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Kitty Fisher’s Restaurant + Shepherd Market Mayfair London

Generations Come and Generations Go

Last autumn we somehow found ourselves invited to lunches in the private dining rooms of London restaurants on a weekly basis. Nice work, and all that. Six Park Place, Green Park, was all about white truffle and parmesan risotto in an Art Deco setting. Skipping the steak at Smith and Wollensky off The Strand we went for the seared hand dived scallops in the Martin Brudzinski designed basement dining room. Upping the grandeur, we’d gnocchi, ajo blanco, kale, feta crumble and sunflower seeds in the top storey dining room of The Ned under the plasterwork ceiling with its central MB for Midland Bank. The first floor private dining room of 34 was the setting of our The Not The What invitation to enjoy wild mushroom risotto, pecorino and summer truffle surrounded by Tracey Emin paintings. Not a beige buffet in sight.

The What House Awards are the biggest gongs in the housebuilding industry. So far, so mainstream. Much more fun are The Not The What parties contemporaneously thrown across Mayfair. After Champagne fuelled lunches everyone crashes The Red Room bar of The Grosvenor House Hotel. That’s before rounding off the night in Mount Street’s pub The Audley. Mayfair and its environs are not short of high end restaurants: Coya, Hide and Sexy Fish for starters, main course and pudding. In contrast to those three temples to Bacchus, the eateries of Shepherd Market are positively low key – and petite.

Oliver Bradbury records in The Lost Mansions of Mayfair, 2008, “Shepherd Market, named after Edward Shepherd, was laid out on the Curzon family owned waste ground north of Piccadilly and near Hyde Park Corner.” It’s a stretch to call somewhere a few dozen metres away from Green Park off the beaten track but Shepherd Market lends that impression. The short walk down White Horse Street along the side of Cambridge House (shrouded in scaffolding for years – when will the Reuben Brothers’ conversion of the In and Out Club to a hotel be finished?) opens into another world.

Narrow streets radiating off a square are lined with an array of international brasseries. In between are a few high end shops like Simon Carter menswear. Fancy Lebanese? Head to Al Hambra. Channelling Francophilia? There’s L’Artiste Muscle or Ferdi. Le Boudin Blanc closed in 2022. You can enjoy French cheese at Shepherd Market Wine House or pasta at Misto. Go Turkish at Fez Mangal. Iran Restaurant is what it says. Feeling adventurous? Try L’Autre, the capital’s only Polish Mexican. Or Middle Eastern food at our school night regular Sofra.

On the square itself is Kitty Fisher’s offering the best of British fare. Architect Chris Dyson provides some background, “Our practice’s first restaurant project was at 10 Shepherd Market for Penelope and Michael Milburn. The building is located in the northeastern corner of the market square, tucked away between Piccadilly and Curzon Street in Mayfair. In the early part of last century, Shepherd Market was a fashionable address. The writer Michael Arlen rented rooms opposite The Grapes pub, possibly this building, and used Shepherd Market as the setting for his bestselling 1924 novel The Green Hat, later made into a film starring Greta Garbo.”

“The building is essentially 18th century with a rebuilt mid 19th century brick façade.” Chris continues, “The fenestration dates from this partial rebuilding and is surrounded by alternating bands of yellow and red brick. The ground floor shopfront retains two carved stone corbels to either side. There are six floors in total. The basement extends under the pavement with two sizeable brick vaults.”

Typical of Shepherd Market restaurants, the ground floor is narrow fronted and deep in plan creating an intimate atmosphere. Precipitous stairs lead from the restaurant and bar down past the kitchen, fully on display through internal windows, to the rest of the restaurant. Cast iron ovens are retained in the basement thick walls. Cooking these days comes from a wood grill. Kitty Fisher’s was the toast of town when it opened in 2014 – one of its owners is the brother-in-law of then Prime Minister David Cameron who frequented it with his wife Samantha. The Nigella Lawson era of celebs has waned allowing this restaurant to settle into being a thriving slightly in-the-know establishment. On a Friday, especially today, the weekend before Christmas, the 75 covers are turned twice for lunch and twice for dinner. We’re perched on stools at the window in Edward Hopper’s Nighthawks fashion.

