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The Bank House + Marine Parade Whitehead Antrim

Unprovincial Province

Antrim Coast Irish Sea © Lavender's Blue Stuart Blakley

Whitehead is off the main road from somewhere to anywhere. You have to choose to visit the town rather than drive through it. This quality has helped preserve it as an untarnished Victorian and Edwardian enclave. Some of the finest villas line the waveswept Marine Parade looking out over the Irish Sea. Local watercolourist Audrey Kyle was inspired to paint the fruity candy coloured terrace (lemon | lime | peach | blueberry) in the centre of Marine Parade. No wonder: a strong winter’s sunrise drenches the pointy gabled houses in an artist’s dream of deep hues.

Causeway Coast Antrim © Lavender's Blue Stuart Blakley

Marine Parade Whitehead Antrim Coast © Lavender's Blue Stuart Blakley

Whitehead Antrim Outdoor Swimming Pool © Lavender's Blue Stuart Blakley

Marine Parade Whitehead Antrim © Lavender's Blue Stuart Blakley

Until recently, Whitehead was not synonymous with gastrotourism. That all changed with the opening of The Bank House. You guessed it, a café and deli plus gift shop in a former bank. Owner Sinead Moane lives in the rambling red brick original bank manager’s house next door. “The Bank House is the first stop on Toast to Coast, a guided food tour of the Causeway Coastal route,” she explains over vegetarian brunch.

The Bank House Brunch Whitehead Antrim © Lavender's Blue Stuart Blakley

Everything is locally sourced. Providential provenance. “The Orchard Twist apple and blackcurrant juice comes from Armagh,” says Sinead. That’s the county famous for orchards. “The yoghurt is from the Clandeboye Estate. Next is Fivemiletown goat’s cheese.” Traditional soda bread is given a sharp twist with added chilli and pepper. Irish black butter is a less well known delicacy. “It includes brandy and liquorice,” Sinead confirms. The Bank House has transformed Whitehead from a detour to a destination.

The Bank House Whitehead Antrim © Lavender's Blue Stuart Blakley

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Architecture Luxury People

The Windsors + Frogmore Cottage Windsor

Fit for a Princess

Windsor Park © Lavender's Blue Stuart Blakley

Reel life.

Frogmore Cottage Windsor © Lavender's Blue Stuart Blakley

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Architects Architecture Developers People Town Houses

Carlton Crescent Southampton + Samuel Toomer

The City and the Pillars

Carlton Crescent Conservation Area Southampton Architecture © Lavender's Blue Stuart Blakley

What does Pevsner have to say? “The most spectacular piece of Regency development in Southampton… The Crescent starts at London Road and curves northwest, composed in the main of broad three bay three storey stuccoed detached houses linked together by screen walls, mostly sufficiently close to each other for the street, except in a few places, to appear as a piece of unified townscape. The houses vary in detail but are mostly the same in general composition, typical of Southampton with their elements of classical decoration almost without refinements…”

Carlton Crescent Conservation Area Southampton Building © Lavender's Blue Stuart Blakley

Carlton Crescent Conservation Area Southampton Townhouse © Lavender's Blue Stuart Blakley

Carlton Crescent Conservation Area Southampton House © Lavender's Blue Stuart Blakley

Carlton Crescent Conservation Area Southampton Terrace © Lavender's Blue Stuart Blakley

A little piece of Brighton gone west; a miniature Regent’s Park flown south. On the cusp of the maritime city’s decline as a spa resort and its rise as a merchant port, riding the crest of this wave, businessman Edward Toomer (1764 to 1852) fortuitously bought land to the southwest of the verdant pearl that is Asylum Green. Even more fortuitously, his son Samuel (1801 to 1842) was an architect. This provincial John Nash was responsible for designing many of the houses on and around Carlton Crescent.

Carlton Crescent Conservation Area Southampton Balcony © Lavender's Blue Stuart Blakley

The area has a unified appearance, thanks in no small part to being wilfully stuccoed to the nines (except for tile hung flank walls and returns), but was actually developed over two decades beginning in 1825. It is first mentioned in that same year in the Hampshire Chronicle, “Carlton Crescent has this season made its appearance and contains eight handsomely built residences; being detached, these will, when finished, form by far the handsomest line of houses in Southampton.” They still do.

Carlton Crescent Conservation Area Southampton © Lavender's Blue Stuart Blakley

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Architecture Hotels Luxury People Restaurants

Rare Champagne + La Dame de Pic Four Seasons Hotel 10 Trinity Square London

Lotto and Cavagnole and Faro and Lansquenet

Four Seasons at 10 Trinity Square Tower Hill London © Lavender's Blue Stuart Blakley

Writing in Edwardian Architecture, Alastair Service describes the host building and its place in the architectural lexicon: “The commission for the Port of London Authority building was won in a competition of 1912 by Edwin Cooper (1873 to 1942), who had recently started a personal practice after working in a series of partnerships. Cooper’s success in the competition of 1911 for the St Marylebone Town Hall was, however, more significant for the future. Reviewing the entries for the competition, the editor of one architectural magazine wrote, ‘We cannot help asking ourselves whether all these colossal columns, domes, towers, groups of sculpture and other imposing features are felt by their authors to be the only natural and inevitable expression of the necessities of the case.’

Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Such criticism of extravagant building was in harmony with general feeling at the time. And the St Marylebone Town Hall built to Cooper’s designs shows a greatly simplified use of Classicism, emphasising the volumes in Holden’s [architect Charles Holden] way, rather than creating broken Baroque outlines encrusted in sculpture. The mention of Holden’s name is no coincidence. More than anyone else, it was his work that bridged the gap between the attempts at a Free Style and the varieties of Edwardian Classicism.”

Entrance La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

The streamlined architecture of Marylebone Town Hall (long deprived of its sainthood), as Alastair Service observes, is more in keeping with a modern sensibility but the bombastic brilliance of Edwin Cooper’s portico is well suited to a Four Seasons flag. It mightn’t have been purpose built, but if those two other bastions of Beaux Arts architecture (The RAC Club and The Ritz) can be beacons of high end hospitality, why not the Port of London Authority building?

Column Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

La Dame de Pic restaurant is at the end of a short corridor off a vast domed rotunda lounge in the heart of the Four Seasons Hotel. It’s Anne-Sophie Pic’s first foray into the UK. She is the world’s most decorated female Michelin starred chef. Her third generation three Michelin star family owned restaurant is in Drôme; she also has restaurants in Lausanne, Paris and Singapore. Anne-Sophie says, “I know there is no feminine or masculine cuisine but my cuisine is very feminine because I put a lot of intuition, my feelings, into it.” Head Chef Luca Piscazzi brings these feelings to fruition.

Statue Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

White truffle – it’s in high season – is flaked over the cheese and mushroom gnocchi starter. Acquerello risotto main course is flavoured with pumpkin, bergamot and Yellow Bourbon coffee. Poached pear infused with sansho and ginger is decorated with argousier honey and beeswax. Each course is an adventurous fusion of taste and an avantgarde work of art. Unsurprisingly, the restaurant had barely opened before it snapped up a Michelin star. A second followed in hot pursuit.

Entrance Hall La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Fresco Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Lantern La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Flowers La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Butter La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Bread La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Mushroom La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Chantilly La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

Four Seasons at 10 Trinity Square may be quite close to the Tower of London and very close toSamuel Wyatt’s Trinity House but its immediate environs are surprisingly discreet. That doesn’t stop the 80 cover dining room being full on a midweek lunchtime. The interior is all about spare luxury. White walls and a tiled dado under a mirrored strip matching mirrored columns are softened by leather banquettes and a cluster of snugs below a central gigantic Chinese lantern.

Petit Fours La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

La Dame de Pic has joined an exclusive set of shops and restaurants in London stocking Rare Champagne. Nicolas Marzolf of Liberty Wines is the UK and Ireland Brand Manager of Piper-Heidsieck and Rare Champagne. While Piper-Heidsieck Champagne is Pino Noir dominant, Rare Champagne is 30 percent Pinot Noir and 70 percent Chardonnay. “Liberty Wines have a warehouse in Clapham,” he explains, “so an order placed by 3am can have a same day delivery by noon.” Harrods, Hedonism and Selfridges are shops selling Rare Champagne. It’s served in Core by Clare Smyth, Claridge’s, Scott’s and Sexy Fish restaurants.

