts of Kent are five kilometres and 17 kilometres respectively away as all the savoury courses are a hymn to seafood. Getting even more local, their bread and butter is churned on site. A kitchen favourite is soda bread (very Northern Irish!) but we’re served rosemary focaccia with garlic cloves as well as wheaten bread made from the Chef’s mother’s recipe. Mrs Smith senior is from County Wexford.

After a trio of prettily colour coordinated amuse bouches come five fishy dishes which stretch that provenance the full length of this island. Confit chalk stream trout, oyster, pea and gooseberry sets the pace. Isle of Wight tomato, lemon verbena and Cornish caviar gathers knots. Roasted Orkney scallop, brown butter, applied and spiced scallop sauce makes waves. South coast brill and warm tartare sauce is a splash of panache. Line caught hake, celeriac, young leek and Madeira completes the culinary coastal voyage. Hit after hit of retronasal olfaction and satisfaction. Local and national produce; capital style and British brilliance. The plates themselves have varying textures and tonality – very Michelin. The Merchant’s White is just what a lover should be: rich and full bodied.

Top London chefs love their signature dishes (think County Antrim born Clare Smyth and her potato) and Daniel is no exception. While he manages to sneak in a perfectly formed potato mound side dish, it’s the Snickers bar pudding that’s his pièce de résistance. Delicately deconstructed then rigorously reconstructed as a sponge log with its skin of hard chocolate removed and ingredients (peanuts and caramel) placed on top, it’s gastronomy’s answer to the Centre Pompidou in Paris. Gold leaf is a nice reference to chocolate box wrapping.

The primacy effect (start of a meal) and regency effect (end of a meal) tend to stick in our minds. Not so, this lunch. Every morsel is memorable. We’ve eulogised for seven paragraphs now on the glories of Fordwich Arms; the Michelin Guide (the pub gobbled up a star almost instantly) is more succinct: “High quality cooking, worth a stop!” It’s a long stop for us: we reluctantly depart at 4.30pm as our car pulls up outside. A golden retriever keeps watch at the entrance. There mightn’t be a beer stained carpet but Fordwich Arms has kept one pub tradition going: it’s dog friendly.

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Architecture Restaurants

Harbour Arm + Lighthouse Margate Kent

The Peerage

At 275 metres long, there’s plenty of room to hang out on Margate’s early 19th century stone harbour pier “The Arm” in DiveGrub Hub and Sargasso on a sunny Saturday evening under the watchful glow of the 1955 lighthouse.

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Architecture

Margate Kent +

Trinity Square And More

“If our myths and truths are only another exotic blossoming, the free play of possibility, then they are fully as real and as worthy of respect as anything else.” The Death of Adam, Marilynne Robinson

Margate is a town of firsts. The first Georgian square built at a seaside resort (Cecil Square). The world’s first sea bathing hospital. First for beach donkeys. First for deckchairs. The originality stretches into the naming of its spaces and places. Buenos Ayres is the earliest major terrace (Georgian although much Victorianised) between the Royal Sea Bathing Hospital and Old Town. A meandering dander down Canterbury Road onto Marine Terrace offers up Artisans and Adventurers (décor and jewellery shop); Handsome Freaks (clothes shop); The Happy Dolphin (guest house); The Mechanical Elephant (Wetherspoon pub); Ruskin de la Mer (souvenirs and beachwear); and Sunset Rock Shop (sweetshop).

“It all comes down to the mystery of the relationship between the mind and the cosmos.” The Death of Adam, Marilynne Robinson

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Architects Architecture Developers

Arlington House + Dreamland Cinema Margate Kent

Cutting Loos

Brighton has several. Littlehampton has one. Margate sure has one. A shocker of a tower block. Designed by Philip Russell Diplock and built by Bernard Sunley in 1964, Arlington House is Marmite architecture. At 18 storeys it is the only building to scrape the sky along the low rise beach front. Margate Sands is north facing so the wider sun catching east and west elevations of the tower block have jagged profiles to capture sea views. Clever. The exterior is more or less ornament free. Each core of each floor of the cast concrete monolith serves just four apartments.

Arlington House looks down on Dreamland, a Grade II* listed amusement park dating from the 1880s. Dreamland Cinema is the visible seaward face of the amusement park. The purply red brick abstract elevations designed by Julian Leathart and Messrs Iles and Granger in the early 1930s are enlivened by yellow neon signs. Architects Robert Venturi and Denise Scott Brown, lovers of Las Vegas and neon, would approve. “Time is money. So resting must be specialised,” wrote Adolf Loos in Ornament and Crime. The great modernist architect was writing about chairs but the same could be applied to vacations. So a staycation in Margate continues to thrill and delight.

