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Coya Restaurant + Bar Mayfair London

The Journey

“You need to go to Coya. It’s the best Peruvian restaurant. The food, the feel, the waiters – all are amazing!” recommends leading businessperson Astrid Bray. “It’s a fav of mine!” And so we make haste while the sun shines. The restaurant has possibly the most discreet frontage ever. A solemn stone columned portico on Piccadilly conveys nothing of the colourful madness that lies beyond, or rather below. Like our favourite Chinese restaurant Hakkasan, the best dining room and bar are in the basement which we just love. Never has subterranean living looked so glam. We’re enthralled!

Amazonica and Lucky Cat may be the new Mayfair restaurants you will shortly be hearing about, and never stop hearing about, and Nobu may or may not be about to close, but here at 118 Piccadilly life gathers pace in the fast lane under the street. The international jet set just can’t get enough of this high end eclectic Latin American cuisine sporting an oriental twist. On a very random Thursday night the place is packed to its rustic rafters. It’s like sitting in Emirates First Class. The vibe is very cool, very relaxed, very us.

“I bring you one to taste,” announces the sommelier, instigating an impromptu pre tiraditos (Peruvian sashimi) wine tasting. “This Argentinian Torrontés is very fruity” is how he describes a Susana Balbo Crios 2018. It instantly transports us back to Atlántico or I Latina or UCO or anywhere spectacularly upmarket in Buenos Aires. “We’ve lots of Argentinian, Chilean and Uruguayan wine! Their high altitude is good for wine growing.” A “full bodied North ArgentinianHermandad Chardonnay 2016 follows.

Coya’s menu was “born from the spirit of adventure” explains Indo British Culinary Director Sanjay Dwivedi. He spent all of 2012 touring South America and found what he was looking for amidst Incan heritage. “When I went to Peru I was like a kid in a sweet shop, I was so impressed! They have so many different foods – fruits, vegetables, ceviches – I was hooked.” He teamed up with businessman Arjun Waney, the Asian tour de force behind several top London restaurants as well as The Arts Club, and the adventure took wings. Coya now showcases the best of Latin American food, art, music (note the freestanding fireplace in the bar doubling as DJ decks) and culture.

“Peruvian food is the original fusion cuisine,” Sanjay reckons. “It takes in flavours from Japan, China, Spain and Africa.” His menu certainly has recognisable Japanese elements (chiefly miso and teriyaki). It’s an unlikely yet successful pairing of Lima and Tokyo. Late night summer supper costs £60. There’s a tasting menu for £80. Saturday brunch is £95 with cocktails or £115 accompanied by Perrier-Jouët.  Our à la carte dinner sets us back a tad more, although we did consume rather a lot of ensaladas (salad), antichuchos (marinated skewers grilled on charcoal), para picar (sharing plates), pescados y mariscos (seafood) and acompañantes (sides). And the highlight: palomitas con leche (sweetcorn and popcorn crème brûlée with roasted pineapple). There’s another Coya in London in the City, and there are branches in Abu Dhabi, Dubai and Monte Carlo. Coya is also opening shortly in Paris. Another excuse – not that one is ever needed – to return to the City of Light.

That was two years ago. And now from our own foreign correspondent. Our dedicated man in the trenches, or at least he who luncheth in Coya Dubai right now. Hard work, but someone’s gotta do it. So what’s his learned verdict? “It’s part of the Four Seasons Dubai complex. The interior of Coya in Dubai is very similar to London with lemon and lime velvet chairs. The menu is more extensive that its London counterpart with a lot of fish and ceviche choices. There are great views over the city. The staff are mainly European. Excellent restaurant.” Our overseas diplomat cuts it short: happy hour has begun back in his hotel.

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Art Design Luxury People Restaurants

Masterpiece Art Fair London Preview 2016 + London Art Week

Here Come The Men in Red Coats 

Ferrari 250 GTO 1963 Masterpiece Fair 2016 © Lavender's Blue Stuart Blakley

“Almost 75 percent of Kensington and Chelsea is covered by conservation areas,” Rock Feilding-Mellen duly told us over dinner at Clarke’s Restaurant on Kensington Church Street. He’s Deputy Leader of the Borough. “We’re very very proud of our built environment and the legacy we have inherited. The Royal Borough is held in high esteem here and around the world.” Sir Christopher Wren’s Royal Hospital Chelsea is one of the jewels in the prestigious Borough’s tiara. It’s fast becoming as renowned for an annual temporary replica in its grounds as the original 17th century quadrangular forerunner.

