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Mayfair + The Grosvenor Estate London

All That Glitters

1 Mount Street © Stuart Blakley lvbmag.com

“He walked, as was his custom, through the shaded streets and pleasant squares of Mayfair,” writes Michael Arlen in A Young Man Comes to London, 1932. “This corner of town was our hero’s delight. He loved its quiet, its elegance, its evocation of the past. Of Mayfair he wrote those stories which no editor would publish. In those stories he dwelt on the spacious lives of the rich and on the careless gaieties of the privileged.”

2 Mount Street © Stuart Blakley lvbmag.com

Mayfair has long been celebrated in literature, most famously in the 1890s in Oscar Wilde’s An Ideal Husband and Lady Windermere’s Fan. This compact area, north of Piccadilly and west of Hyde Park, a patchwork of streets linking the generous squares of Grosvenor, Hanover and Berkeley, has been developed by several landlords  over the last few centuries, most notably the Grosvenor family. There are four “golden streets” of the Grosvenor Estate in Mayfair and neighbouring Belgravia: Mount Street, Elizabeth Street, Motcomb Street and Pimlico Road.

10 Mount Street © Stuart Blakley lvbmag.com

Mount Street shines the brightest. East to west, it starts opposite Alfred Dunhill off Berkeley Square and ends at Grosvenor House Apartments, Park Lane. The hotel is on the site of the Grosvenor family’s original townhouse or rather town mansion. Edwin Beresford Chancellor records in 1908, “Park Lane is synonymous with worldly riches and fashionable life. Down its entire extent, from where it joins Oxford Street to the point at which it reaches Hamilton Place, great houses jostle each other in bewildering profusion on the eastern side while on the west lies the park with its mass of verdure and, during the season, its kaleidoscopic ever-shifting glow of brilliant colour.” Park Lane is London’s Park Avenue (Manhattan not Bronx).

9 Mount Street © Stuart Blakley lvbmag.com

5 Mount Street © Stuart Blakley lvbmag.com

Between the classical Protestant Grosvenor Chapel on South Audley Street and the Catholic Church of the Immaculate Conception, known to all and sundry as “Farm Street” after its address, lie Mount Street Gardens. First laid out in 1890 on the site of a former burial ground, the gardens are now a sanctuary for locals, travellers and wildlife. Native London Plane trees grow between a more exotic Canary Island Palm and Australian Mimosa in this sheltered oasis.

7 Mount Street © Stuart Blakley lvbmag.com

Close to where Mount Street meets South Audley Street is the Mayfair Gallery. A treasure trove of furniture, lighting, paintings, sculpture and objets d’art, it was founded by Iranian born Mati Sinai who has dealt in antiques since the 70s. “Mayfair was and still is the premier location in London from which to exhibit and sell some of the pieces we have acquired over the years,” he says. “There is a peaceful serenity to the area.” His two sons Jamie and Daniel have joined the family business. “Once upon a time,” Mati says, “90 percent of our sales went to Japan and the US. Whilst we do still get customers from those regions, the growth of Russia, the Middle East and now China has radically changed our business.” A pair of vast vases commissioned by Tsar Nicholas I stand proudly in the shop front. The streets may not literally be paved with gold, but even on the outside of the red brick buildings are blue and white ceramic vases set in terracotta niches.

Mayfair has always attracted the rich and famous. Chesterfield Street alone boasts three blue plaques marking the homes of former Prime Minister Anthony Eden, playwright William Somerset Maugham and dandy Beau Brummell. The Queen was born in Mayfair, 17 Bruton Street to be precise. A Michelin starred Cantonese restaurant called Hakkasan is now at that address. Sketch on nearby Conduit Street is such a fusion of art, music and food that it is an installation itself. Art curator Clea Irving says, “Mayfair has a high concentration of artistically minded people – architects, artists, fashion designers, gallerists.” The fine dining restaurant at Sketch has two Michelin Stars.

4 Mount Street © Stuart Blakley lvbmag.com

A property budget of £1 million will at best stretch to a studio flat in this “golden postcode”. Established over 30 years ago, Peter Wetherell’s eponymous estate agency is on Mount Street. “Wetherell recognises that people from around the world seek Mayfair’s finest properties,” he says.  A few doors down, 78 Mount Street has just been sold by Wetherell for £32 million. This corner mansion, originally built for Lord Windsor in 1896, has five reception rooms, nine bedrooms and nine bathrooms spread over six floors. An international influence is evident in its architecture, from French neoclassicism to Italian Renaissance and English Arts and Crafts. Two of Osbert Lancaster’s architectural idioms originate in Mayfair: “Curzon Street Baroque” and “Park Lane Residential”. Another two could easily be “International Eclecticism” and “Grosvenor Grandeur”.