This isn’t our first rodeo. Eight years ago, December 2016 to be precise, we dined on the same stools. We were surprised to get dinner without a reservation at the height of Kitty Fisher’s fame. Time to dig into the archives! Viognier Le Paradou 2015 (£30.00), dry with a hint of honeycomb. Whipped cod’s roe, bread and fennel butter (£7.50), Head Chef Tom Parry’s four fingered salute against mediocrity. A textural contrast of creaminess and crustiness. Taleggio, London honey, mustard and black truffle (£9.00), a bittersweet symphony of wood grill smokiness. There’s more. Burrata, beetroot and radicchio (£12.50), a colourful collage of purple and white. Cambridge burnt cream (£7.00) isn’t an undergrad’s baking error but a Cointreau and cinnamon crème brûlée smoothly nestling under a crackly golden lid. These plates are too good for sharing. We observed that currency signs had vanished from fashionable menus as swiftly as pounds disappeared from the wallets of the original Kitty Fisher’s gentlemen callers.

The sharing plates menu has been replaced with a more traditionally laid out version of three courses plus sides. Still currency free. Tom Fairbank is now Head Chef. We stick to Viognier, crisp with floral notes Pays d’Oc Moulin de Gassac 2023 (£34.00). Mountain Bay sardines, Oyster Leaf mayonnaise and pickled green tomatoes (£17), latitudinal extremities. Scottish girolles, lentils and walnut (£30), vegetarian wholesomeness. Chocolate ganache, salted caramel ice cream and honeycomb (£12), sweet and smoky. The boudoir like theme has stayed the same: brown and purple walls, red lampshades, jazz music.

So who was Kitty Fisher? England’s original It Girl, no less. “Without a doubt, Kitty received a good education. She was witty and always known as a good conversationalist,” suggests Joanne Major in Kitty Fisher The First Female Celebrity, 2022. This background – and her natural prettiness – helped her climb up the social ladder with surprising ease. Fame collied with infamy in Kitty’s case due to her high profile affairs and liaisons. “Gossip about her antics reached the drawing rooms, coffeehouses and taverns of every town in the land,” writes Joanne.

In the 18th century painters were the paparazzi. After Sir Joshua Reynolds finished his first likeness, Joanne concludes, “In no time at all, at least four engravers had copied the portrait and Kitty’s likeness was to be had at every print shop in the country.” She lived for a while in Carrington Street to the immediate south of Shepherd Market. Towards the end of her short yet brilliance existence, Kitty found true love and married John Norris MP, Captain of Deal Castle. She died of smallpox aged 26 while visiting Bath. Shepherd Market would continue to have a racy reputation for ladies of the night right up to the mid 20th century.

We’re still up for private dining room lunches but, like Paris, we’ll always have Kitty Fisher’s. And we’ll aim to be back before another eight years have gone.

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Architects Architecture Design Developers Hotels Luxury People Restaurants Town Houses

House of Tides Restaurant Newcastle-upon-Tyne +

Riding the Wave

“And the place where new life must start – this may be a surprise, because nobody seems to care two hoots for it at the moment – is the quayside. Whichever way you come to Newcastle, get down to the quayside first,” orders Ian Nairn in his 1967 guide Nairn’s Towns. We obey and not just because the city’s leading restaurant is on the quayside in a Grade I Listed former house opposite the Grade II* Listed Wetherspoon’s pub which was once a house and attached warehouse. Both date from the 16th century. Almost six decades after Nairn’s Towns was first published, the quayside is now a much loved tourist and cultural asset.

The House of Tides was launched a decade ago by husband and wife team Kenny and Abbie Atkinson. He’s now one of the north of England’s most acclaimed chefs. Past roles include a stint as Head Chef of Seaham Hall, Durham, then owned by Von Essen Hotels. “We didn’t want our restaurant to be in a glass box or near bars and clubs which is quite difficult in Newcastle,” relates Kenny. An historic merchant’s dwelling jammed against the gargantuan Tyne Bridge is definitely not a glass box and Wetherspoon’s is the only nearby bar. Clubland has never quite ventured this direction.