Another year, another masterpiece. Another year, another Masterpiece. Only in its seventh year, whatever did we do before this gaping lacuna in the social calendar was filled? Mind you, the Victorians managed just one Great Exhibition. It’s time to mingle with the well addressed sort of people who live in a house with no number (we’ll allow Number One London or at a push One Kensington Gardens as exceptions). Hey big spenders: there are no pockets in shrouds. Superprimers at play. From the Occident to the Orient, Venice to Little Venice, Dalston Cumbria to Dalston Dalston, the Gael to the Pale, Sally Gap to Sally Park or Sallynoggin, Masterpiece is like living between inverted commas. Among this year’s prestigious sponsors are Sir John Soane’s Museum and The Wallace Collection. That familiar conundrum: Scott’s or Le Caprice? Best doing both. Home of tofu foam Sinabro would approve. It’s not like we’ve hit the skids ourselves, as they say. The choice of champagne is even less of a dilemma: it’s Claridge’s favourite Perrier-Jouët on (gold) tap.

The Bantry House Siena Marble Tables, each spanning two metres, take pride of place at Ronald Phillips. This princely pair was purchased by the 2nd Earl of Bantry in the 1820s for the tapestry crammed entrance hall of his West Cork country house. The black marble supporting columns retain the original paint used to simulate the Siena marble tops. Thomas Lange of Ronald Phillips describes Siena marble as “the Rolls Royce of marbles”. Dating from George III times, they are priced £100,000 plus. Another Anglo Irish masterpiece is The Hamilton Tray. Commissioned by the 1st Marquess of Abercorn, this priceless piece of silver dates from 1791.

Symmetry and the art of the perpendicular abound in the Masterpiece salons (displays being much too modest a term). Lady Rosemary “I hate furniture on the slant” Spencer-Churchill would approve. Tinged with temporality, touched by ephemerality, the rooms are nonetheless paragons of authenticity. Exhibitors’ choice of wall covering is all defining. At Wallace Chan, velvety black is not so much a negation as a celebration of the totality of all colours. The kaleidoscopic crystallinity of a heist’s worth of gems is a welcome foil to the solidity of the backdrop. Jewellery designer and artist Wallace tells us, “I am always very curious. I like to study the sky and the earth. I seek to capture the emotions of the universe in my works.” Pre-Raphaelite stained glass windows by Henry Holiday cast an atmospheric rainbow over Sinai and Sons. Such a whirl of interiors – Min Hogg would approve. Purveyors of Exquisite Mind Bombs, Quiet Storm, add to the glamour. An exchange of fabulosity with Linda Oliver occurs. Moving on…

Countess Litta Detail @ Stair Sainty Masterpiece Fair 2016 © Lavender's Blue Stuart Blakley

This year’s theme of women is encapsulated by a masterpiece painted by a female of a female courtesy of Stair Sainty Gallery. “Why Vigée Le Brun is regarded as one of the finest and most gifted of all c18th female portrait artists” the gallery succinctly tweeted. Stair Sainty do though deservedly devote 3,290 words on their website to Louise Elisabeth Vigée Le Brun’s oil portrait of Yekaterina Vassilievna Skavronskaia (Countess Litta to you), a member of the Russian Court. A favourite of nobility and royalty, Madame Lebrun was tasked with softening the French Queen Marie Antoinette’s image through a series of family portraits. Despite the artist’s outstanding talent, this PR attempt was about as successful as Edina Monsoon recruiting Kate Moss (incidentally the model pops up in Chris Levine’s laser tryptych She’s Light priced £25,000) as a client in Absolutely Fabulous: The Movie. The premiere clashes with the Masterpiece Preview but we’ll stick to one red carpet at a time…

The late great Zaha Hadid, a regular visitor up to last year at Masterpiece, is now the subject of a commemorative salon. Interior designer Francis Sultana has curated an exhibition revealing Zaha wasn’t just the world’s greatest female architect – she was a dab hand at painting, jewellery and crockery design. Undisputed queen of Suprematism, curvature is her signature whatever the scale. Francis remarks, “Zaha never really believed in straight lines as such.” Across the boulevard, a moving arrangement by the Factum Foundation centred round a life-size crucifix is a reminder amidst this earthly wealth and glamour of the importance of faith and preservation. “Art is intention, not materials,” believes Adam Lowe of the Factum Foundation.

Montaged onto a bright blue sky, it’s time the red and white multidimensional Masterpiece marquee was designated as a listed building. Seasonal of course. Talking of the (changing) Season, whatever next? Proms in Peckham? Disney at Montalto? We’ll settle for tomorrow afternoon’s London Art Week Preview, a jolly round the galleries of St James’s with The Wallace Collection’s architect John O’Connell.