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Kitty Fisher’s Restaurant + Shepherd Market Mayfair London

Generations Come and Generations Go

Last autumn we somehow found ourselves invited to lunches in the private dining rooms of London restaurants on a weekly basis. Nice work, and all that. Six Park Place, Green Park, was all about white truffle and parmesan risotto in an Art Deco setting. Skipping the steak at Smith and Wollensky off The Strand we went for the seared hand dived scallops in the Martin Brudzinski designed basement dining room. Upping the grandeur, we’d gnocchi, ajo blanco, kale, feta crumble and sunflower seeds in the top storey dining room of The Ned under the plasterwork ceiling with its central MB for Midland Bank. The first floor private dining room of 34 was the setting of our The Not The What invitation to enjoy wild mushroom risotto, pecorino and summer truffle surrounded by Tracey Emin paintings. Not a beige buffet in sight.

The What House Awards are the biggest gongs in the housebuilding industry. So far, so mainstream. Much more fun are The Not The What parties contemporaneously thrown across Mayfair. After Champagne fuelled lunches everyone crashes The Red Room bar of The Grosvenor House Hotel. That’s before rounding off the night in Mount Street’s pub The Audley. Mayfair and its environs are not short of high end restaurants: Coya, Hide and Sexy Fish for starters, main course and pudding. In contrast to those three temples to Bacchus, the eateries of Shepherd Market are positively low key – and petite.

Oliver Bradbury records in The Lost Mansions of Mayfair, 2008, “Shepherd Market, named after Edward Shepherd, was laid out on the Curzon family owned waste ground north of Piccadilly and near Hyde Park Corner.” It’s a stretch to call somewhere a few dozen metres away from Green Park off the beaten track but Shepherd Market lends that impression. The short walk down White Horse Street along the side of Cambridge House (shrouded in scaffolding for years – when will the Reuben Brothers’ conversion of the In and Out Club to a hotel be finished?) opens into another world.

Narrow streets radiating off a square are lined with an array of international brasseries. In between are a few high end shops like Simon Carter menswear. Fancy Lebanese? Head to Al Hambra. Channelling Francophilia? There’s L’Artiste Muscle or Ferdi. Le Boudin Blanc closed in 2022. You can enjoy French cheese at Shepherd Market Wine House or pasta at Misto. Go Turkish at Fez Mangal. Iran Restaurant is what it says. Feeling adventurous? Try L’Autre, the capital’s only Polish Mexican. Or Middle Eastern food at our school night regular Sofra.

On the square itself is Kitty Fisher’s offering the best of British fare. Architect Chris Dyson provides some background, “Our practice’s first restaurant project was at 10 Shepherd Market for Penelope and Michael Milburn. The building is located in the northeastern corner of the market square, tucked away between Piccadilly and Curzon Street in Mayfair. In the early part of last century, Shepherd Market was a fashionable address. The writer Michael Arlen rented rooms opposite The Grapes pub, possibly this building, and used Shepherd Market as the setting for his bestselling 1924 novel The Green Hat, later made into a film starring Greta Garbo.”

“The building is essentially 18th century with a rebuilt mid 19th century brick façade.” Chris continues, “The fenestration dates from this partial rebuilding and is surrounded by alternating bands of yellow and red brick. The ground floor shopfront retains two carved stone corbels to either side. There are six floors in total. The basement extends under the pavement with two sizeable brick vaults.”

Typical of Shepherd Market restaurants, the ground floor is narrow fronted and deep in plan creating an intimate atmosphere. Precipitous stairs lead from the restaurant and bar down past the kitchen, fully on display through internal windows, to the rest of the restaurant. Cast iron ovens are retained in the basement thick walls. Cooking these days comes from a wood grill. Kitty Fisher’s was the toast of town when it opened in 2014 – one of its owners is the brother-in-law of then Prime Minister David Cameron who frequented it with his wife Samantha. The Nigella Lawson era of celebs has waned allowing this restaurant to settle into being a thriving slightly in-the-know establishment. On a Friday, especially today, the weekend before Christmas, the 75 covers are turned twice for lunch and twice for dinner. We’re perched on stools at the window in Edward Hopper’s Nighthawks fashion.

This isn’t our first rodeo. Eight years ago, December 2016 to be precise, we dined on the same stools. We were surprised to get dinner without a reservation at the height of Kitty Fisher’s fame. Time to dig into the archives! Viognier Le Paradou 2015 (£30.00), dry with a hint of honeycomb. Whipped cod’s roe, bread and fennel butter (£7.50), Head Chef Tom Parry’s four fingered salute against mediocrity. A textural contrast of creaminess and crustiness. Taleggio, London honey, mustard and black truffle (£9.00), a bittersweet symphony of wood grill smokiness. There’s more. Burrata, beetroot and radicchio (£12.50), a colourful collage of purple and white. Cambridge burnt cream (£7.00) isn’t an undergrad’s baking error but a Cointreau and cinnamon crème brûlée smoothly nestling under a crackly golden lid. These plates are too good for sharing. We observed that currency signs had vanished from fashionable menus as swiftly as pounds disappeared from the wallets of the original Kitty Fisher’s gentlemen callers.