Rare Champagne La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

The two vintages available at La Dame de Pic are Blanc 2006 and Rosé 2008. “These are two very different Rare Champagnes,” notes Nicolas. “The year 2006 was warm – winter was pretty mild and there was a summer heatwave. You can see the fullness of the sun in the ripe fruit taste. The year 2008 was cold which resulted in a very delicate cuvée – graceful and not too full bodied. You always have the same aftertaste in all our Rare vintage: duality of warmth and minerality.”

Rare Champagne © Lavender's Blue Stuart Blakley

He continues, “The noble origin of Rare Champagne dates back to a presentation to Marie Antoinette and expresses its revolutionary spirit against the trivialization of vintages. Over the last four decades, Rare Champagne has declared only 11 vintages. The tiara adorning the precious bottle features the triumphant vine prevailing over the whims of weather. The bottle design, called Pinte Majeure, is asymmetrical as it was originally mouthblown.” Today, the soft curves of the design pay tribute to Marie Antoinette, thelast Queen of France and the first modern icon, renowned for her ability to set new standards.

Nicolas Marzolf and Jan Konetzki La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

“This is about more than just drinking Champagne,” relates Nicolas. “We are launching a luxury brand in the UK and Ireland. A luxury lifestyle – the Champagne experience. It’s about having nice glasses, nice places. The luxury way to entertain. And La Dame de Pic is the perfect place to enjoy Rare Champagne!” The celebrated sommelier Jan Konetzki, Director of Wine at Four Seasons, adds, “Rare Champagne is a great partner with La Dame de Pic’s food.”

Rotunda Bar La Dame de Pic Four Seasons at 10 Trinity Square London © Lavender's Blue Stuart Blakley

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Architecture Hotels Luxury People Restaurants

The Shard + Shangri La Hotel London

Curtins Closing

The Shard London View The Barbican © Lavender's Blue Stuart Blakley

The last hurrah. Armed with a camera, a lust for life and a lack of vertigo, it’s all about a 26 second ascent to the 34th floor of The Shard, roughly halfway up the UK’s tallest cloudscraper. The vertically ever decreasing floorplates of architect Renzo Piano’s glazed spike mean there’s increasingly a ravishing view from every direction: out, up, down, and of course, voyeuristically from the loos. The framing’s all terribly well conceived. London is all aglow; it’s rainbow’d. “The photographer is supertourist,” writer Susan Sontag believed, and where better to indulge in a spot of supertourism than the Shangri La Hotel in the English capital? Especially an end of epoch party from noon to sunset. Ms Sontag again, “Photographs really are experience captured.” Canapés as photographic art. Well, what isn’t? “Photography is an elegiac art, a twilight art.” She’s on a (camera) roll. “Photography is a kind of overstatement, a heroic copulation with the material world.” Click, click, slicing the flow of quixotic times passing. Susan Sontag once scribed, “Today everything exists to end in a photograph.” Some captured endings are as sharp as the tip of The Shard.

The Shard London View St Paul's Cathedral © Lavender's Blue Stuart Blakley

The Shard London View Thames © Lavender's Blue Stuart Blakley

The Shard London View Southwark Cathedral © Lavender's Blue Stuart Blakley

Shangri La Hotel The Shard London © Lavender's Blue Stuart Blakley

The Shard London © Lavender's Blue Stuart Blakley

Shangri La Hotel The Shard London Champagne © Lavender's Blue Stuart Blakley

Shangri La Hotel The Shard London Canapes © Lavender's Blue Stuart Blakley

Shangri La Hotel The Shard London Party © Lavender's Blue Stuart Blakley

Shangri La Hotel The Shard London Canape © Lavender's Blue Stuart Blakley

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Luxury Restaurants

XU Tearoom + Restaurant Soho London

Tea Total

Lavender's Blue Set © Lavender's Blue Stuart Blakley

As dedicated fully signed up staunchly supportive loyal members of the Taiwanese Tea Appreciation Society, we were duty bound one wintry Saturday afternoon in Taipei Soho to dip and sip our way through the tasting menu and brew list of XU Tearoom and Restaurant. Time for a power tea: some like it hot (floral Ming Yue Baozhong); some like it cold (refreshing XU Sparkling Tea); we like it spiced up (plum Shoo Royale). In the upstairs dining room, closed thick velvety curtains and vertically ribbed Mackintoshian panelling create a darkly romantic setting for us to savour the pescatarian savouries:

XU Restaurant Soho London Facade © Lavender's Blue Stuart Blakley

XU Restaurant Soho London Lights © Lavender's Blue Stuart Blakley

XU Restaurant Soho London Lunch © Lavender's Blue Stuart Blakley

XU Restaurant Soho London Tasting Menu © Lavender's Blue Stuart Blakley

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Luxury

Printemps Paris +

Spring

Printemps and Place de la Concorde Paris © Lavender's Blue Stuart Blakley

We’ll always have printemps Printemps.

Printemps Dome Paris © Lavender's Blue Stuart Blakley

Printemps Tree Paris © Lavender's Blue Stuart Blakley

Printemps Longchamp Paris © Lavender's Blue Stuart Blakley

Printemps Paris © Lavender's Blue Stuart Blakley

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Architecture Luxury People

Elisabeth Visoanska + Place des Vosges Paris

Fortune Favours the Few

Place des Vosges Paris © Lavender's Blue Stuart Blakley

She may have one of the hottest addresses in Paris (Place des Vosges is of course Henri IV’s early 17th century grande projet of arcaded shops with residences above fronted by four palatial façades set around a garden square in the style of an Italian Piazza) but Elisabeth Visoanska, the glamorous Founder and President of the eponymous haute cosmétique company, loves to travel. In a revelatory exclusive, Elisabeth shares, “Travelling provides the opportunity to witness natural marvels and wonders, expanding our understanding and appreciate of this world.”

Elisabeth Visoanska Paris © Lavender's Blue Stuart Blakley

Elisabeth Visoanska London © Lavender's Blue Stuart Blakley

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Architecture Art

St Paul + St Louis Church Paris

Nous Emmener à l’Église

St Paul and St Louis Church Facade Le Marais Paris © Lavender's Blue Stuart Blakley

In the very heart of the village of St Paul in the very heart of the quartier of Le Marais in the very heart of the 4th Arrondisement in the very heart of Paris is St Paul and St Louis Church. There is nowhere more atmospheric to be on a late Saturday afternoon in the depths of winter than this candlelit thin place resonating to the thrilling grandeur of organ playing.

St Paul and St Louis Church Le Marais Paris © Lavender's Blue Stuart Blakley

St Paul and St Louis Church Dome Le Marais Paris © Lavender's Blue Stuart Blakley

St Paul and St Louis Church Angel Le Marais Paris © Lavender's Blue Stuart Blakley

St Paul and St Louis Church Balcony Le Marais Paris © Lavender's Blue Stuart Blakley

St Paul and St Louis Church Ceiling Le Marais Paris © Lavender's Blue Stuart Blakley

St Paul and St Louis Church Carving Le Marais Paris © Lavender's Blue Stuart Blakley

St Paul and St Louis Church Cross Le Marais Paris © Lavender's Blue Stuart Blakley

Someone, somewhere, recently asked us what the sign INRI means above a crucifix. The acronym stands for the Latin phrase ‘Jesus Nazarenus Rex Judaeorum’. John 19:19 explains, “Pilate had a notice prepared and fastened to the cross. It read: ‘Jesus of Nazareth, The King of the Jews’.”

St Paul and St Louis Church Candles Le Marais Paris © Lavender's Blue Stuart Blakley

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Architecture Luxury Town Houses

Lavender’s Blue + Montparnasse Paris

Positive Capability

Montparnasse Tower Paris © Lavender's Blue Stuart Blakley

The 14th Arrondisement hosted the vanguard of 1920s avant garde Paris. Writer Alice Toklas called it “the city of boulevard bars and Baudeloire”. Poet Guillaume Apollinaire went further: “a quarter of crazies”. Marianne Faithfull now calls it home, from riding in a sports car to missing the moon. Behind Georges-Eugène Haussmann’s homogeneity and square cut gentility lies the mysterious courtyard life of Paris played out under the shadow of Montparnasse Tower. It’s a 32 second lift ride to the 59th floor of the tower to view the sacred horizontality from the profane verticality.