The pedestrian route from Newcastle Railway Station to the restaurant is full of intrigue and surprise. Tyne Bridge arches its way across the grounds of Newcastle Castle splitting the keep from the gatehouse. There were no Conservation Areas in Victorian times. Moot Hall is one of the visual treats en route: a Greek Revival courthouse soon to be converted into a hotel by the Gainford Group which owns the jolly decent County Hotel opposite the station. Completed in 1812, architect John Stokoe gave the entrance front a tetrastyle fluted Doric portico and the river facing front a hexastyle portico. Ian Nairn states, “John Stokoe makes the official masters of the style – Smirke, Wilkins and so on – look like pallid pedants.” Next to Tyne Bridge, steps called Long Stairs, bordered by overgrown vegetation and the backs of houses, descend to the quayside. Long Stairs feel a little isolated, a bit ghostly, a tad eery, even by daytime. Later, as dusk falls, orbs will appear.

First impressions of House of Tides – and lasting memories – are of rustic robustness. The three and four storey block has a stone faced ground floor, reddish brown brick upper floors and a pantiled roof. Some of the vertically proportioned sash windows have been reduced in size to casements leaving the original lintels charmingly floating like architectural eyebrows. Inside, the ground floor is one long open bar with informal seating. The restaurant occupies a similar space upstairs.

Rather than being hidden away, the kitchen faces onto the street. Its location adds to the drama of servers parading upstairs to the first floor restaurant, then standing to attention before waiters relieve them of their plates. That’s about as formal as it gets. “Are you enjoying the chilled vibe?” asks our waiter before methodically listing the ingredients as each course of the tasting menu arrives. “How do you remember all that?” we enquire. “I’ve no idea!” he laughs and summarises how the penultimate course, Buttermilk (pear, celery, lemon verbena), is a “journey from savoury to sweet”. A segue on the tongue. The mild vinegary tang jogs our memories of traditional pudding in the Aachen Town Hall cellar brasserie.

The first three courses – Gougère (butternut squash, miso), Goat’s Cheese Parfait (curried granola, rye crackers), Crab (spiced shrimps, crumpet) – set the scene. Refined unfussy food; accessible fine dining. A clarity of culinary vision matched by the white, off white and cream décor complementing the rusticity of the slanted windows and slanted timber floors and slanted plasterwork laden beams. Sourdough (malt butter, toasted yeast) is straight from the baker’s oven. Seatrout (kombu, trout roe, dill, dashi), Cod (mussels, Grelot onions sea herbs) and Monkfish (celeriac, onion, persillade) are three subtly sexy fish dishes. Kenny’s twists of tradition include gooseberry ketchup and wasabi ketchup. Blackberry Crémeux (apple, crème fraîche, meringue) has form and more. No wonder the restaurant snapped up its Michelin star just six months after opening.

“At House of Tides we believe our wine list is an extension of the ethos of the restaurant,” Kenny admits. “It is a collection of our favourite wines and reflects the tastes and passion of the people that have worked to put it together. Our ambition is to take you on a journey through the vineyards from around the world.” As Francophiles we are happy to go no further than across the Channel. A Peu Près Sauvignon Blanc, Loire Valley, 2020, for the savouries. Vigneron Ardechois, Coteau St Giraud, Late Harvest Viognier, 2020, for the sweets. Below at street level, during the course of lunch the bollarded space in front of House of Tides has been carpeted yellow with the fall of autumn leaves.

After lunch we will climb back up Long Stairs to inspect the Augustus Welby Northmore Pugin designed needle spired St Mary’s Catholic Cathedral on the far side of the railway station. The organist is practising for a wedding. He plays two minutes of Franz Schubert’s Ave Maria, two of Johann Pachelbel’s Canon in D, Johann Sebastian Bach’s Jesu Joy of Man’s Desiring, César Franck’s Panis Angelicus, Richard Wagner’s Bridal Chorus and Ennio Morricone’s Gabriel’s Oboe. A musical tasting menu.