The sharing plates menu has been replaced with a more traditionally laid out version of three courses plus sides. Still currency free. Tom Fairbank is now Head Chef. We stick to Viognier, crisp with floral notes Pays d’Oc Moulin de Gassac 2023 (£34.00). Mountain Bay sardines, Oyster Leaf mayonnaise and pickled green tomatoes (£17), latitudinal extremities. Scottish girolles, lentils and walnut (£30), vegetarian wholesomeness. Chocolate ganache, salted caramel ice cream and honeycomb (£12), sweet and smoky. The boudoir like theme has stayed the same: brown and purple walls, red lampshades, jazz music.

So who was Kitty Fisher? England’s original It Girl, no less. “Without a doubt, Kitty received a good education. She was witty and always known as a good conversationalist,” suggests Joanne Major in Kitty Fisher The First Female Celebrity, 2022. This background – and her natural prettiness – helped her climb up the social ladder with surprising ease. Fame collied with infamy in Kitty’s case due to her high profile affairs and liaisons. “Gossip about her antics reached the drawing rooms, coffeehouses and taverns of every town in the land,” writes Joanne.

In the 18th century painters were the paparazzi. After Sir Joshua Reynolds finished his first likeness, Joanne concludes, “In no time at all, at least four engravers had copied the portrait and Kitty’s likeness was to be had at every print shop in the country.” She lived for a while in Carrington Street to the immediate south of Shepherd Market. Towards the end of her short yet brilliance existence, Kitty found true love and married John Norris MP, Captain of Deal Castle. She died of smallpox aged 26 while visiting Bath. Shepherd Market would continue to have a racy reputation for ladies of the night right up to the mid 20th century.

We’re still up for private dining room lunches but, like Paris, we’ll always have Kitty Fisher’s. And we’ll aim to be back before another eight years have gone.

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Mary Berry + The Violin Factory Waterloo London

Baking Hot

Through a garage, darkly. There is definitely light at the end of this tunnel. And some canapés  too. Forget over egged and under served East London. Waterloo is where it’s happening. All the groovers and quakers. No longer a rookery prone to humbuggery and skullduggery. Within earshot of the screeching brakes of commuter trains full of weary suburbanites is a low key brick terraced house which leads Tardis style into a hidden former warehouse. Welcome to The Violin Factory. Lavender’s Blue are at this hipper than thou venue to chat exclusively to the original domestic goddess Mary Berry.

Back in the day when inbox was two words and Made in Chelsea meant quirky artwork, there was Mary. Her rise from person to persona to Personality of the Year 2013 can be charted from the new look to the lean in generation. “Lovely to see you,” she charms. “The first thing people ask me is ‘Are you on Facebook?’ The other thing people want to ask me is ‘What age are you?’ I’m 78.” Quite so.

Home is the postcard pretty village of Penn in the Chilterns. “My husband takes the dog for a walk very early in the morning so that he doesn’t meet people! Our dog’s called Wellington and we’ve a cat, Primrose. It gives me time to cook on the Aga. I’ve had an Aga for the last 44 years. It never wears out.” The same could be said of her charisma and career. So far Mary’s published 70 bestselling cookery books. There’s nothing half baked about this one woman industry. She does, though, acknowledge the longstanding assistance of her PA Lucy Young. Pippa Middleton really did get the bum deal with her book.

“The recipes that I do are very much family recipes. We’re not chefs. They have a brigade behind them. There’s such pleasure in making something traditional like lemon drizzle cake. It’s great to get all the family round the dining table to find out what everyone’s been up to.” Then, with a twinkle in her eye Mary paraphrases Shirley Conran: “Life is too short to stuff a courgette!” She discloses the pleasure she receives from people using her recipes but it’s teaching that’s her real passion.

“But all you want to hear about is Bake Off!” As an experienced interviewee, second guessing is clearly second nature to Mary. “The Great British Bake Off. What a shock it was to get asked to be a judge on the programme. Now we’ve got seven million viewers. Gardeners’ World has 2.5 million. I love it too. We’ve been voted the best reality judges on TV. Simon Cowell watch out! The programme has got Britain baking.”

Mary Berry © lvbmag.com

Sue Perkins and Mel Giedroyc are so much fun to work with,” she says. “At the Baftas, Sue said to me ‘We’re in Row H. We’re far too far away from the stage to be winners!’” They won two Baftas. “How am I ever going to find my way down there was my main concern.” She did, just as she continues to help people find their way round the kitchen. Amidst the flotsam and jetsam of life, there are few constants. Except Mary Berry who’s an exceptional exception. And William Curley London Chocolates.

William Curley London Chocolates copyright lvbmag.com