Montparnasse Tower Panorama Paris © Lavender's Blue Stuart Blakley

Montparnasse Tower View Paris © Lavender's Blue Stuart Blakley

Montparnasse Tower Eiffel Tower View Paris © Lavender's Blue Stuart Blakley

The skyscraper was completed in 1973 to the design of Eugène Beaudouin, Urbain Cassan, Louis de Hoÿm de Marien and Jean Saubot. The tower’s height, all 210 metres, was not universally welcomed. It didn’t quite accord with Baron Haussmann’s rule that no building should be taller than the width of the boulevard on which it stood. Two years after Montparnasse Tower’s completion, President Valéry Giscard d’Estaing banned buildings over 32 metres in central Paris. In recent times, the limit has been relaxed to 50 metres but only on a case by case basis. Wallpaper* provides a contemporary reassessment, admiring the tower’s “wonderfully gridded curtain wall” before adding, “The redevelopment of the down-at-heel area around Gare Montparnasse in the early 1960s was, by and large, a piece of inspired city planning.”

Montparnasse Tower Rooftop Paris © Lavender's Blue Stuart Blakley

Categories
Architects Architecture Art

Gae Aulenti + Musée d’Orsay Paris

Comme Il Faut

Musee d'Orsay Opening Paris © Lavender's Blue Stuart Blakley

“I don’t like to dress alla moda,” said Gae Aulenti in 1971. “The moment it’s loudly announced that red is in fashion, I stop wearing red. I want to dress in green.” Gigi by Colette reads: “Everything depends on the attitude.” One of very few postwar Italian female architects, Gae had attitude. She died in 2012 aged 84. Herbert Muschamp, then architecture critic for The Times, called her “the most important female architect since the beginning of time”. In 1986 she converted a Parisian railway station and hotel into a museum. Gae had form. She was a protégée of Carlo Scarpa – he singlehandedly reinvented museum conversions in the mid 20th century. A grand central aisle lit by the barrel vaulted glass ceiling of Victor Laloux’s original Beaux Arts design respects the original cavernous volume. Use of contemporary raw materials – wire mesh grid anyone? – emphasise her industrial designer roots and portray an honesty of expression learned from her master. And as for her insertions and interruptions and interventions? Such verve. Such vigour. So very self assured. She is post postmodern. But still, the architect managed to unify the diversity of spaces by using the same rough stone on walls and floors throughout. Gae had élan. “I do admire all of Gae’s work,” admits top architect John O’Connell, “and it weathers well too.” Musée d’Orsay, a museum of mostly French art from the 2nd Republic to the 2nd World War, is itself great art: building as artefact.

Musee d'Orsay Stonework Paris © Lavender's Blue Stuart Blakley

Musee d'Orsay Vitrine Paris © Lavender's Blue Stuart Blakley

Musee d'Orsay Wall Paris © Lavender's Blue Stuart Blakley

Musee d'Orsay Statuary Paris © Lavender's Blue Stuart Blakley

Categories
Architecture Art Luxury

Lavender’s Blue + Jardin des Tuileries Paris

Come on Gloria  

Jardin des Tuileries Hedge Paris © Lavender's Blue Stuart Blakley

And are you quite pleased to see the Jardin des Tuileries? As ever snappy, Nairn’s Paris states, “The eastern end, next to the Louvre, is a mini Versailles of formal planting: the western end, next to the Place de la Concorde, one of the most soothing places on earth. Nowhere else in Paris is the city’s uniqueness presented with such conviction. Because this end of the garden is, simply, a gravelled space interrupted occasionally with grass and thickly planted with trees in a formal pattern.” A sustainable lawnmower – a tethered goat – keeps the grass trim. Every perspective in these distinctive gardens of sacred and human geometry resembles a Sabine Weiss frame. Photography collector and dealer Peter Fetterman believes, “Aged 95, Sabine Weiss is the last great photographer of that great humanist period. She recently had a retrospective at the Pompidou.”

Jardin des Tuileries Statue Paris © Lavender's Blue Stuart Blakley

Jardin des Tuileries Urn Paris © Lavender's Blue Stuart Blakley

Jardin des Tuileries Goat Paris © Lavender's Blue Stuart Blakley

Jardin des Tuileries Lawn Goat Paris © Lavender's Blue Stuart Blakley

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Architecture Fashion Hotels Luxury People Restaurants Town Houses

Lavender’s Blue + Rue de Rivoli Paris

A Boulevard of Dreams and Things

Rue de Rivoli Archway Paris © Lavender's Blue Stuart Blakley

“We met at the little bar across the place from Dior’s called the Fontaine-de-something and had one – two – three Champagne cocktails on my expense account. Then we had lunch.” Shamrocks and Unicorns, Lord Kilbracken

Rue de Rivoli Railings Paris © Lavender's Blue Stuart Blakley

“The Rue de Rivoli is very straight and unaltered from end to end: three simple storeys above an arcade,” according to Nairn’s Paris. “But it feels quite different from the autocratic straightness of the 18th century. That was for show; this, basically, is for convenience, and there is a fine, underplayed urbanity in the way Percier and Fontaine consistently refused to hot up what is in fact a very long elevation. Impersonal but not inhuman; the mile long covered street never gets on top of you, and life can take what shape it likes inside the framework.” Life takes on a luxurious shape inside No.228 Rue de Rivoli: Le Meurice, an urban Versailles.

Rue de Rivoli Decorations Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Hotel Meurice Mansard Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Cornice Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Lamps Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Sky Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Hotel Meurice Window Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Le Meurice Hall Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Hotel Meurice Mirrors Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Hotel Meurice Ceiling Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Hotel Meurice Chairs Paris © Lavender's Blue Stuart Blakley

Rue de Rivoli Hotel Meurice Cushion Paris © Lavender's Blue Stuart Blakley

“I love Le Meurice!” professes chic Parisienne Maud Rabin over Alain Ducasse Selection Champagne and almonds in Bar 228. Fellow Parisienne Elisabeth Visoanska, forever epitomising chicness too, reckons, “Le Meurice is a Parisian palace injected with the modernity of Philippe Starck. It’s a clash of two worlds. Yesterday there was a giant ice sculpture in the middle of Bar 228!” Bookending Paris in spring, it’s our second midwinter visit in a row to the five star plus hotel; likewise, we graced Hôtel Meurice in Calais with our presence over the last two midsummers (Calaisfornians know how to street party!). Living joyfully and fearlessly, forever in search of beauty and the unbeknownst, we’re alive to every sensation and experience. Paris just keeps on sizzling.

Stuart et Maud Le Meurice Paris © Lavender's Blue Stuart Blakley

Categories
Architecture Art

Paris + Rain

Elle Fait La Pluie et Le Beau Temps

Rainy Paris Hotel de Sens © Lavender's Blue Stuart Blakley

“The rain’s very important because that’s when Paris smells its sweetest. It’s the damp chestnut trees.” Audrey Hepburn in Sabrina

Rainy Paris Shakespeare and Company © Lavender's Blue Stuart Blakley

Categories
Architecture Art Fashion Hotels Luxury People

Hôtel Charles V + St Paul Le Marais Paris

De Temps en Temps

St Paul Architecture Paris © Lavender's Blue Stuart Blakley

Continuing the bookending theme of a year well spent: Easter in George V, Christmas in Charles V. The former, westward upstream of Notre Dame; the latter, eastward downstream. One, extrovert art deco; the other, discreet Swedish rococo. Charles V Hôtel is in St Paul, a village embedded in the city between the River Seine and Rue St Antoine. It’s on the site of Hôtel St Pol built by Charles the Wise in the 14th century. Even back then, St Paul was super fashionable. Later hôtels particuliers there are aplenty. Within a polished stone’s throw of Hôtel Charles V are Hôtel d’Aumont (now offices), Hôtel de Sens (now a library) and Hôtel Hénault de Cantobre (now European House of Photography). Next door to Hôtel Charles V is La Mâle d’Effeenne, fashion designer and visual consultant Nico Thibault Francioni’s treasure trove of a shop. Nico calls it a “univers de choix”. Ian Nairn wrote in his eponymous guide to the French Capital: “Paris is a collective masterpiece, perhaps the greatest in the world.” St Paul is a sophisticated slice of that masterpiece. Hôtel Charles V (petit boutique five storeys with just two to six bedrooms per floor) adds some fairy dust. Bises de Paris.