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Art Design Luxury Restaurants

Park Chinois Restaurant Mayfair London +

Orient Impress

Twixtmas, the most delicious portmanteau since banoffee. It takes a lot to sway us away from our usual Chinese cuisine hideaway in Mayfair (Hakkasan) but the allure of another basement of delights on the far side of Sexy Fish (Park Chinois) proves too much. Macallan Highball, Moulin Rouge and Negroni de la Maison cocktails get the party going. Now that the short lived Duddell’s is history, Park Chinois could well be our second favourite Chinese restaurant in London.

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Developers Luxury Restaurants

Hakkasan Mayfair London + Lavender’s Blue

Corporate Canton Cooking

When your office is in Mayfair the choice of school day eating is Hakkasan, Sexy Fish or Sofra. Hardly Hobson’s! To celebrate Hakkasan’s two decades of modern Chinese cuisine, some dim sum makes for caviar dusted fine lunching. To quote Gertrude Stein in Tender Buttons, 1914, “Single fish single fish single fish eggplant single fish sight.”

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Design Luxury People

Bentley + Lavender’s Blue

The Cannonball Run

Bentley © Lavender's Blue Stuart Blakley

Handily placed between Sexy Fish (the restaurant) and Annabel’s (the club), Jack Barclay on Berkeley Square, Mayfair, is the world’s oldest and largest Bentley dealership. For more than a century, it has been keeping the one percent on wheels. When you’re in full throttle sports gear (our tyres and our attire) breezing along the coast, escaping the heat of the city, who cares that your automobile is averaging 19 litres per 100 kilometres (15 miles to the gallon)? Everywhere looks better from behind the wheel of a hand built Bentley Continental GT Convertible. And that includes the English Riviera when the mercury’s rising.

Bentley Convertible © Lavender's Blue Stuart Blakley

Bentley English Riviera © Lavender's Blue Stuart Blakley

Stuart Blakley © Andreas Y @ Lavender's Blue

Bentley Interior © Lavender's Blue Stuart Blakley

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Architecture Hotels Luxury People Restaurants

Rare Champagne + La Dame de Pic Four Seasons Hotel 10 Trinity Square London

Lotto and Cavagnole and Faro and Lansquenet

Four Seasons at 10 Trinity Square Tower Hill London © Lavender's Blue Stuart Blakley

Writing in Edwardian Architecture, Alastair Service describes the host building and its place in the architectural lexicon: “The commission for the Port of London Authority building was won in a competition of 1912 by Edwin Cooper (1873 to 1942), who had recently started a personal practice after working in a series of partnerships. Cooper’s success in the competition of 1911 for the St Marylebone Town Hall was, however, more significant for the future. Reviewing the entries for the competition, the editor of one architectural magazine wrote, ‘We cannot help asking ourselves whether all these colossal columns, domes, towers, groups of sculpture and other imposing features are felt by their authors to be the only natural and inevitable expression of the necessities of the case.’

Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Such criticism of extravagant building was in harmony with general feeling at the time. And the St Marylebone Town Hall built to Cooper’s designs shows a greatly simplified use of Classicism, emphasising the volumes in Holden’s [architect Charles Holden] way, rather than creating broken Baroque outlines encrusted in sculpture. The mention of Holden’s name is no coincidence. More than anyone else, it was his work that bridged the gap between the attempts at a Free Style and the varieties of Edwardian Classicism.”

Entrance La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

The streamlined architecture of Marylebone Town Hall (long deprived of its sainthood), as Alastair Service observes, is more in keeping with a modern sensibility but the bombastic brilliance of Edwin Cooper’s portico is well suited to a Four Seasons flag. It mightn’t have been purpose built, but if those two other bastions of Beaux Arts architecture (The RAC Club and The Ritz) can be beacons of high end hospitality, why not the Port of London Authority building?

Column Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

La Dame de Pic restaurant is at the end of a short corridor off a vast domed rotunda lounge in the heart of the Four Seasons Hotel. It’s Anne-Sophie Pic’s first foray into the UK. She is the world’s most decorated female Michelin starred chef. Her third generation three Michelin star family owned restaurant is in Drôme; she also has restaurants in Lausanne, Paris and Singapore. Anne-Sophie says, “I know there is no feminine or masculine cuisine but my cuisine is very feminine because I put a lot of intuition, my feelings, into it.” Head Chef Luca Piscazzi brings these feelings to fruition.