3 Mount Street © Stuart Blakley lvbmag.com

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Architects Architecture Art Country Houses Design Luxury People

David Linley + Highclere Castle Hampshire

Inside the Box

2 Linley © Stuart Blakley

Thanks to a certain Sunday evening wind down from the wild weekend historisoap, Highclere Castle is as recognisable as the Houses of Parliament. Golden Bath stone Doric, Ionic, Corinthian and Composite pilasters framing corner turrets ascend to a parapet – a tumultuous riot of strapwork, tracery, heraldry, pinnacles, plaques, coronets, colonettes, rosettes and finials. Jacobethanaissance architecture with Perpendicoco interiors. Handiwork of Sir Charles Barry, circa 1840.

A drawer in an upper floor of the V+A contains a perspective drawing commissioned by the architect to show his client Lord Grantham Carnarvon how the redesigned castle would look. It was originally displayed at the Royal Academy. Who says artists’ impressions and exhibitions are recent tools of self promotion for savvy architects? Architectural models are another tool. British design company Linley has developed expertise in creating scaled down versions of buildings – with a twist. They are functional, whether a humidor, bureau or writing desk. Robert Smythson meets Frank Smythson.

Linley Highclere Castle © Stuart Blakley

Mavisbank, Monticello, Monte Carlo Casino, Marino Casino. The latter a miniature in wood of a miniature in stone. Chairman David Armstrong-Jones, Viscount Linley, son of the late Princess Margaret, nephew of the Queen, drops his title and abbreviates his name to David Linley in business. “Something of lasting value is most important,” he says, “beautifully made with the best possible materials. We search out wonderful woods.” Accuracy derives from photographs, drawings, surveys and even aerial views from helicopters.

Highclere Castle is the latest building to receive the Linley treatment. Honey I shrunk the treasure house. It’s a jewellery box. Constructed of maple, 11,000 individual pieces of marquetry have been meticulously selected and pieced together by highly skilled craftsmen. This architectural box, lined in faux suede, has three main drawers plus a trademark secret drawer. Costs £65,000, price of a car or parking space.

At Lavender’s Blue we’re good with colour. So is Linley. Upmarket London shops must have their signature colour. Liberty: regal purple; Selfridges: canary yellow; Harrods: Pantone 574c greenLinley: aquamarine blue. David says, “We needed a striking colour to stand out cause, in a senses, the logo needs to be something you can see from far away… so that when you see a bag being carried down a street you know it’s that colour. Therefore it must be Linley. It’s rather nice when you see one – oh, that bag’s come out of the shop.”

1 Linley © Stuart Blakley

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Architecture People Restaurants Town Houses

Jean-Christophe Novelli + Home House London

London’s Most Exclusive Restaurant

1 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

Ding dong. It’s Lavender’s Blue’s Christmas lunch. Where to, where to? Our second stately home, of course. Homely Home House. Anthony Blunt’s former home; raffish types clearly in the past. Home is where the heart is and the heart of Home House is the hearty Robert Adam Dining Room. Grisailled and scaglioled to the nines (and that’s just the room), domestic god and sensation in the kitchen Jean-Christophe Novelli is our chef and host. Table for two for noon, thank you. That all important staff-to-customer ratio is pretty high due to the maître d’, Prosecco sommelier, Limestone Coast Chardonnay 2013 sommelier and Scottish Natural Sparkling Water waiter all standing to attention.

2 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

“I miss the urgency of a restaurant,” says Jean. “And there’s nothing quite like the immediacy of a pop-up!” These days he’s busy running his cookery school and chef’s academy in Herts. That is, when he’s not creating a bespoke fine dining experience for us amidst ovaloid apses, ellipses and lunettes. Dial is its name, top of its game, a play on a well known supermarket’s fame. A fandango in fondue, perhaps?

3 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

4 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

5 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

First up is a verrine of avocado mousse and lobster tail with Melba toast. Divine. Dame M would approve. Next, seared scallops with chestnut velouté, maple syrup, apple and spinach. Heavenly. In more-or-less pescatarian form, we skip the venison steak with red cabbage, roast parsnip, sautéed sprouts and chestnuts sweetened by Moser Roth dark chocolate sauce. Straight to Black Forest stollen butter pudding. Devilish.