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Architects Architecture

Margate Winter Gardens + Fort Green Margate Kent

A Tale of One Town

Our dear friend Min Hogg, Founding Editor of The World of Interiors, invented the phrase “shabby chic”. Her flat on Brompton Square epitomised the look. She told us, “’Chic’ is simply style used with an élan that has a social or intellectual overtone.” What about ‘shabby’? “Apart from its obvious aesthetic appeal, shabbiness is the only defence and bastion against ostentation and misspent money. For architecture and interiors to have arrived at a shabby state usually implies that the things were of good quality and built to last back in their heyday. It doesn’t matter a fig if they are scuffed, worn, or out of fashion. It’s the traces of the haphazardness of living that bring things to life and give them reality, and reality is what shabby chic is all about!”

If there’s a town that sums up shabby chic, it’s Margate. Now that we are all working from home, experiencing the return of cottage industries, Margate will likely become more gentrified with an influx of Londoners wanting rooms with views – less shabbiness more chicness. Not necessarily a good thing – there’s a lot of charm in the resort’s peeling paint and overgrown hedgerows. And nowhere more so than the Winter Gardens above Fort Lower Promenade. The Winter Gardens are a bit bonkers, like Min (if in doubt check out Ms Hogg’s mischievous after hours appearance in Rupert Everett’s autobiography!). The Listers praise the Winter Gardens as “an example of a rare seaside entertainment building type. Its form, with a semicircular amphitheatre is unique. It is the only known example of a winter garden constructed within a chalk cliff.”

Built in 1911 to the design of the Borough Surveyor of Margate, Ernest Borg, the roughly shell shaped amphitheatre (later roofed over) is symmetrically hugged on either side by the grassy slopes of Fort Green and overlooked by Fort Crescent and Fort Paragon. The style is Mykonos-on-Sea. Variety and vaudeville, Dame Nellie Melba and Anna Pavlova, the Winter Gardens have had them all. Holidaying in Margate? It was the best of times, then things got even better. It was our season of sunshine, it was our summer of hope. Although Marilynne Robinson does warn in The Death of Adam, “At best, our understanding of any historical moment is significantly wrong, and this should come as no surprise, since we have little grasp of any present moment. The present is elusive for the same reasons as is the past.”

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Architects Architecture Developers

Fort Crescent + Fort Paragon Margate Kent

Not the Whole of the Moon 

Dr Simon Thurley, former Chief Executive of English Heritage, confirms, “Margate is one of England’s first seaside resorts. Since the early 18th century, people have been visiting the town to bathe in the sea, first for health reasons, but in more recent years for pleasure and a change of scenery. The presence of visitors transformed this once small working coastal town into a playground for some of the wealthiest members of London society. However, as it was located along the Thames away from the capital, Margate has always attracted a wide range of visitors and was selected as the site of the world’s first sea bathing hospital.”

The cliff facing façade of Fort Crescent and the cliff facing flank wall of Fort Paragon are evidence in stucco of Margate’s growing popularity in the early 19th century. Fort Crescent was built in piecemeal form over several decades; the more uniform Fort Paragon was constructed by a local builder Harold Woodward in 1830. Together they bring an air of the Regency, a little piece of Brighton, to Margate.

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Architects Architecture Developers

Old Town Margate Kent + Lavender’s Blue

And Then Isa Schiaparelli Invented the Colour Shocking Pink 

A weekend in Margate sipping Champagne on the balcony of Sands Hotel watching an iridescent Turner sunset followed by zipping around Old Town in a personalised number plated Range Rover to finally tripping the light fantastic at a private members’ club hidden in the hills? Margs darling, not Marghetto! Annabel P, Head of HR at Lavender’s Blue: “I’m down like Tinseltown.” Becks B: “I have high hopes for your trips.” 

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Design

The Isle of Thanet Kent + Westbrook Bay Beach Huts

Not the Last Resort

Westbrook Bay Kent © Lavender's Blue Stuart Blakley

The Isle of Thanet is the most easterly point of Kent. Once separated from the mainland by the Wantsum Channel, this area to the north of Deal and east of Whitstable is famed for its golden strands. All 15 of them. Margate Main Sands may be one of the best known beaches, crammed on sunny weekends, but just round the coast to the west is the quieter Westbrook Bay. Really an early 20th century suburb of Margate, Westbrook has its own distinct identity.