Statue Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

White truffle – it’s in high season – is flaked over the cheese and mushroom gnocchi starter. Acquerello risotto main course is flavoured with pumpkin, bergamot and Yellow Bourbon coffee. Poached pear infused with sansho and ginger is decorated with argousier honey and beeswax. Each course is an adventurous fusion of taste and an avantgarde work of art. Unsurprisingly, the restaurant had barely opened before it snapped up a Michelin star. A second followed in hot pursuit.

Entrance Hall La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Fresco Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Lantern La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Flowers La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Butter La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Bread La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Mushroom La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Chantilly La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Four Seasons at 10 Trinity Square may be quite close to the Tower of London and very close toSamuel Wyatt’s Trinity House but its immediate environs are surprisingly discreet. That doesn’t stop the 80 cover dining room being full on a midweek lunchtime. The interior is all about spare luxury. White walls and a tiled dado under a mirrored strip matching mirrored columns are softened by leather banquettes and a cluster of snugs below a central gigantic Chinese lantern.

Petit Fours La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

La Dame de Pic has joined an exclusive set of shops and restaurants in London stocking Rare Champagne. Nicolas Marzolf of Liberty Wines is the UK and Ireland Brand Manager of Piper-Heidsieck and Rare Champagne. While Piper-Heidsieck Champagne is Pino Noir dominant, Rare Champagne is 30 percent Pinot Noir and 70 percent Chardonnay. “Liberty Wines have a warehouse in Clapham,” he explains, “so an order placed by 3am can have a same day delivery by noon.” Harrods, Hedonism and Selfridges are shops selling Rare Champagne. It’s served in Core by Clare Smyth, Claridge’s, Scott’s and Sexy Fish restaurants.

Rare Champagne La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

The two vintages available at La Dame de Pic are Blanc 2006 and Rosé 2008. “These are two very different Rare Champagnes,” notes Nicolas. “The year 2006 was warm – winter was pretty mild and there was a summer heatwave. You can see the fullness of the sun in the ripe fruit taste. The year 2008 was cold which resulted in a very delicate cuvée – graceful and not too full bodied. You always have the same aftertaste in all our Rare vintage: duality of warmth and minerality.”

Rare Champagne © Lavender's Blue Stuart Blakley

He continues, “The noble origin of Rare Champagne dates back to a presentation to Marie Antoinette and expresses its revolutionary spirit against the trivialization of vintages. Over the last four decades, Rare Champagne has declared only 11 vintages. The tiara adorning the precious bottle features the triumphant vine prevailing over the whims of weather. The bottle design, called Pinte Majeure, is asymmetrical as it was originally mouthblown.” Today, the soft curves of the design pay tribute to Marie Antoinette, thelast Queen of France and the first modern icon, renowned for her ability to set new standards.

Nicolas Marzolf and Jan Konetzki La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

“This is about more than just drinking Champagne,” relates Nicolas. “We are launching a luxury brand in the UK and Ireland. A luxury lifestyle – the Champagne experience. It’s about having nice glasses, nice places. The luxury way to entertain. And La Dame de Pic is the perfect place to enjoy Rare Champagne!” The celebrated sommelier Jan Konetzki, Director of Wine at Four Seasons, adds, “Rare Champagne is a great partner with La Dame de Pic’s food.”

Rotunda Bar La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

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Hotels Luxury People

Sir Simon Milton Foundation Gala Dinner + The Nine Kings Suite Royal Lancaster Hotel London

Lots of Fun

Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

The first charity ball of the season interlocked the party circuits of London life. After being bagpiped into a drinks reception flowing with Champagne Irroy and Bergerie de la Bastide 2015, Robert Davis MBE, Chairman of the Sir Simon Milton Foundation, welcomed guests to The Nine Kings Suite of the Royal Lancaster. There was much to celebrate. The Sir Simon Milton Westminster University College in Pimlico built by Taylor Wimpey Central London is up and running with bursaries funded by the Foundation. The Annual Tea Dance is now a fixture on the calendar for older Westminster citizens. Before the four course dinner began fellow Chairman John Barradell OBE said grace and Major General Matthew Sykes, Chief Executive of the charity, raised a glass to the Loyal Toast.