6 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

Jean was given free rein with the menu. “Quality of ingredients, freshness, simplicity,” Jean says. “These are all important. But so is – how do you say it? L’huile de coude. Ah – oil in the elbow!” He’s off to Dublin next week. “Probably one of the few places I am greeted by crowds at the airport. I love it! I get the best reception there. I’ll be on the Late Lunch Live television programme.” So much did our early Christmas lunch cost? The ingredients, thanks to some judicious shopping by our Michelin starred chef at the well known supermarket, £17.90. And we even forgot to mention the coffee and mince pies. The experience? Priceless. Merrily on high.

7 Jean-Christophe Novelli & Stuart Blakley @ Home House © lvbmag.com

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Architecture Art Country Houses People

Robert O’Byrne + Thomas Heneage Art Books London

A Knight in London 

Robert O'Byrne © lvbmag.com

A life in sound bites and superlatives; there’s no hiatus in the hyperbole. Friday evening. Thomas Heneage Art Books is back to back with aristos and aficionados. It’s the launch of Robert O’Byrne’s brilliant biography of Desmond Fitzgerald, the late last Knight of Glin aka the Black Knight. We’re on Duke Street St James (even the road has a double-barrelled name). Names, names, Madam Olda Fitzgerald and her daughters, son-in-law Dominic West, Min Hogg, Johnny Lowry-Corry 8th Earl Belmore, James Peill, Lindy Marchioness of Dufferin and Ava and more Guinnesses than last orders at the bar from Desmond downwards. My Goodness! My Guinness!

Irish Georgian Society Robert O'Byrne book launch © lvbmag.com

John O’Connell: “Easton Neston today; Chatsworth tomorrow.”

Robert O’Byrne: “You must do Curraghmore.”

Susan Crewe: “We’re really quite eclectic at House and Garden.”

William Laffan: “I seem to remember a lively lunch at St Pancras Hotel.”

Desmond Guinness: “Is Maurice Craig’s book Classic Irish Houses of the Middle Size or Middle Class?”

Hugo Vickers: “I’m on a break between biographies.”

Madam Olda Fitzgerald © lvbmag.com

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Country Houses People

Lavender’s Blue + Twilight

Feeling Blue 

Janice Porter at Twilight © lvbmag.com

Twilight. The seeping of day into night. Flux made manifest. A liminal state, a period of transformation, optical and psychological. As light fades, our eyes play tricks on us, inventing horizons, altering distances, shrouding landmarks. We become more obscure to ourselves as well. Soon we are diner, dancer, lover. But in this moment, the night is not so much young as hardly begun.

There’s palpable tension in this transition between our day and night selves. In Laughter in the Dark, Vladimir Nabokov’s doomed character Albinus experiences it on a visit to his mistress. “Lights were being put on, and their soft orange glow looked very lovely in the pale dusk. The sky was still quite blue, with a single salmon coloured cloud in the distance, and all this unsteady balance between light and dusk made Albinus feel giddy.”

For lost souls, the magic hour passes unobserved, pre empted by the explicit reds of sunset; or its nuances eclipsed by the acid glow of streetlights. F Scott Fitzgerald beautifully captures the melancholy of fading day in The Great Gatsby when his narrator Nick Carraway observes, “At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others – poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner – young clerks in the dusk, wasting the most poignant moments of night and life.”

The subtle apostrophe-free lavender blue of twilight deserves to be the scene snatcher. Even the words associated with it are seductive: crepuscular, gloaming, penumbra. Little wonder the Romantics Coleridge, Keats, Wordsworth – were obsessed about fixing twilight as a poetic shortcut to existential meditations. “The violet hour” as TS Eliot writes in The Waste Land is “when the eyes and back turn upward from the desk”. Just dwell on yet more literary episodes imbued with meaning: Mrs Dalloway kissing Sally Seton on the terrace, Mrs Moore’s moment of transcendence in A Passage to India, Marlow’s mistruth about Kurtz’s last words in Heart of Darkness. Not to mention the hotbed of nefarious doings at twilight in gothic novels, from Dracula to Frankenstein.

Twilight. The time when the power of reason wanes and fantasy weaves its own tales. Full of frisson, danger, desire. Moral and social strictures loosen as the first stars appear. Under the diffusion of mauve light there is heightened sensitivity to the promise of life; anything is possible in this magic hour. Grasp it, for the intensity is almost tangible; feel it, before going forth into the night, both derivative and original, living in the present yet loving the past.