St Paul Rue Paris © Lavender's Blue Stuart Blakley

St Paul Bistro Paris © Lavender's Blue Stuart Blakley

St Paul Hotel Charles V Paris © Lavender's Blue Stuart Blakley

St Paul Hotel Charles V Foyer © Lavender's Blue Stuart Blakley

St Paul Hotel Charles V Sitting Room Paris © Lavender's Blue Stuart Blakley

St Paul Hotel Charles V Terrace Paris © Lavender's Blue Stuart Blakley

St Paul Hotel Charles V Dining Paris © Lavender's Blue Stuart Blakley

St Paul Hotel Charles V Fireplace Paris © Lavender's Blue Stuart Blakley

St Paul Hotel Charles V Madonna Paris © Lavender's Blue Stuart Blakley

St Paul Hotel Charles V Bed Paris © Lavender's Blue Stuart Blakley

St Paul Hotel de Sens Paris © Lavender's Blue Stuart Blakley

St Paul Hotel d'Aumont Paris © Lavender's Blue Stuart Blakley

St Paul Hotel Henault de Cantobre Paris © Lavender's Blue Stuart Blakley

St Paul La Male d'Effeenne Decorations Paris © Lavender's Blue Stuart Blakley

St Paul La Male d'Effeenne Paris © Lavender's Blue Stuart Blakley

St Paul La Male d'Effeenne Present Paris © Lavender's Blue Stuart Blakley

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Hotels Luxury People Town Houses

Paris + Autumn

Coucou Loulou Frou Frou

Paris Architecture in Autumn © Lavender's Blue Stuart Blakley

Paris was a dream that autumn, a beautifully drawn dream.

Paris France in Autumn © Lavender's Blue Stuart Blakley

Paris in Autumn © Lavender's Blue Stuart Blakley

Paris in Autumn Leonore Le Meurice Hotel © Lavender's Blue Stuart Blakley

Paris in Autumn Rare Champagne © Lavender's Blue Stuart Blakley

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Hotels People

Chicks with Bricks + The Prince’s Trust + The Ned London

Changing the Narrative

Chicks with Bricks The Ned 2019 © Lavender's Blue Stuart Blakley

It’s the time of year for females to be out in force. And a few feisty males. Celebrating women in property and construction is what makes Chicks with Bricks tick. The pre Christmas highlight is a fundraiser for The Prince’s Trust held at The Ned, London’s answer to New York’s NoMad or LA’s The Line. All three destinations share the definite article and definitive kudos. The Tapestry Room on the top floor of Sir Edwin ‘Ned’ Lutyens’ architectural masterpiece is sequinned shoulder to tuxedoed shoulder with the Capital’s finest such as top recruiters KDH Associates Kirsty Hall and Lucie Cox. Cucumber and tofu canapés top up a bubbly reception.

Donald Urquhart Chicks with Bricks The Ned 2019 © Lavender's Blue Stuart Blakley

Chicks with Bricks Founder Holly Porter introduces three inspirational preprandial speakers. Award winning interior designer Tala Fustok starts, “Interior design is so much more than pretty trimmings! We enhance people’s lives and experiences. I lived in Paris for six years and gained a huge level of experience. I came back to London and set up my own studio four years ago.” Tala’s projects include The Mandrake Hotel in Fitzrovia and a 26 metre bespoke barge.

Kirsty Hall Chicks with Bricks The Ned 2019 © Lavender's Blue Stuart Blakley

The Prince’s Trust is represented by Young Ambassador Sadiya Yasmin. “It’s a wonderful charity,” she begins. “With everything in life you’ve got to have a good foundation. The Prince’s Trust has helped me become the best version of myself. Just to say I’m a caterer. Shout me! Everyone has to eat!” Jo Richardson, newly elected Vice President of the Chartered Institute of Housing, takes the stand. Professor Richardson’s passion for housing stems from working as a volunteer when she was 18 for the homelessness charity New York City Relief. “We cannot live a stable life without a stable home.” Dinner is served:

Lucie Cox Chicks with Bricks The Ned 2019 © Lavender's Blue Stuart Blakley

Sadiya Yasmin Chicks with Bricks The Ned 2019 © Lavender's Blue Stuart Blakley

The postprandial auction led by Charles Hanson of Hanson Auctioneers begins. Wild and wonderful lots are up for grabs. There’s a romantic weekend hideaway with a cookery lesson in The Gardener’s Shed at Mello View in rural Somerset. “It’s the most beautiful place,” says Kirsty. “It’s really special. If you love pigs you’ll love it!” A digital print of Dame Vivienne Westwood by Tideart and an etching Sitting with You by Donald Urquhart are just two of the avant garde artworks stimulating auction fever. Carriages can wait.

Iceni Chicks with Bricks The Ned 2019 © Lavender's Blue Stuart Blakley

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Fashion Hotels Luxury People Restaurants

World Boutique Hotel Awards 2019 +

The Four Score Nations

Merchant Taylors' Hall City of London World Boutique Hotel Awards © Lavender's Blue Stuart Blakley

Robin Sheppard, Co Founder of Bespoke Hotels, calls it, “A star studded, must attend, essential date in the world’s perpetual calendar.” The ninth World Boutique Hotel Awards takes place, as ever, in Merchant Taylors’ Hall in the City of London. The Worshipful Company of Merchant Taylors gained its first Royal Charter in 1503 and is one of the 12 Great Livery Companies. It started life as an association of tailors (the Threadneedle Street address is an historic clue). Quite apt too, considering the guests’ fashion on show tonight from black tie to national costume. The world and their partner really are here. The livery hall reads like an architectural encyclopaedia covering the 14th to 20th centuries.


Merchant Taylors' Fountain World Boutique Hotel Awards © Lavender's Blue Stuart Blakley

A lavish setting for a lavish gala. It’s a high octane international evening of accolades and industry recognition, of competition and celebration, of flowing wine and fine cuisine. A reception of award winning Tenuta Montemagno Relais and Wines precedes a cocktail party courtesy of “intricately realised” Silent Pool Gin (which turns out to be blackberry and damson gin liquors). Laura Scampini, proprietor of Tenuta Montemagno Resort, comments, “It’s a very nice occasion to be here this evening. Our resort is quiet, calm, very comfortable. We produce our own wine there.” The suspense gains momentum during the three course dinner (globe artichoke of course) before the ceremony truly gets underway.

Lyton and Eroline Lamontagne World Boutique Hotel Awards © Lavender's Blue Stuart Blakley

It’s a serious global operation. Director Schlomo Gabbai explains more: “There are many awards in the world of hospitality. But remarkably the World Boutique Hotel Awards is the only one of its kind that takes the time, care, and in all honesty, pure joy, to visit each and every prospective winner. We don’t judge from afar. We feel the full experience – the rooms, the grounds, the lobbies, the private islands, wilderness tents and castles. We see the attention to detail in every stitch of fabric and every crumb of food. Most importantly, our judges are always moved by the extraordinary people behind each establishment, by the people who pour their hearts and souls into creating timeless memories.” This year there are 300 nominees from 80 countries.

Esti Barnes and Jorge Lizarazo World Boutique Hotel Awards 2019 © Lavender's Blue Stuart Blakley

Carmen Romero World Boutique Hotel Awards © Lavender's Blue Stuart Blakley

Cheryl King World Boutique Hotel Awards London 2019 © Lavender's Blue Stuart Blakley

Merchant Taylors' Hall World Boutique Hotel Awards London 2019 © Lavender's Blue Stuart Blakley

Merchant Taylors' Hall World Boutique Hotel Awards Dinner © Lavender's Blue Stuart Blakley

Patcitalavila, Saran and Marndadee Pattaropong World Boutique Hotel Awards London 2019 © Lavender's Blue Stuart Blakley

The Seresinas World Boutique Hotel Awards © Lavender's Blue Stuart Blakley

World Boutique Hotel Awards 2019 © Lavender's Blue Stuart Blakley

Antonelli Puglisi World Boutique Hotel Awards © Lavender's Blue Stuart Blakley

Merchant Taylors' World Boutique Hotel Awards 2019 © Lavender's Blue Stuart Blakley

Elisabeth Visoanska World Boutique Hotel Awards London © Lavender's Blue Stuart Blakley

Elisabeth Visoanska World Boutique Hotel Awards 2019 © Lavender's Blue Stuart Blakley

Cally Squires World Boutique Hotel Awards London © Lavender's Blue Stuart Blakley

Abracadabra Pousada Winner World Boutique Hotel Awards Dinner © Lavender's Blue Stuart Blakley

The roll call of honours begins… Fond Doux Plantation and Resort in Soufrière, St Lucia, wins America’s Most Ecofriendly Hotel. It’s owned by Lyton and Eroline Lamontagne. “What I really like is that boutique hotels are niche – they’re all completely different and very personal,” believes Eroline. “They’re about hospitality. We own a plantation hotel in St Lucia. It is the heartbeat of the island. We do our bit for the island. There is nobody like us. It’s a working plantation. You can see how cocoa grows on trees and is then fermented before becoming chocolate.”