Houses Westbrook Bay Kent © Lavender's Blue Stuart Blakley

Margate Kent © Lavender's Blue Stuart Blakley

Street Furniture Margate Kent © Lavender's Blue Stuart Blakley

Metal Street Furniture Margate Kent © Lavender's Blue Stuart Blakley

Beach Huts Westbrook Bay Beach Kent © Lavender's Blue Stuart Blakley

Beach Huts Westbrook Bay Beach Margate Kent © Lavender's Blue Stuart Blakley

Beach Huts Westbrook Bay Kent © Lavender's Blue Stuart Blakley

Beach Huts Westbrook Bay Margate Kent © Lavender's Blue Stuart Blakley

Beach huts line the esplanade of Westbrook Bay. Born out of an 18th century sense of modesty, they have become a cherished part of coastal heritage. Still great for changing into swimming gear, beach huts have their limitations as a couple discovered when they set fire to their hut in Bournemouth recently. They are not designed for cooking. Cucumber sandwiches are more appropriate. Beach huts’ latest reincarnation is as valuable real estate. Current prices in neighbouring East Sussex range from £15,000 in Eastbourne to £55,000 in Rye. Whitstable in Kent, £30,000. In 2016, Kent Online featured the extraordinary headline “Margate posh beach huts go on sale for £500,000”. On closer inspection, the article actually refers to beach hut style two bedroom terraced houses overlooking the beach.

Beach Hut Westbrook Bay Kent © Lavender's Blue Stuart Blakley

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Architecture

Northumberland Hall Margate Kent + Lavender’s Blue

Our Testimony

Beach Lantern Northumberland Hall Margate © Lavender's Blue Stuart Blakley

Opened in 1904, Northumberland Hall continues the gospel tradition into the 21st century. The Lord’s Day meetings keep going as does the Thursday evening Address. The gable fronted Edwardian brick and plaster façade remains true to the town and street and faith and scripture. Sometimes seeing is more than believing. Marilynne Robinson in The Death of Adam beseeches, “By the standards of my generation, all of my life I have gone to church with a kind of perseverance as I do to this day. Once recently I found myself travelling all night to be home in time for church, and it occurred to me to consider in what spirit or out of need I would need to do such a thing. My tradition does not encourage the idea that God would find any merit in it. I go to church for my own gratification, which is intense, although it had never occurred to me before to describe it to myself.” And that is the story of Calvinist salvation, a longing fulfilled, a desire satisfied, a promise met, not a dramatic Damascene revelation but rather a gradual and rather beautiful opening and awakening of truths.

Cross Northumberland Hall Margate © Lavender's Blue Stuart Blakley

Zion Place Northumberland Hall Margate © Lavender's Blue Stuart Blakley

Zion Place Margate © Lavender's Blue Stuart Blakley

Northumberland Hall Margate © Lavender's Blue Stuart Blakley

Gable Northumberland Hall Margate © Lavender's Blue Stuart Blakley

Scriptures Northumberland Hall Margate © Lavender's Blue Stuart Blakley

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Architects Architecture Art Design Fashion Luxury People

Mary Martin London + The Return Collection + Foreign + Commonwealth Office London

Power

The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

“You Ain’t Seen Nothin’ Yet” croons Lisa-Marie Presley. You ain’t. And you won’t. Not yet. For Mary Martin London is busy sewing up a storm for her forthcoming fashion feat: The Return Collection. This comes hot and heavy on the haute heels of her last extravaganza Blood Sweat and Tears. This time it really is all about power dressing. And the corridors of power are about to be torn up by the thrust and throttle no room for boondoggle of a Mary Martin London show. “If our myths and truths are only another exotic blossoming, the free play of possibility,” writes Marilynne Robinson in The Death of Adam, “then they are fully as real and as worthy of respect as anything else.”

Rooftop The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Show. Not merely catwalk, for Mary will as ever be mixing decks in between directing the lighting, sound, photography, choreography, and always, laughter. There is really only one space that can hold its own for her solo show. Enter Durbar Court. “I like that the heads of the East India Company leaders will be looking down on my catwalk!” Mary howls laughing. “History and all that!” The Court was first used in 1867 for a reception of the Sultan of Turkey. King Edward VII threw his Coronation party here in 1902. Ms Robinson again, “At best, our understanding of any historical moment is significantly wrong, and this should come as no surprise, since we have little grasp of any present moment.” More recently, President Trump gave a speech here; Victoria Beckham showed last summer; Vivienne Westwood before that; but this is a first: a black female designer holding court in Durbar Court.