Lavender's Blue Twilight © lvbmag.com

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Ballymore + Embassy Gardens Marketing Suite Nine Elms London

Brand New 

1 Embassy Gardens copyright lvbmag.com

Unless you’re experiencing a news blackout or enjoying an extended break on Vamizi Island, you’ll no doubt be aware of a rather large reimagining of real estate between Battersea and Vauxhall. Largest in the UK, no less. It’s here that Ballymore Group has launched its stars-and-stripes flagship scheme. Embassy Gardens is bang next door to the US Embassy, heading that way in 2017.

2 Embassy Gardens copyright lvbmag.com

The marketing imagery is mind blowing. This – almost – abandoned stretch of the Thames until now mostly known for dodgy nightclubs will soon be populated by swathes of apartments, a hotel, Linear Park and best of all a brasserie from the guys who brought us Bunga Bunga (sing for your supper). Rebranded Nine Elms on the South Bank, it’s masterplanned by Sir Terry Farrell. He calls it “London’s third city”.

3 Embassy Gardens copyright lvbmag.com

Embassy Gardens is one of the biggest pieces in this regeneration jigsaw. Key player Ballymore will deliver nearly 2,000 homes including “luxury suites” to borrow the sales speak. Founder, Chairman and CEO Sean Mulryan says, “For nearly 30 years, Ballymore has been responsible for some of the best known and most ground breaking developments in London… with Embassy Gardens we have continued to set new standards. We believe that a marketing suite should truly reflect the vision of the neighbourhood. The marketing suite at Embassy Gardens is not only architecturally striking from the exterior but its interior captures the distinctive design and aesthetic of our apartments.”

5 Embassy Gardens copyright lvbmag.comBranding and marketing are more than pictures and conversations. Punters want to experience upfront what it’ll be like to live in a new scheme. Gone with the wind are the days when show flats resembled a Changing Rooms episode stuck in a first phase surrounded by diggers. Well, in London anyway. Embassy Gardens’ marketing suite – or should that be show building? – is a destination in itself. Big names add credit(s) to its kudos. Architecture by Arup Associates. Interiors by Woods Bagot. Gardens by Camlins. Review by Lavender’s Blue.

6 Embassy Gardens copyright lvbmag.comThree sides of an enigmatic opaque glass box hover over the clear glazed walls of the ground floor exhibition space. Translucency and transparency; concealment and legibility. Its august angularity acts as a striking riposte to the zigzagging ziggurats down the river. The box contains two floors of show apartments. Their floorplates are set back from the building envelope to accommodate balconies which project like open drawers into a void over the main entrance. This allows for sectional brochure photographs which otherwise would be entirely impossible to capture.

Woods Bagot has taken branding to a whole new level. Let’s hear from John Nordon, Design Intelligence Leader: “We set out to create beautiful spaces that any architect would be proud of. But it was equally important that the project was a commercial success to our client. To achieve this, we integrated the design process with brand marketing and sales. We want people to be sold on the Embassy Gardens brand first and foremost. The brand values will provide reassurance regardless of the budget and needs of the buyer. This strategy is the norm in the world of consumer goods companies but is new to residential redevelopment.”

 

He believes with the advent of the wireless era, domestic design technology infrastructure is redundant. Instead Woods Bagot has created space for hardware such as laptops and tablets to blend effortlessly into the interiors. “The aesthetic is inspired by, but does not mimic, classic 1950s American design,” says Jonathan Clarke, Woods Bagot’s Head of Interiors in Europe. “Attention to details such as walnut veneers and ceramic door and drawer handles reinforces the sense of solidity and good taste.” Palm Springs springs to mind. Anyone for Malibu? We do get around a lot but were seriously impressed by these show apartments. Great use of ceramic tiles too: vertically oriented running bond pattern in the bathroom and a wallful in the living area.

7 Embassy Gardens copyright lvbmag.comNot only can the inside of the apartments be experienced before Embassy Gardens is even up to plinth height; so can the view. The third floor of the marketing suite opens from a Philip Johnsonesque pavilion onto a roof terrace. Flowing by, the Thames makes its way from Chelsea Bridge to Vauxhall Bridge. So current. The terrace was the setting for the picnic themed launch of the Linear Park. Ginger beer, baskets of sandwiches and boiled sweets at the ready. Enid Blyton eat your heart out.