Overall Winner World Awarta Nusa Dua Resort Boutique Hotel Awards 2019 © Lavender's Blue Stuart Blakley

Villa Sostaga in Gargano, Italy, is awarded Europe’s Most Stunning View Hotel – it revels in a breathtaking panorama of Lake Garda. Owner Francisco Seresina reports, “It’s a 19th century building my family and I renovated in 2004 and opened the following year. Villa Sostaga is cosy and romantic and most of all has the real taste of a home. My wife and I personally look after it seven days a week. We are surrounded by a 40,000 square metre park. It’s kind of unique!”

Schlomo Gabbai and Overall Winner World Awarta Nusa Dua Resort Boutique Hotel Awards 2019 © Lavender's Blue Stuart Blakley

Bradley Goian and Antonelli Puglisi are joint General Managers of Wild Retreat which won Most Sustainable Restaurant in the World 2018. “We’re on the far west coast of Vancouver Island,” describes Bradley. “We’re 45 minutes by sea plane. We’re in the middle of the wilderness!” Antonelli adds, “It’s very much like an African safari in the northwest Pacific. There are killer whales, otters and eagles. We run an indigenous detox destination.” One of the 2019 winners is Mestyle Garage Hotel in Bangkok, Thailand. It wins Southeast Asia’s Most Inspired Design Hotel. “We have a garage theme of course,” says owner Phatthamon Sangratkanjanasin. She jokes, “My surname is quite long!”

World Boutique Hotel Awards Table Setting © Lavender's Blue Stuart Blakley

Elisabeth Visoanska, Founder of eco luxury skincare line Visoanska, is a sponsor and judge at the 2019 World Boutique Hotel Awards. She says, “Every winner stands for making their dream come true and each founding story could make the synopsis of a film. It is all about sharing your passions and executing them in the best way forward.” Wanderlust fills the air. Writer Cheryl King hails from Tennessee but now lives in Costa Rica: “South America is all about the food and the people. I want to see it all!” This year’s keynote speaker is CNN travel journalist Maureen O’Hare. Originally from Northern Ireland, Maureen is based at CNN’s London bureau. “Travel is exciting!” she proclaims. “It’s real life but better.” And now, for the overall winner… silence… drum roll… applause on standby… envelope opening… Awarta Nusa Dua Resort and Villas in Bali, Indonesia, is crowned the World’s Best Boutique Hotel 2019. Adieus! Goody bags! Carriages!

World Boutique Hotel Awards Dinner © Lavender's Blue Stuart Blakley

Categories
People

Cheryl King + Lavender’s Blue

Travel is So Sexy

Cheryl King © Lavender's Blue Stuart Blakley

“My name is Cheryl King.” Writer. Producer. Director.

Categories
Hotels Luxury People

Sir Simon Milton Foundation Gala Dinner + The Nine Kings Suite Royal Lancaster Hotel London

Lots of Fun

Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

The first charity ball of the season interlocked the party circuits of London life. After being bagpiped into a drinks reception flowing with Champagne Irroy and Bergerie de la Bastide 2015, Robert Davis MBE, Chairman of the Sir Simon Milton Foundation, welcomed guests to The Nine Kings Suite of the Royal Lancaster. There was much to celebrate. The Sir Simon Milton Westminster University College in Pimlico built by Taylor Wimpey Central London is up and running with bursaries funded by the Foundation. The Annual Tea Dance is now a fixture on the calendar for older Westminster citizens. Before the four course dinner began fellow Chairman John Barradell OBE said grace and Major General Matthew Sykes, Chief Executive of the charity, raised a glass to the Loyal Toast.

Royal Lancaster Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

Sir Simon Milton Foundation X © Lavender's Blue Stuart Blakley

The Silken Strings Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

Entertainment, heard and unheard, carried on through dinner. The Silken Strings, a female electrica strings trio, top conservatoires’ finest (they’ve performed with Sir Elton John, Queen, Rhianna and Take That), looked like models, played like angels and danced like dervishes. A silent auction included Christmas dinner for four at No.50 Cheyne (guide price £300; sold price £500). William Edwards fine bone china (used on the Belmond Orient-Express and at The Queen of Afternoon Teas in Café Royal) was a corporate supporter. The vast room was wall to wall with luminaries such as Lady Lucy French OBE, Executive Member of the Sir Simon Milton Foundation, and doyenne of PR Maureen Sutherland Smith. A tribute band, Abba’s Angels, got everyone on their feet. Actor Christopher Biggins compèred the auction, declaring “Some tables here have stronger finances than Greece!”

Christoper Biggins Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

Maureen Sutherland Smith and Lady Lucy French Sir Simon Milton Foundation Ball © Lavender's Blue Stuart Blakley

Categories
Architecture People Restaurants Town Houses

Deal Town Kent + Lady Dalziel Douglas

The Importance of Being

Deal Town Kent Beach © Lavender's Blue Stuart Blakley

It’s not every coastal town that has a restaurant run by a descendent of the lover of the greatest wit of the 19th century. But Deal in Kent isn’t just another coastal town. It’s chockablock with listed buildings without being chocolate box boring. The upwardly mobile relaunch of The Rose (firmly prefixing gastro to pub) complete with Tracey Emin prints hanging on the walls is simply the latest proof in the pudding (St Émilion chocolate torte tonight) of Deal’s rising status as Battersea-on-Sea. Roast Jerusalem artichokes with shallots and hazelnut dressing provide more memorable menu moments.

Deal Coastline Kent © Lavender's Blue Stuart Blakley

Deal Town Kent Boats © Lavender's Blue Stuart Blakley

Deal Town Kent Sunrise © Lavender's Blue Stuart Blakley

Deal Town Kent Pier © Lavender's Blue Stuart Blakley

Deal Castle Kent © Lavender's Blue Stuart Blakley

Deal Town Kent Esplanade © Lavender's Blue Stuart Blakley

Deal Town Kent House © Lavender's Blue Stuart Blakley

Deal Town Kent Houses © Lavender's Blue Stuart Blakley

Deal Town Kent Townhouse © Lavender's Blue Stuart Blakley

The Rose Pub Interior Deal Town Kent © Lavender's Blue Stuart Blakley

The Black Douglas Deal Town Kent © Lavender's Blue Stuart Blakley

The Black Douglas Deal Town Kent Family Portraits © Lavender's Blue Stuart Blakley

The Black Douglas Deal Town Kent Family Photo © Lavender's Blue Stuart Blakley

On a rainswept late Friday evening, The Black Douglas along Deal’s esplanade is an atmospheric hive of joyful activity. “My name’s pronounced ‘DL’,” says owner Lady Dalziel Douglas. There are a few visual giveaways. One is the sepia soaked photographs of distinguished aristos in court dress – lots of ermine on display. Another couple of clues are Dalziel’s cheekbones to slice Manchego with and her piercing blue eyes. She is of course the great great niece of Lord Alfred Douglas, the dashing poet better known as ‘Bosie’, Oscar Wilde’s amour. “My great great great uncle, the 9th Marquess of Queensberry, invented the Queensberry Rules of Boxing!” smiles Dalziel, pointing to one of the photographs. The Douglas clan motto is Jamais Arrière which means ‘Never Behind’. True to form, Dalziel confirms, “We were one of the first places to open in Deal of this nature. We’ve been here for 14 years and it’s given other people confidence to open up similar businesses.”

The Black Douglas Deal Town Kent Family Portrait @ Lavender's Blue

Just as The Rose and The Black Douglas have weekend dinners down to a tea tee, Deal Pier Kitchen upholds the great British breakfast tradition with a twist or rather lots of vegan twists. Eating the first meal of Saturday to the rhythm and splash of lapping waves is a must. Suspended over the sea at the end of a 1950s concrete pier, the café is in a timber and glass pavilion designed by Níall McLaughlin in 2008. The architect has continued Deal’s centuries old dedication to romantic maritime architecture.