Downing Street Sign The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Staircase The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Statue The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Muses' Stair The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Empress Eugenie Muses' Stair The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Durbar Court The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Durbar Court Roof The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Durbar Court Arcades The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Columns The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Chandelier Durbar Court The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

The Foreign and Commonwealth Office is accessed off King Charles Street. It backs onto Downing Street. Numbers 10 and 11 can be glimpsed through muslin drapes. Architect George Gilbert Scott and the India Office’s surveyor Matthew Digby Wyatt were the dream design team. Completed in 1875, really it’s a cluster of buildings: the Foreign Office, India Office, Colonial and Home Offices. George Gilbert Scott supplied the august neoclassical cloak of architecture enveloping the inner sanctum of Matthew Digby Wyatt’s grand interior which reaches a climax in Durbar Court, a marvel in Greek, Sicilian and Belgian marble. Three storeys of columns and piers supporting arches rise to the glazed roof. The ground floor Doric and first floor Ionic columns are red Peterhead granite; the top floor Corinthian columns, grey Aberdeen granite. It’s the atrium of atria, arcades in Arcadia.

Frieze The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

There’s so much art and sculpture and history layered with meaning and misapprehension in the Foreign and Commonwealth Office. En processional route to Durbar Court is the Muses’ Stair. An octagonal glass lantern lighting the Portland stone staircase is decorated by Canephorae, Roman goddesses of plenty, floating over cherubs representing Roman virtues. Portraits of Emperor Napoleon III and Empress Eugénie hang between red Devonshire marble and grey Derbyshire marble Corinthian columns.

2012 Olympic Torch The Foreign and Commonwealth Office London London © Lavender's Blue Stuart Blakley

“Dare to be you!” Reverend Andy Rider preached in his last sermon as Rector of Christ Church Spitalfields. Over 100 years ago Lady Sybil Grant wrote in her self hagiography, “Provided that we are a star we should not trouble about the relative importance of our position in the heavens.” Fastforward a century or so and Mary is confident of her place in the firmament. And daring to be Mary Martin London. The creation of Eve. “We should be thankful that our cinematographic life in London still affords the quality of mystery and unexpectedness,” proclaimed Lady Sybil. Big statement.

Mary Martin London The Foreign and Commonwealth Office London © Lavender's Blue Stuart Blakley

Big statement architecture requires big statement fashion. Another interjection from Marilynne Robinson, “It all comes down to the mystery of the relationship between the mind and the cosmos.” First there was The Black Dress: “I see through a dark cloud of black mist.” Then The Red Dress: “The tainted bride is no longer a virgin.” Next came The White Dress: “I dream of memories when I was a Queen.” There’s only one dress left. The Rainbow Dress: “It’s finally coming – the biggest and the best! The Rainbow Dress will open The Return Collection!” the fashion artist declares. “A world champion ballerina will combine Tai quan dao and African dance on the catwalk. I’m bringing it in a bit different! People haven’t been out so I’m going to give them an amazing show. The Return to Africa. I’m out of the box!” Out of the box and into the Court. “Just A Dream” mourns Lisa-Marie Presley. Not for Mary Martin London. She is all about turning dreams into fantasies into realities into myths and truths. An uncommon wealth of talent.

Mary Martin London Men's Jacket © Lavender's Blue Stuart Blakley

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Design Luxury People

Bentley + Lavender’s Blue

The Cannonball Run

Bentley © Lavender's Blue Stuart Blakley

Handily placed between Sexy Fish (the restaurant) and Annabel’s (the club), Jack Barclay on Berkeley Square, Mayfair, is the world’s oldest and largest Bentley dealership. For more than a century, it has been keeping the one percent on wheels. When you’re in full throttle sports gear (our tyres and our attire) breezing along the coast, escaping the heat of the city, who cares that your automobile is averaging 19 litres per 100 kilometres (15 miles to the gallon)? Everywhere looks better from behind the wheel of a hand built Bentley Continental GT Convertible. And that includes the English Riviera when the mercury’s rising.

Bentley Convertible © Lavender's Blue Stuart Blakley

Bentley English Riviera © Lavender's Blue Stuart Blakley

Stuart Blakley © Andreas Y @ Lavender's Blue

Bentley Interior © Lavender's Blue Stuart Blakley