Royal Lancaster Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

Sir Simon Milton Foundation X © Lavender's Blue Stuart Blakley

The Silken Strings Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

Entertainment, heard and unheard, carried on through dinner. The Silken Strings, a female electrica strings trio, top conservatoires’ finest (they’ve performed with Sir Elton John, Queen, Rhianna and Take That), looked like models, played like angels and danced like dervishes. A silent auction included Christmas dinner for four at No.50 Cheyne (guide price £300; sold price £500). William Edwards fine bone china (used on the Belmond Orient-Express and at The Queen of Afternoon Teas in Café Royal) was a corporate supporter. The vast room was wall to wall with luminaries such as Lady Lucy French OBE, Executive Member of the Sir Simon Milton Foundation, and doyenne of PR Maureen Sutherland Smith. A tribute band, Abba’s Angels, got everyone on their feet. Actor Christopher Biggins compèred the auction, declaring “Some tables here have stronger finances than Greece!”

Christoper Biggins Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

Maureen Sutherland Smith and Lady Lucy French Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

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Luxury Restaurants

Royal Albert Hall + Aquavit St James’s London

School for Scandi  

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It is a truth universally acknowledged that life is better experienced from inside the box. Especially if said box is the most columned, curtained, cushioned, closeted, contained and catered for one at the Royal Albert Hall. “Anyone for sheep’s milk ricotta and elderberry jelly on potato tuile or sweet garden pea soup with poached quail’s egg and truffle foam?” asks our in-house in-box in-the-know waiter.

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A few days later, suddenly, sharing a waiter with other guests seems rather déclassé, or would be if we weren’t dining in classy Aquavit. Lady Diana Cooper once described Vita Sackville-West as “all aqua, no vita”. Not so this restaurant: aptly named after the Scandinavian spirit, it’s full of life. We’re here, for starters. Not just desserts. A Nordic invader of the New York scene in the 1980s, sweeping up two Michelin stars, it opened an outpost in Tokyo and has now come to Mayfair.

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Shepherd Market is the foodie haven west of Piccadilly. St James’s Market, Aquavit’s address, is a new or at least reinvented Shepherd Market hopeful east of Piccadilly. It’s a discreet location on The Crown Estate, but more luxury restaurants and flagship stores are due to open shortly. “The location is coming,” we’d been told. Cultural additions to this heralded “new culinary hub” include a pavilion opposite Aquavit styled like a cabinet of curiosities. The disembodied voice of Stephen Fry reading an 18th century ballad “The Handsome Butcher of St James’s Market” floats above stacked dioramas.

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In 1989, Country Life reported: “Until quite recently London lacked continental style brasseries. There has always been a wide choice of restaurants but the alternative to an expensive meal has been the ‘greasy spoon’ café, the pub or various questionable ‘takeaways’. Traditionally the City provided dining rooms, now almost extinct, together with a diet of boisterous restaurants such as Sweetings, the catering world’s equivalent of the floor of Lloyds or the Stock Exchange. But greater sophistication was demanded by a new generation keen on modern design, New York and cuisine, as opposed to cooking.”

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That all changed with the arrival of Corbin + King and Richard Caring who have filled Mayfair and beyond with brasseries. Aquavit fits into the higher end of that mould. CEO Philip Hamilton says, “Our aim is to create a relaxed morning to midnight dining experience.” Handy, as we – the Supper Club (Lavender’s Blue plus) – all have Mayfair offices, from Park Lane to Piccadilly Circus. Scandi style has been ripped off so much by hipster hangouts but this is west, not east, London. Pared back lines allow the quality of the materials to shine (literally in some cases) through: marble floors climb up the dado to meet pale timber panelling, softly illuminated by dangling bangles of gold lights.