9 Embassy Gardens copyright lvbmag.com

Camlins’ meadow garden wraps around the marketing suite, giving a foretaste of what’s to come. Linear Park will incorporate “open green commons as well as enclosed garden squares and majestic tree lined streets” confirms Huw Morgan, Director of Camlins. The contrast with the building is palpable. Control and informality; a great architect and the Great Architect. A marketing suite by default is a meanwhile use. This one should be kept and not just for Christmas. From all at Lavender’s Blue have a good one. And from opera singer Camilla Kerslake.

Camilla Kerslake

Across town, we joined fashionistas Giles Deacon and Jonathan Saunders at King’s Cross Filling Station restaurant. The tenuous editorial link? Vauxhall. A Christmas tree made out of Vauxhall Ampera car parts was unveiled. Moving parts mechanically grooved to a techno beat as fluorescent orange light and frosted air filled the forecourt. Lady Gaga’s erstwhile set designer Gary Card dreamt up the tree. Mince pies, mulled cider and some dancing kept us warm. Sláinte!

Xmas Tree

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Jumeirah + Grosvenor House Apartments Park Lane London

The High Life

Griege. It’s the oligarch agent’s choice of colour from Belsize Park to Belgrave Square. Ban it. Griege is dull. Safe. Predictable. Life should be black and white with a dash of colour provided by Lavender’s Blue. So it was with a huge sense of relief as we gingerly – ever the shrinking violets – arrived at the Grosvenor House Apartments penthouse party.

Wow! Monochrome hasn’t looked this good since Anouska Hempel styled her eponymous hotel in Amsterdam. Entering the penthouse, via a high speed private lift of course, was like being inserted into a CGI. Writer and broadcaster and general bon viveur Lady Lucinda Lambton recently regaled us with her story of Monkton House, a Sir Edwin Lutyens building transformed by Edward Jones into the 1930s Surrealist style.

Exactly 90 years since construction was completed on Grosvenor House, another Lutyens building, it too has been transformed. This time into reverse hyperrealism (think about it and then catch up). The penthouse interior is undeniably second decade 21st century. It is defined and refined by rows of black framed neo Georgian sash windows and French doors which encircle the rooms like silent sentinels surveying the controlled decoration. This definition and refinement suggest a computer still, a mise-en-scène for the 20 centimetre screen.

Turns out Anouska aka Lady Weinberg, Bond girl turned society gal turned Renaissance woman, actually was the interior designer. A renowned perfectionist, she recently told FT: “I’m a control freak. We do it my way unless you’ve got a better way … Every now and again one of the little people suggests an alternative way of doing things, I say, “You are brilliant, thank you!” And then Anouska does it her own way.

The excuse for the party, if one was needed, was the launch of Jumeirah Living’s At Home. This programme introduces residents to a different aspect of luxury London living each month. Canapés and cocktails by award winning chef Adam Byatt (moreish mussels and multi coloured macaroons), a private viewing of artist designer Mark Humphrey’s first solo show Art in Life and piano playing in the hallway promoted the programme with impressive aplomb.

General Manager Astrid Bray declared, “We are delighted to host Mark Humphrey’s innovative collection Diamonds and Flames. He shows a true talent and his art perfectly complements our aesthetic. We feel Mark’s pieces, mixing classic skills of design with contemporary touches, will further set apart our hotel apartments. We’re combining the discretion of an exclusive Mayfair residence with a more private form of luxury and an immediate sense of home. We’ve people staying three days or a whole year. We’ve all of those!”

Precisely nine decades later, General Editor of the Survey of London Hermione Hobhouse’s words have turned full circle: “The Grosvenor House of the Dukes of Westminster has become the Grosvenor House of innumerable misters.” Now it’s possible again to live like a duke. A 24 hour butler caters for nights in and an Aston Martin Rapide for days out. The aptly named Grosvenor is the largest penthouse. At 448 square metres it’s the size of a decent townhouse.

Grosvenor House greedily grabs two of Mayfair’s golden addresses, Mount Street and Park Lane. A corner site, its terraces benefit from sweeping views across Hyde Park. If residents care to leave the privacy of their apartments, they can lounge in the second floor atrium. Thrillingly open seven storeys to the glass roof, the atrium is a cathedral to relaxation.

To paraphrase (or should that be plagiarise?) the hyperbolic alliterative Lucinda, the Grosvenor House Apartments positively bristle with the beautiful. They are a delight to be in and come up to sensational scratch. Jumeirah Living has proved itself to be a plum player in the field.