Dalziel Douglas The Black Douglas Deal Town Kent © Lavender's Blue Stuart Blakley

Categories
Architecture Hotels Luxury

The Jetty Restaurant + Harbour Hotel Southampton

The Munificence and Counsel of Steel Magnolia

Ascot The Ashes Bisley © Lavender's Blue Stuart Blakley

Surrounded by a sea of sails, Harbour Hotel itself is tiered like a mega yacht, ship shape, a frozen avalanche of balconies cascading down to the pier. HGP Architects’ expansive use of glass walls and extensive rows of perimeter decks and extravagant square meterage of terraces exploit and expose nautical views to the hilt. The five star Harbour Hotel is the highlight of Ocean Village Marina. Patron Chef Alex Aitken runs The Jetty Restaurant which is on the ground floor of the ‘bow’ of the boat building. Daily catches fill the sea-to-plate menu. Alex’s plaice meunière affirms his mantra “fresh, seasonal and local”. For the more adventurous there’s always Poole Bay Oysters with Black Cow Vodka to sample. The top floor Harbar enjoys the best panorama of pontoons in Southampton. Sea Breeze cocktail, anyone?

Bargate Southampton © Lavender's Blue Stuart Blakley

River Itchen View Southampton © Lavender's Blue Stuart Blakley

River Itchen Southampton © Lavender's Blue Stuart Blakley

Marina Southampton © Lavender's Blue Stuart Blakley

Yacht Southampton © Lavender's Blue Stuart Blakley

Ocean Village Marina Southampton © Lavender's Blue Stuart Blakley

Harbour Hotel Southampton Hampshire © Lavender's Blue Stuart Blakley

Ocean Village Marina © Lavender's Blue Stuart Blakley

Habour Hotel Marina Southampton Hampshire © Lavender's Blue Stuart Blakley

Harbour Hotel Marina Southampton © Lavender's Blue Stuart Blakley

Harbour Hotel Entrance Southampton © Lavender's Blue Stuart Blakley

Harbour Hotel River Front Southampton © Lavender's Blue Stuart Blakley

Harbour Hotel Roofline Southampton © Lavender's Blue Stuart Blakley

The Jetty Restaurant Starter Southampton © Lavender's Blue Stuart Blakley

The Jetty Restaurant Main Southampton © Lavender's Blue Stuart Blakley

The Jetty Restaurant Pudding Southampton © Lavender's Blue Stuart Blakley

Categories
Architecture

Southampton + The Doors

Plain Sailing

Southampton Doors © Lavender's Blue Stuart Blakley

Southampton, where people like us live north of the Polygon and south of the Common.

Southampton Common © Lavender's Blue Stuart Blakley

Categories
Architecture Art People

St Patrick’s Church Murlog Donegal + Liam McCormick

Fragrant with Myrrh and Aloes and Cassia and Lavender

St Patrick's Church Murlog Donegal Old Church Tower © Lavender's Blue Stuart Blakley

Henry Mulholland, 4th Baron Dunleath, may have been referring to musical events but his erudite musings could easily apply to Murlog Church: “Excellence is not an exclusive right of the metropolis, quality is not necessarily governed by quantity and mood need not be dependent on magnificence.” Dedicated to St Patrick, this rural building is the epitome of restraint, of architecture and art pared down to elemental presence. It’s the second – and largest – of acclaimed architect Liam McCormick’s seven County Donegal churches. Two decades of building starting in 1955 produced Milford, Murlog, Desertegney, Burt, Creeslough, Glenties and finally Donoughmore.

St Patrick's Church Murlog Donegal Old Tower © Lavender's Blue Stuart Blakley

Liam’s patron at Murlog was Parish Priest Anthony McFeely, later Bishop of Raphoe. In 1959, prior to commencement of design, they set off on a mini Grand Tour visiting new churches in France, Germany and Switzerland. As a consequence, Ireland’s most northwesterly county was blessed with Continental influenced state of the heart ecclesiastical architecture. Liam described Father McFeely as, “A client who was not just precise about the brief but one who having reacted against the gimmickry in much contemporary Irish church architecture, made a point of going abroad to see the best European churches and assessing their spiritual quality.”

St Patrick's Church Murlog Donegal © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Roof © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Side © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Gable © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Garden © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Bell Tower © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Spire © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Stained Glass © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Window © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Roof Lantern © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Crucifix © Lavender's Blue Stuart Blakley

St Patrick's Church Murlog Donegal Baptismal Font © Lavender's Blue Stuart Blakley

A green apron of gradient slopes down to the site along the road between Lifford and Raphoe. Like all his other Donegal churches (except Burt which is stone faced), Murlog is painted roughcast plaster (once white, now custard cream). A covered entrance walkway links the bell tower to the main body of the church. The architecture has a distinctly Continental appearance, defined by geometry rather than decoration. A stone tower in the car park is all that remains of the Victorian church.

St Patrick's Church Murlog Donegal Tabernacle Vestibule © Lavender's Blue Stuart Blakley

The layout is a variation of the traditional cruciform plan with splayed walls and chevron headed extremities drawing the congregation towards the altar. An octagonal roof lantern lights the crisscross of the nave and transepts. Liam selected six artists to work on the interior. Patrick McElroy, who designed the tabernacle and baptismal font cover, recalls, “He was like the conductor of an orchestra, and you had to fit in with his idea… he certainly wanted original works of art… you got your area where you were to work, and all the artists knew each other… and Liam became a great friend to us all. He was a great man for having a night out!” Patrick Pollen created the largest expanse of stained glass in any Liam McCormick church. The windows are chevron headed, reflecting the floor plan. Stripped of sensuous frills and casual thrills, the architecture and art work together towards a sacred Gesamtkunstwerk.

St Patrick's Church Murlog Donegal Tabernacle © Lavender's Blue Stuart Blakley

Categories
Architecture Art Luxury Restaurants

No.50 Cheyne Chelsea London + Iain Smith

Chelsea Arbour

Cheyne Walk Chelsea © Lavender's Blue Stuart Blakley

So, 50 is the new brasserie. After a nine month rework, our favourite Chelsea haunt is up and running again. Sprinting even. It came at a price: a cool £3 million. Money well spent though: Lambart + Browne (Founding Directors Freddy van Zevenbergen and Tom Browning are from the school of Nicky Haslam) have created interiors that are at once luxurious and relaxing. Let’s start with the spacious upstairs drawing room. That’s where we’re ushered for pre drinks to meet Maître d’ David Gjytetza on the last evening of summer. It’s like being at a house party – if you’ve friends who own a Georgian property overlooking the Thames. All five tall windows are gracefully dressed. It’s clearly not curtains for curtains: significant drapes are joined by Roman blinds and generous pelmets. There are plenty of Nickyesque touches: curly edged bookshelves, squashy sofas, tweedy cushions, a host of antiqued mirrors (through a glass, darkly). The drawing room meshes highbrow bibliophilia with talented mixology: it’s somewhere to slake your thirst with a Garden of Eden Cocktail (Wolfschmidt Kummel, Champagne, apple and lavender shrub) while browsing The Collected Works of Robert Louis Stevenson. Such reserve, such reticence.

No.50 Cheyne Restaurant Chelsea © Lavender's Blue Stuart Blakley

In contrast, the intimate first floor cocktail bar is Chinoiserie red with midnight blue satin highlights. Such boldness, such sexiness. Drummonds sanitaryware is the ultimate sophistication signifier in the bathroom. The centuries old tradition of distractingly saucy cartoons of racy girls hanging on the walls is upheld. Downstairs, leather banquettes and stripy snug chairs are made for decadent dinners and languid lunches in the restaurant. Chandeliers with 50 shades radiate a soft glow. Such elegance, such comfort. General Manager Benoit Auneau joins us for a chat. Gosh, this place is friendlier than ever. The building was once a pub and it still feels like a local. A very upmarket local. “Cheyne is my baby,” says Benoit. “I’ve been here a long time.”

No.50 Cheyne Restaurant Chelsea London © Lavender's Blue Stuart Blakley

Owner Sally Greene (who’s also proprietor of Ronnie Scott’s Jazz Club in Soho and The Old Vic Theatre in Waterloo) lives nearby on Cheyne Walk in a house with a Sir Edwin Lutyens and Gertrude Jekyll designed garden. Splendid. Sally opened Cheyne Walk Brasserie in 2004 to great aplomb; its relaunch has gone and upped the aplomb.  She says, “My passion is creativity. My passion is looking for opportunities and just going for them.” During dinner, David tells us, “The split of guests is roughly 60 to 40 residents to visitors. We get people coming from Blakes Hotel and Chelsea Harbour Hotel too.” There are a few modelly types as well tonight. It’s a terrific British menu focused round the wood fire grill. We choose the scallops starter. Unusually, they’re served cold in a cucumber soup. Such flavour, such joy. Stuffed courgette flowers with aubergine caviar for main is a sumptuous artistic composition. Classic St Véran keeps things lively.