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The airy double height interior with two walls of windows was designed by Swedish born Martin Brudnizki, the creative force behind Sexy Fish, and showcases works by Scandinavian designers such as Olafur Eliasson. Furnishings are by Svenskt Tenn; photographic art by Andrea Hamilton; silverware by Georg Jensen; uniforms, Ida Sjöstedt. Wallpaper* meets Architectural Digest. We’d been warned that “it’s a bit of a fishbowl” but we’re down with that. See and be seen. Duchamp shirts and Chanel dresses at the ready. This glass box is Nighthawk without the loneliness; The London Eye minus the wobbliness; Windows on the World missing the dizziness. A mezzanine over the bar contains two very private dining rooms named ‘Copenhagen’ and ‘Stockholm’.

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The menu is divided into Smörgåsbord, Starters, Mains, Side Dishes, Desserts. It’s tempting to overindulge on the smörgåsbord – really, a return visit is required for that course alone. So it’s straight onto the starters. Scallops, kohlrabi and lovage (£9.00) in a light citrus dressing demonstrate Nordic cuisine does raw well. Dehydrated beetroots, goat’s cheese sorbet and hazelnuts (£9.00) – we’re getting citrus, nectarine and dill – prove there’s life beyond seafood.

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Sourdough bread and knäckebröd (Swedish rye crisp bread with a hint of aniseed) come with whey butter. “The whey butter is from Glastonbury,” explains our waiter. It’s all singing all dancing. Chillout music is playing in the background. We’re experiencing what the Scandinavians call ‘hygge’, that cosy relaxed feeling you get when being pampered, enjoying the good things in life with great company. All the more reason to sample Hallands Fläder (£4.50), an elderflower aquavit. A continuous flow of sparkling water is (aptly) plentiful and reasonably priced (£2.00). Ruinart (£76.00) keeps our well informed sommelier on her toes.

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Monkfish in Sandefjord Smør (Hollandaise type sauce named after the city) trout roe (£28.00) tastes so fresh it transports us like a fjord escort to the Norwegian coast. Landlubbers be gone! Purple sprouting broccoli and smoked anchovy (£4.00) is a sea salty side grounded by the flowering vegetable. Chestnut spice cake with salted caramel ice (£8.00) is a slice of perfection revealing tones of vanilla and orange. Swedish hazelnut fudge provides a waistline enhancing end to dinner.

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Right now, Aquavit is hotter than Lisbon in July and cooler than the Chanel party in Peckham. And that’s just the beautiful staff. It shares Executive Chef Emma Bengtsson with the New York site and Head Chef is fellow Swede Henrik Ritzén, who previously cooked at The Arts Club in Mayfair. Emma, who is visiting England for a television appearance, believes, “Everyone has their own flavour profile – how they like things. I’m very intrigued with keeping flavours to highlight the produce itself. It’s very pure. The flavours are understandable… You gotta keep trying. Never stop trying.”

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Aquavit isn’t cheap but this is a high end establishment in Mayfair with form. It’s The Telegraph’s How To Spend It territory. After all, the person, be it gentleman or lady, who has not pleasure in a good meal, must be intolerably stupid. And as Lady Diana Cooper once quipped, “money is fine”. Blink and you’ll miss daylight but that doesn’t mean January has to be dull or dry. We’re full and full of the joys. It’s not a school night and round the corner in Soho, Quo Vadis isn’t just a restaurant… Time to cut loose under a garish sky.

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Our dedication to reportage ever unabated, is it a dream sequence or the following day do we return for a smörgåsbord of diced and smoked mackerel tartare, sorrel and lumpfish roe (£7.00) in a salad bowl, sitting at a timber table on the polished pavement? Not forgetting the unforgettable Shrimp Skagen (£9.00)? Skagenröra isn’t just prawns on toast, y’know. Named after a Danish fishing port, other essential ingredients are mayonnaise, gräddfil (a bit like soured cream) and some seasoning. Grated horseradish, in this case, adds a bit of spice. Best crowned with orange caviar. It’s Royal Box treatment all over again as we have a dedicated waiter to our table. Or maybe that’s because we are the only alfresco brunchers braving the elements outside the box. By Nordic winter standards, it’s a positively balmy morning. We’ve a love hate relationship with Aquavit. Love here; hate leaving.

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Architects Architecture Country Houses People

Ormiston House Belfast + Woburn House Millisle Down

We Dream the Same Dream

Ormiston House Belfast © Lavender's Blue Stuart Blakley

This isn’t a tale of two pities. At last! A country house in Ireland not being converted into flats or a hotel or worst of all abandoned? Rather, being returned to its original use? Well, that is a good news story. Ok, it’s a country house historically if not geographically cause it’s plonked in Ballyhackamore, Belfast’s very own East Village, off a busy dual carriageway, but still. Restoration is ongoing – already, correctly detailed skylight windows in the stable block and proper cleaning of the sandstone suggest it’s all going to be terribly smart. Consarc are the architects of its revival. Ormiston House had a narrow escape. Planning permission was granted in 2010 to carve it up into 20 frightful flats. Thank goodness for a knight and madam in shining white armour in the form of the owners of Argento Jewellers. Past distinguished owners include Sir Edward Harland of Harland + Wolff fame.

Architect David Bryce Tombstone Edinburgh © Lavender's Blue Stuart Blakley

With a burst of turn of the century optimism, the Northern Ireland Assembly bought Ormiston for a whopping This Boom Will Never Bust £9 million. Late 20th century uses had included a boarding house for nearby Campbell College and a police station. The final sale price to Peter and Ciara Boyle was a few quid over £1 million. Scottish architect David Bryce’s 1860s baronial pile is back in town. A grand 57 square metre staircase hall accessed through north and south lobbies sets the tone. Back of country house essentials such as a pastry kitchen and boot room aren’t forgotten. The four staircases will be put to good use, linking two floors of formal reception rooms, informal entertainment suites and bedrooms to a turreted top floor of two airy eyrie guest rooms.

A smorgasbord of cafés, restaurants and bars now consumes Downtown Ballyhackamore. Highlights include Graze (farm to plate), Il Pirata (Italian tapas), Jasmine (bring your own Indian although a free digestif is served – it’s never dry in Belfast) and Horatio Todd’s (a lively bar cum brasserie named after a dead pharmacist). Belfast prides itself on local chains. Clements (coffee), Greens (pizza), Little Wings (more pizza) and Streat (more coffee) to name a few. The #keepitlocal campaign garners plenty of support. Back in the day, Deanes behind the City Hall was The Place To Go. Chef turned restaurateur Michael Deane’s empire now spans Deanes Meat Locker, Deanes at Queen’s, Deane + Decano, Deanes Deli Bistro, Eipic and Sexy Love Fish. It’s even spawned a tour Dine Around Deanes (‘January to March sold out!’ screams the website).

The greening of East Belfast (not a political pun) continues to grow. New allotments on the Newtownards Road (who would’ve thought?) | East Belfast Mission’s vertical garden clinging to the Skainos Building, also on the Newtownards Road | Comber Greenway – the city’s answer to New York’s High Line. Quick city centre interlude. Still recovering from a driveby sighting of the shocking Waterfront Hall extension (wrong place, wrong shape, wrong materials, plain wrong – see the Ulster Museum for a lesson in How To Extend Well) squashed along the River Lagan, it is joyous to behold the new Queen’s University Library. Designed by Boston architects Shepley Bulfinch in association with local architects Robinson Patterson, it’s pure Ivy League architecture. The buttressed elevations and tapering tower are a suitably dignified addition to the campus.

Down the East Coast to cool Woburn House (no deer, not that Woburn). County Down’s very own Woburn is in the mould of a trio of mid 19th century Italianate villas-on-steroids in Newtownabbey: Seapark House, Carrickfergus (Thomas Jackson designed) | The Abbey in Whiteabbey (a Lanyon special) | Abbeydene in Whiteabbey (‘Jackson’s office or Lanyon’s office? Not without hesitation I vote for the former,’ pondered Charlie Brett in his 1996 guide Buildings of Antrim). Turns out Woburn is by neither of these Irish greats. The house sprung up in the 1860s to the design of John McCurdy of Dublin. Woburn’s tenuous connection to Ormiston is that it’s state owned. It was last used as a training centre for prison officers and now lies bleakly empty. Up to the 1950s, Woburn was the seat of the Pack-Beresfords until death duties necessitated its sale. It would be great to see both buildings even better connected, restored as single houses. That would be one helluva twist.

Woburn House Millisle © Lavender's Blue Stuart Blakley