No.50 Cheyne Restaurant Chelsea Exterior © Lavender's Blue Stuart Blakley

No.50 Cheyne Restaurant Chelsea Sign © Lavender's Blue Stuart Blakley

No.50 Cheyne Restaurant Chelsea Head Chef Iain Smith © Lavender's Blue Stuart Blakley

No.50 Cheyne Restaurant Chelsea Flowers © Lavender's Blue Stuart Blakley

No.50 Cheyne Restaurant Chelsea Plasterwork © Lavender's Blue Stuart Blakley

No.50 Cheyne Restaurant Chelsea Cornice © Lavender's Blue Stuart Blakley

No.50 Cheyne Restaurant Chelsea Hall © Lavender's Blue Stuart Blakley

No.50 Cheyne Restaurant Chelsea Upstairs © Lavender's Blue Stuart Blakley

No.50 Cheyne Restaurant Chelsea Bathroom © Lavender's Blue Stuart Blakley

No.50 Cheyne Restaurant Chelsea Drawing Room © Lavender's Blue Stuart Blakley

We return to No.50 Cheyne on the first afternoon of autumn. Head Chef Iain Smith talks to us over lunch. We’re back in the coveted corner table (the best place to see and be seen). “There aren’t that many restaurants in Chelsea,” observes Iain. That wasn’t always the case. A scan through the 1975 edition of a Discriminating Guide to Fine Dining and Shopping in London by James Sherwood, Founder of Orient-Express Hotels, identifies 22 restaurants in the hallowed postcode enjoyed by No.50 Cheyne of SW3. Two prominent survivals are Daphne’s and San Lorenzo. There are six restaurants on King’s Road alone:

No.50 Cheyne Restaurant Chelsea Sofa © Lavender's Blue Stuart Blakley

  • Al Ben Accotto, 58 Fulham Road… “plain walls, Venetian lanterns overhead”… “the crème brûlée is a triumph”
  • Alvaro, 124 King’s Road… “genuine, small Italian restaurant”… “octopus with spinach in chilli sauce is delicious”
  • Au Bon Accueil, 27 Elystan Road… “small, pretty, cheerful Chelsea restaurant”… “vegetables are prepared with originality”
  • Brompton Grill, 243 Brompton Road… “patterned wallpaper surrounds, pink tinged mirrors engraved with clouds”… “unforgettable tartare sauce on fried scallops”
  • Le Carrousse, 19 to 21 Elystan Street…“The original decorator was David Hicks; the original owner, Geoffrey Sharp”… “miraculously unrubbery escargots”
  • The Casserole, 338 King’s Road… “trendy Chelsea King’s Road atmosphere”… “avocado filled with cottage cheese, walnuts and celery”
  • La Chaumière, 104 Draycott Avenue… “the most expensive bistro in London”… “the entrée is served with baked potatoes and salads”
  • Chelsea Rendezvous, 4c Sydney Street… “white painted brick walls, a profusion of fresh plants and paintings by Brian McMinn”… “fried seaweed is a delicious addition”
  • Daphne’s, 122 Draycott Avenue… “plush banquettes, gilt framed pictures and subdued lighting”… “Elizabeth Shaw chocolate crisps are served with good coffee”
  • Don Luigi, 330 King’s Road… “modern prints hang on clean white walls”… “Scampi Don Luigi is a speciality”
  • Meridiana, 169 Fulham Road… “the dining room itself is bright, airy, spacious, clean and bustling”… “pasta is excellent”
  • Minotaur, Chelsea Cloisters, Sloane Avenue… “quiet, cool and spacious atmosphere of a hotel dining room”… “fresh vegetables are imaginatively prepared”
  • Parkes, 5 Beauchamp Place… “bright coloured banquettes line the dining room walls”… “artichoke hearts in mustard soup is a delicious starter”
  • La Parra, 163 Draycott Avenue… “darkly atmospheric in spite of white rough plaster walls and almost cloister-like Spanish arches”… “vegetables are seasonal and well prepared”
  • Poissonnerie de l’Avenue, 82 Sloane Avenue… “long red carpet, long polished mahogany bar, wood panelled walls, cut velvet banquettes”… “scampi flavoured with Pernod on pilaff rice is perfect if you like the idea of that combination”
  • San Frediano, 62 Fulham Road… “one of the most popular of Chelsea’s trattorias”… “salads are fresh”
  • San Lorenzo, 22 Beauchamp Place… “so popular is Lorenzo at lunchtime that it’s very hard to get in”… “in summer the favourite way to begin a meal is with either Mozzarella or Creolla salads”
  • San Martino, 103 Walton Street… “an attractive restaurant with a happy, bustling atmosphere”… “salads are drowned in dressing”
  • Sans Souci, 68 Royal Hospital Road… “the single long room has banquette seats down each side”… “salad dressings are, as the sauces, very very good”
  • Trojan Horse, 3 Milner Street… “freshly decorated in bright nurseryh red and blue with a few amphoras on door lintels”… “the rice is excellent and sauces are well blended”
  • 235 Kings, 235 King’s Road… “one of Chelsea’s most popular and trendy restaurants”… “vegetables are nicely undercooked”
  • Waltons, 121 Walton Street… “Louis XV chairs, stainless steel chairs, and even a beautiful canopied sofa at a table for six”… “soups are wonderful, especially one of fennel and courgettes”

No.50 Cheyne Restaurant Chelsea Starter © Lavender's Blue Stuart Blakley

Iain is a protégé of celebrity chef Jason Atherton. He previously worked at Social Eating House Soho and The London Edition Hotel Fitzrovia. “I’ve found my home here!” he enthuses. His interview was cooking a 14 course meal sampled by Sally. “One of my greatest challenges was to win over regulars as this was already an established restaurant.” That challenge has been met and surpassed: “Our 100 covers are full almost every night!” The salmon tartare with avocado starter is a new cold delight. Another aubergine main, this time stuffed with piperade quinoa, proves Iain knows his onions – and fruit. We’re crème brûlée connoisseurs so on both recent visits pudding is an easy choice, especially when served with Russet apple compote and lemon sorbet. “It’s comfort food taken to a new level,” is how Iain describes his cooking. Can this Chelsea destination get any better? “We’re adding a private dining room for 30 to 40 people,” reveals David. Even better.

No.50 Cheyne Restaurant Chelsea Main © Lavender's Blue Stuart Blakley

Categories
Architecture Restaurants

Strabane + The Doors

Prints Charming

Strabane Doors © Lavender's Blue Stuart Blakley

Strabane, 18th century Ireland’s capital of publishing and printing.

Categories
Art Design Luxury People

Africa Fashion Week London + Nigeria 2019

Talks and Walks    

Live AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

It’s the most deliciously distinguished date of distinction on London’s August calendar – the Capital’s not-so-quiet summer month. The largest annual African fashion event in Europe. Yes, for one weekend Freemasons’ Hall Covent Garden plays architectural host to catwalk shows and exhibitions complemented by an African souk and food village. Welcome to the Grand Temple of African Style! A new addition this year is the Business Fashion Forum powered by EPG Media. Insightful talks and informative panel discussions feature guest speakers from the Mayor of London’s Office, Department of Trade UK and the V+A Museum not forgetting British perfume sensation Azzi Glasser. 

AFWL Africa Fashion Week Covent Garden © Lavender's Blue Stuart Blakley

Princess Ronke Ademiluyi is the esteemed founder and owner of Africa Fashion Week London and Nigeria. Known informally as “Rukkies”, she is a London trained lawyer. So how did she gracefully make the transition from Suits (law) to suits (fashion)? Her Royal Highness: “When I was in the university whatever I wore to school used to get a lot of compliments. At some point I thought why not make a business out of it? I often bought stuff for some of my fellow students, dressed them up and styled them. That is how the whole fashion thing came about.”

Showcase AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

Both London and Nigeria have been absolute runaway successes. Princess Ronke reveals, “Africa Fashion Week Nigeria has by the grace of God become the biggest driver in Nigeria for emerging brands. The London event is very mainstream in the sense we have a lot of mainstream media, fashion buyers and organisations who attend to see the latest coming out of Africa because it involves the 54 African countries. It is still promoting our culture as well because our fashion is our culture – it translates our cultural identity.”

AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

Joseph Farodoye, CEO of EPG Media announces, “This is a moment in history. We are an amazing bunch of people – beautiful, resilient! My mother says, ‘If you know better do better!’ Africa Fashion Week London has celebrated over 900 designers. When Ronke set it up it was for aspiring designers who are now established designers. “It’s now the largest and longest running culturally diverse fashion and trade exhibition in Europe. Let’s begin to change the narrative of the landscape – we are a vibrant people!” There’s liquid refreshment too seeping through all this glamour: Amarula. This drink is made from the Marula fruit of Sub Equatorial Africa. The Marula spirit is distilled and aged in French oak for two years then blended with a velvety cream to create the smooth taste of Amarula. Yesterday’s dream.

Backstage AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

Designers AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

Vanessa Gounden Africa Fashion Week London © Lavender's Blue Stuart Blakley

Becca Apparel AFWL © Lavender's Blue Stuart Blakley

Becca Apparel Africa Fashion Week London © Lavender's Blue Stuart Blakley

Makeup AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

Beauty AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

Style AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

AFWL © Lavender's Blue Stuart Blakley

Model AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

South African fashion designer Vanessa Gounden believes in merging creativity and business to be sustainable. “My husband and I are activists involved in the liberation. I’ve always had a passion for fashion!” she exclaims. “What is my actual USP? It’s an activist expression of wearable art – the very essence of how we can be more feminine and responsible. I’ve created an integrated atelier proud of ‘Made in South Africa’ goods that can compete in the international luxury market.” Vanessa Gounden is now open in Soho London’s Ham Yard Village. Today’s fashion; tomorrow’s vintage.

Hairstyle AFWL Africa Fashion Week London © Lavender's Blue Stuart Blakley

Elisabeth Murray, Curator of Modern Fashion at the V+A, says the museum is “an amazing resource for designers and makers”, adding, “there are around 80,000 fashion and textiles objects”. Janet Browne, Senior Producer of Audience Development at the V+A Learning Academy, predominantly works with black audiences at the museum. Her aim is to “celebrate difference and tell the difference through narratives in the collections”. There are around 4,500 objects from Africa and its diaspora. Janet confides, “My favourite is the bust of a black youth made in the 18th century which stands proudly in the Europe Gallery. He has no collar so he wasn’t enslaved. We believe he was probably a gondolier who worked for himself in Italy. The bust is made of marble with glass buttons. I love him!”

Africa Fashion © Lavender's Blue Stuart Blakley

Africa Fashion Week London is packed with other fashionable dignitaries taking part. To name just a few: Her Royal Highness Queen Diambi Kabatusuila Tshiyoyo Muata of the Democratic Republic of Congo; Her Excellency Erelu Bisi Fayemi, First Lady of Ekiti State, Nigeria; and Her Excellency Mrs Olufolake Abdulrazaq, First Lady of Kwara State, Nigeria. August isn’t August isn’t august without Africa Fashion Week London. And Christmas isn’t complete without Africa Fashion Week Nigeria. As for the First Lady of Fashion, Mary Martin, after triumphantly showcasing her premier menswear collection at Africa Fashion Week London she’s flying off to present the highlights of her show at Africa Fashion and Cultural Week, Malabo, Equatorial Guinea.

Vanessa Gounden Material © Lavender's Blue Stuart Blakley

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Architecture Country Houses Design Fashion Hotels Luxury People

La Divine Comédie Demeure Privée + Spa Avignon

A Sense of Theatre

Rooftop View La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

A private paradise. A secret world. A hidden kingdom. Cloistered glory. The very essence of exclusivity. If luxury could be bottled… heavenly scent. A multiple epiphanic realisation of complete beauty and tranquillity. Not even a Gallic Frances Hodgson Burnett could dream up the discreet walled splendour of La Divine Comédie. Although Colette comes pretty close in Gigi: “Such a beautiful garden… such a beautiful garden.” Its only outward expression, an enigmatic public face, is an ivied arched wooden gate at the end of a laneway off Rue Sainte Catherine or is it Rue des Bains or Rue Saluces? Such is the labyrinth that is old town Avignon. Corrugations of sunshine ripple across the lawn and climb over a card table. Gigi again, “What about a game of piquet?”

Rooftops View La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

“We called it La Divine Comédie after the many theatrical connections of Avignon,” explains co owner Amaury de Villoutreys, a former financier. There are two theatres – Théâtre Golovine and Théâtre du Chêne Noir – within Galilean binoculars view of the house. A diorama of a stage in the dining room reinforces the theme. Distinguished architectural historian Dr Roderick O’Donnell reckons, “As Chaucer is to English, so Dante is the father of spoken Italian. Donald Tusk, President of the European Council, referenced Dante when he quipped there is a ‘special place in hell’ for certain politicians.” This could well be the beginning of always.

View La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Trees La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Terrace La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Pool La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Garden Pool La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Swimming Pool La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bench La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Urn La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Pond La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bust La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Table La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Swag La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bamboos La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Night Lantern La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Lantern La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Perspective La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Garden View La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Exterior La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Orangery La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Upper Floors La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Shutters La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Eaves La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Pavilion Table La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Pavilion La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Pavilion Bust La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Pavilion Coronets La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Staircase Hall La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bannister La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Stairs La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Night Time Stairs La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Landing La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Landing Table La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Staircase Rooflight La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Attic Stairs La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Dining Room La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Elephant La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Horse La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Taxidermy La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Chess La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Drawing Room Mantelpiece La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Drawing Room Statue La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Drawing Room Shadow La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Drawing Room Sculpture La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Drawing Room Door La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bedroom La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bedroom Diorama La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bedroom Chandelier La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bedroom Boat La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bedroom Mantelpiece La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Bathroom La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Dog La Divine Comedie Hotel © Lavender's Blue Stuart Blakley

Dog La Divine Comedie Avignon Provence © Lavender's Blue Stuart Blakley

Dog La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Cat La Divine Comedie Avignon © Lavender's Blue Stuart Blakley

Five guest suites breathe and stretch and spread and sprawl across three uncrowded bedroom floors, louvred shutters flung open to the birds tweeting leaves rustling church bells peeling. The Cat by Colette, “Above the withered stump draped with climbing plants, a flight of bees over the ivy flowers gave out a solemn cymbal note, the identical note of so many summers.” Last used as a school, the stone house – dating from the 18th and 19th centuries – is so tall yet not as tall as its smothering of ancient plane trees. Remnants of the 14th century palace of Cardinal Amédée de Saluces, ghostly tracery of the past, are imprinted on the garden wall. A 15 metre swimming pool lies hidden behind dense bamboo woodland. The perfumed aroma of musk and civet intensifies with the heat of a lost summer afternoon. Piquet time.

Cat La Divine Comedie Avignon Provence © Lavender's Blue Stuart Blakley

La Divine Comédie is the outcome of a revelatory seven year conversion and restoration programme. The interiors radiate confident good taste: the other co owner Gilles Jauffret is a leading decorator. Antique pieces, vintage finds and contemporary artworks are mixed with bravura under rococo’d ceilings. There’s an elephant in the (sitting) room. Pictures in the staircase hall are hung as close as stamps in the style beloved by Min Hogg, Founding Editor of The World of Interiors. Light selectively permeates the spaces through internal French doors and rooflights. The Cat once more: “The zone of shadow… the zone of shadow…” Persian siblings Gaston and Simone curl playfully on matching grey chairs. Thédule the Weinheimer blends in with the suede cover of a garden seat while alfresco quail’s eggs breakfast is served. Such pedigree.

Cat La Divine Comedie Avignon Hotel © Lavender's Blue Stuart Blakley

Categories
Architecture

Avignon + The Doors

French Collection

Avignon Doors © Lavender's Blue Stuart Blakley

Provençal not provincial.

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Architecture Luxury

Place de l’Horloge + Hôtel des Monnaies Avignon

Minted

Place de l'Horloge Avignon Provence © Lavender's Blue Stuart Blakley

Like the writer Susan Sontag, we choose to view the world as an aesthetic phenomenon. And nowhere more so than in the City of the Popes amidst the swags and swagger of such forceful architecture. A busker with a cat plays an organ in Place de l’Horloge. “Look,” the busker says pointing to the cat’s bed under the organ, “he lies on an iced blanket to keep him cool in the heat. I have 29 cats altogether.”

Place de l'Horloge Avignon © Lavender's Blue Stuart Blakley

Hotel des Monnaies Avignon © Lavender's Blue Stuart Blakley

Hotel des Monnaies Avignon Provence © Lavender's Blue Stuart Blakley

Organ Busker's Cat Avignon © Lavender's Blue Stuart Blakley